Upcoming Black Sabbath: The End of the End Concert Film

Black Sabbath have an upcoming concert film of their last ever show hitting cinemas for one night only this September. The End of the End is coming to about 1500 theaters on September 28th and includes live in the studio footage of Sabbath playing material that they did not cover on their final The End tour. Sadly Bill Ward was not included. Tickets are available here.

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Upcoming Black Sabbath Splatter Vinyl Boxed Set

Black Sabbath are releasing an upcoming splatter vinyl box set of their entire original first run of albums with Ozzy Osbourne performing vocals. Sound quality does not seem to be the name of the game for The Ten Year War as everyone with any experience listening to LPs on a big boy turntable setup knows that splatter vinyl almost always sounds terrible. Rather The Ten Year War is a collectible for obsessive-compulsive Sabbath maniacs and hipsters who will play and probably ruin the not very high-fidelity splatter discs on some cheap turntable from Amazon or Target.

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Upcoming Black Sabbath Live DVD

Black Sabbath guitarist and primary composer Tony Iommi let loose in a recent interview that following the band’s final The End tour, they spent three days recording footage for an upcoming live DVD according to Blabbermouth. Hopefully, the DVD will feature better better vocals from Ozzy Osbourne than the recent tour and cover a wider breadth of material than the limited set list of said tour. Hopefully, interviews will provide more insights and golden nuggets than Tony Iommi’s erratic autiobiography.

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Ereb Altor Premier “En Synd Svart Som” Music Video

Swedish viking themed heavy metal band Ereb Altor premiered a new music video, “En Synd Svart Som” from their upcoming album Ulfven, which comes out July 7th on Hammerheart Records. Ereb Altor of course worship Hammerheart era Bathory but of course more boring with the rhythm section giving hints of being rooted in metalcore. Hopefully the rest of the tracks on Ulfven will have less wailing, less breakdowns, and more riffs. Hopefully the composition will actually progress to something interesting.

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Cromlech & Into Oblivion June 16th Show

Cromlech are playing a show June 16th in Toronto, Canada to celebrate the release of their recent Iron Guard EP. Opening are Into Oblivion (with whom Cromlech share three members) and Traitor. Toronto heavy and power metal fans should check this out.

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Pagan Altar Readies Room of Shadows

New Wave of British Heavy Metal Band are finally releasing their long in the words album, Room of Shadows. Room of Shadows consists of unreleased vocal tracks from deceased frontman Terry Jones that were supposed to be released as Never Quite Dead in 2014. Never Quite Dead was delayed, the instrumental tracks were rerecorded, and the album became Room of Shadows, which is to finally see release on Temple of Mystery Records on August 24, 2017.

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Rotten Copper – Rotten Copper (2017)

Living in a dying time presents as many troubles as recording in a dying genre. Something went wrong with metal in 1995, and since that time we have had big oaf idiot metal from the NWN/FMP types which bores us, versus popular metal music which is vapid and consumerist at its core and so has nothing to offer of substance.

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Stoner Rock Is Not “Doom Metal”

Earlier this year, independent music distribution platform Bandcamp claimed that many stoner rock bands are in fact doom metal. This is a common logical fallacy based around associating the pace and instrumental tone of the music with actual musical content. The stoner “doom” trend of bands that started in the late 90s and early 2000s and has continued non-stop right up until the present almost twenty years later was one of the earliest hipster attempts to assimilate heavy metal before the waves of speed, death, and now black metal aesthetics rehashed into pop rock for the safe space generation.

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Cathedral’s Creeping Death

Death metal had been well established for years by the early 90s. The genre was rapidly becoming an arms race of technicality with many bands attempting to use studio trickery to make records far beyond their musical ability in attempt to compete with their best contemporaries, e.g. Morbid Angel. Many brought in hired shredder studio musicians like James Murphy with drum tracks copy and pasted together onto tape from drum samples and “played” live with triggers activating those same pre-recorded samples at the slightest touch. At the same time, good grindcore bands were turning into second-rate death metal ones or worse, lame “melodic hardcore” which turned hardcore punk aesthetics into slit your wrists whine pop.

Lee Dorrian, vocalist of Napalm Death on the b-side of Scum and From Enslavement to Obliteration, was disgusted by Napalm Death writing material incorporating the worst, bouncy hit people aspects of death metal in an attempt to reach a wider audience and quit the band in 1989. He soon formed Cathedral with Gaz Jennings and Mark Griffiths over a shared love of older heavy metal bands such as Black Sabbath, Candlemass, and Witchfinder General. Demos and an album on Dorrian’s old label Earache quickly followed.

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