When I was a child, I lived near a park that was awesome because two-thirds of it was just natural woods, and the rest was a lake and a small lawn area. You went there to fish or walk in the woods, and you had a good time because you were not in a human space, but a natural one.22 Comments
[Join DMU editor Brock Dorsey on the first of a two part massacre of the soy metal sub genre that has bastaradized black metal beyond the belief! Also, this image is an actual cover from an actual post black metal album- you can’t make this stuff up!]
Post black metal was an embarrassing sub genre of soy metal. Built upon a foundation of either screamo, pop punk, metalcore, math rock, shoegaze, or avant-garde and fused with the most minimal touches of black metal, post black metal was a flavor of the week(/weak) trend that lasted from around 2009 to 2014. The genre name is misleading, however, as most bands only claimed to be metal and incorporated only slight touches of metal characteristics before abandoning them completely in future releases. As indicated by its core standard bearers being dropped by labels, performing terribly in sales and Facebook likes, and being forgotten by fans, post black metal has finally passed away. As we lay it to rest with one final cremation in the SMR fashion, let us learn from its failings as the future looks to more traditional forms of heavy metal to restore a once proud genre.
First, we must understand metal history to understand how such an abomination could happen, as Post-black metal followed a number of flavor of the week black metal trends and bands. The first of these, symphonic black metal, sent many fans of the original (true) black metal genre into a frenzy with their incorporation of gothic influences. What was to come would be much worse, however, as the soy metal bands marketed as black metal would prove to be far more embarrassing than the Victorian campiness of Cradle of Filth or the industrial meddling of …And Oceans. The next flavor of the week black metal trend was cleverly concealed in a cloak of static, but the hipsterisms of “depressive black metal” would soon be known to the world. Time was not kind to the legacy of Xasthur and Leviathan, both of whom are now widely panned against the metal community, as where the thousands of “bedroom black metal” clones who polluted Myspace. With many short lived flavor of the week trends (such as “Norsecore” and “Cascadian black metal”) and bands (Kult ov Azazel, Inquisition) in between, the soy metal- black metal hybird that was post black metal was the next successful marketing scheme to deceive young and retarded metal fans alike.
Performed mostly by wealthy but useless trust fund kinds from liberal cities, post black metal was to metal as emo was to rock music: feminine, tame, and a complete and utter bastardazation. Thus, post metal was eventually abandoned by its former fans, spat on by the metal community, dropped by metal/rock record labels, and remembered poorly by music lovers. Much like how the rent some of its musicians was eventually cut off from their parent’s bank roll, post metal was eventually told to stop leaching off the metal community so that the genre may maintain a shred of dignity.
Brace yourselves for an infernal evisceration unlike aynthing you’ve ever seen before, because in this edition of SMR, we won’t just be sadistically reviewing albums…
…we’ll be sadistically reviewing careers.
Tags: altar of plagues, archgoat, art rock, Black Metal, burzum, cradle of filth, drone, drugs, dsbm, ghost bath, hipsters, Hunter Hunt Hendrix, Leviathan, liturgy, magazine, metal, metal-archives, nuclear blast, post-black metal, post-rock, sadistic metal reviews, screamo, smr, soy metal, trust fund kids, vice, wolves in the throne room, xasthur
As predicted here, the takeover of underground metal by late hardcore tinged substitutes has failed. This music, which we might call “soymetal” because it appeals more to the emo hardcore audience than the feral and realistic traditional metal one, took over because after the underground fizzled in the hands of NWN/FMP impersonators, labels found a new audience in whiny millennial SJWs. (more…)11 Comments
I originally got this album as a promo when it first came out about ten years ago. I enjoyed it enough to purchase a copy and to look forward to future releases by the band. Xerion hails from Silesia in NW Spain, the same region that birthed General Francisco Franco. Xerion prefers simple, rugged, durable riffs and songs that assemble into a solid, functional album.12 Comments
For years, Nuclear War Now!’s forum has been the haven for life dropout D&D neckbeards searching for some form of friendship and community. But according to website tracking metrics, the site has seen a massive decline in it’s traffic over the past 6 months. While viewership of metal sites can rise and fall unpredictably on metal sites, the above statistic should frighten anyone who cares about keeping their site relevant. Sites with active forums should be doing much better than your the average blog-style metal site, so the numbers above show an unforgivable descent into irrelevancy.
But given that the site is predominantly frequented by war metal fans that have no regard for actual music, the crash in interest also proves something far bigger: war metal, as a sub genre, is in its last days.57 Comments
(Join DMU Legend Johan Pettersson for what may be the most expansive analysis of power metal ever presented in the first of a 3 part series. Listen to the accompanying suggested listening here)
Of all the subgenres and styles that fall within the metal spectrum (hence excluding unmitigated relapses into rock such as death’n’roll, stoner, nu- and indie metal), power metal most definitely counts as the one that has received the highest amount of scorn and ridicule from critics, fans and outsiders alike. (more…)16 Comments
Tags: accept, Angel Witch, black sabbath, blind guardian, britain, Dio, Europe, German rock, Heavy Metal, hellhammer, helloween, Introduction to Power Metal, iron maiden, jag panzer, judas priest, kreator, mercyful fate, metal history, metallica, NWOBHM, Omen, power metal, Queen, queensrÿche, rainbow, Ronny James Dio, Running Wild, Satan, Savage Grace, slayer, traditional heavy metal, United States, Uriah Heap, US Power Metal, USPM, Yngwie Malmsteen
Very little introduction is needed as Dismember ruled upon the burgeoning Swedish death through this album that took the punkier style of ancestor Carnage and injected a greater does of the NWOBHM to make something much greater than the meager sum of its parts:11 Comments
A proper Hessian knows his metal music intimately. He understands the moving parts and how they fit together to form a functioning whole. Just as a Hessian understands his music, he will also understand his weapons. What better way to understand our weapons than to build one ourselves? AKs are rather easy to build, but require some more expensive specialized equipment. ARs are also quite easy to build, and because of their ingenious modular design, one can either build a complete AR or one can build half an AR for use with already extant other halves. Because building an AR lower is somewhat more complicated and requires some more expensive equipment, today we will focus on building your own AR upper. You will see from the crappy pictures, taken with my old flip phone, that one needs no specialized facilities to do any of this – I did it in my spare bedroom in about 45 minutes. Recommended listening while building: Immortal’s “Battles in the North.”
Wrestling is the oldest sport in existence. One can find it in any culture on earth, Egyptian hieroglyphs depict various techniques, Islam recognizes it as one of the main sports for preparation in combat and European knights trained extensively as a lot of armored fights quickly become tests of who could pin who to be able to deal a finishing blow with a dagger through the gaps in the plate armor. Throughout the years wrestling has proven to be the best art for all forms of combat as every region in the world has at least one form of indigenous wrestling.
There is an Instagram group known as “Riffsandbeards” that is currently running a contest until March 13 awarding prizes to whoever in the USA can contribute the best riffs meeting the following criteria: you must download and write to the given sample drum beat, and you must upload the video of yourself playing your riff to the beat in two weeks from when the contest was announced. You can view everyone’s contributions by searching for #riffsandbeards3 on Instagram. Given that the only people playing guitar anymore that use social media are modern metal guitarists, the results are an interesting window into the mind of the modern player and broadcasts the pitfalls therein in blaring, naked transparency.11 Comments