Morbosidad – Corona de Epidemia

Hailing from Houston, Texas, home to a few great USBM bands, Morbosidad are more likely known for the Spinal -Tap-like deaths of two of their drummers (one in an explosion in the rehearsal room and the other from falling of a building). Multiple lineup changes have plagued this band as well with the only remaining member being Tomas Stench. Due to such changes all releases differ immensely save for aesthetics and Spanish lyrics. Being released on Nuclear War Now! Productions, it is very easy to predict what this band has to offer musically (or lack thereof).
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Mournful Congregation: The Incubus of Karma

Australian funeral doom Mournful Congregation return with their latest offering after a four year hiatus.  Initially demonstrating a style in the vein of overly melancholic eurodoom bands, this four piece have slowly shedded the lugubrious sound of their former works in exchange for a more pensive and maximalist vision. Developing the ideas from their last full length The Book of Kings, Mournful Congregation create musically literate and complex songs that dance on the line between being nostalgic 70s rock and accessible funeral doom.

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Susperia- The Lyricist

Susperia claim to be a Norwegian black metal that now plays melodic thrash metal.  Most of the members of this band have been involved with some fairly big projects as session players.  As a band they have spent the last 18 years playing some fairly standard commercial metal in the hope of actually breaking out in the way of Dimmu Borgir and Nightwish. But as either metal or a pop album, The Lyricist fails miserably.
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Power Trip – Nightmare Logic (2017)

Every year we are treated to an endless amount of ridiculous lists.  It seems that any individual with the ability to express their opinions is obligated to share their Top 10 or top 20 metal releases that more often than not echo the same three websites.  The bands that enter such lists tend to come in two varieties: veterans rehashing the same ideas in a more streamlined fashion and those who trick their audience via the use of gimmicks and presenting a familiar product with slightly different aesthetics as the next big thing.  In these last two years, speed metal has conquered the number 1 spot of most of these lists.  Last year Vektor’s Terminal Redux ruled the metal lists by far with it’s melody derived from Voivod and the phrasings from Destruction’s Eternal Devastation all held together in long sloppily composed epics… ultimately resulting in an above average album but a strong move for the funderground.  This year, Texans Power Trip succeed in winning the “funderground 2017 award” with their second album Nightmare Logic.  The Speed metal revival movement has finally found its idols to guide it’s path of remaining in the past and offering the most faithful reproduction of late 80s speed/thrash.

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Abigor – Höllenzwang (2018)

Abigor are back with their 9th album, which is sadly a continuation of the ideas on Leytmotif Luzifer.  Hailing from Vienna in Austria, Abigor definitely have the style and look associated with their hometown but even in arguably their last bad work : Nacthymnen ( From the Twilight Kingdom) they have always lacked substance in comparison to the greats in the European black metal style.  Leytmotif Luzifer was Deathspell Omega worship with the remnants of what could be qualified as generic second wave black metal. Here they continue in that substanceless yet somewhat more refined method of songcraft….

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Elegiac Black Clouds of War 2018

Elegiac is a one man band from California formed in 2014 by sole composer Zane Young, whom has released a large number of records under the name of Elegiac- far too much for any band yet alone a one man band.  Like many bands of this generation, Elegiac play a basic form of black metal that can be described as the bastard child of Bathory, Satanic Warmaster and generic modern rock.  This is not what one expects from USBM at all despite their promo toting this release as the return of the micro genre’s glory days.
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A Discussion on The Metal FAQ: Section 1.1

The Death Metal Underground FAQ is an ancient yet valuable and reliable document full of information to help the less initiated grasp some of the simpler aspects of metal.  It is also a wonderful attempt to actually explain the Hessian ideals, culture and music.  The music section is particularly small and contains a fairly large amount of information and therefore it is time to open it up and go into the details of the points mentioned and what needs to be changed, for it is only through constant analysis of past work can we build upon them and progress.

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Demonomancy- Poisoned Atonement


Review by Nicholas Vahdias

An Italian 3 piece from the legendary city of Rome, Demonomancy released their first demo in 2010 and have since released an album and another demo.  Poisoned Atonement marks their decade as a band although few are aware of their existence. They claim to champion the freedom of a sick soul held back by the shackles of the human body but ultimately deliver medicore war metal with cringeworthty aesthetics.

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