Lilou & John – Patriot Child (2018)

Most people compare this music to Motorhead, but in my mind, it resembles a fusion between Black Flag and folk music like the old Bob Seeger tracks that limousine liberals pretended to like along with their Harry Belafonte and Leonard Bernstein LPs. A strong punk energy and rhythm pervades the music while a vocal-driven melodic sense guides each song to a quasi-ironic, bittersweet but triumphant conclusion.

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Godflesh – Post Self (2018)

If someone goes on this tour, make sure to hand Justin Broadrick a telephone to signify that this album has been phoned in. As the term implies, when content creators are no longer focused on making their work significant, an “it’ll do” mentality results. This fits within what Godflesh and related Broadrick-acts have done through their careers.

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Ministry Releases “Antifa,” Promptly Sets A Trashcan On Fire And Collapses In A Pool Of Its Own Urine

Continuing his existence as a walking anti-drug ad, Cuban/Norwegian musician Al Jourgensen and whoever he has hired this week released “Antifa,” a track from the upcoming Ministry album AmeriKKKant on Nuclear Blast Records. In a desperate bid to remain relevant, Jourgensen has adopted a hybrid of Millennial politics and Baby Boomer sanctimony in a move that will alienate his Generation X fanbase.

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Roots of Evil: The Origins of Metal

With the fiftieth anniversary of metal music around the corner, forthcoming years will witness an increase of publications dealing with the history, legacy and defining characteristics of the genre. This could finally resolve the lack of consensus that still exists regarding the definition and origins of heavy metal.

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This Ends Here / The Conqueror Worm – This Ends Here / The Conqueror Worm (2017)


Review contributed to Death Metal Underground by Jon Browning.

This Ends Here / The Conqueror Worm is a not totally godawful, self-titled punk split from the bands of the same names. You won’t want to shoot half of them after listening to it if you’re that bored you know. This Ends Hear’s a-side consists of atmospheric d-beating crossover similar to Discharge crossed with Celtic Frost to create punk with the same tempo as 1990s post-hardcore and atmospheric sludge with none of the outright guitar wank and junkie idiocy. While listeners have probably heard the standard d-beat rhythms, the influence from the stranger, melodic side of speed metal (Sabbat and the Brazilians) and later post-hardcore gives them strength beyond the robotic machine punk guitar wank of bands like Martyrdod. This Ends Here would do well to get rid of most of their bluesier attempts at atmosphere in future material or better integrated it into flowing compositions similar to the better Celtic Frost influenced death metal like Autopsy and Obituary – Cause of Death¬†you know.

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Bad Brains Frontman Has Bad Brain


Article contributed to Death Metal Underground by Lucius Vorenus.

As reported on by basically every publication ever since bourgeois liberals were forced to learn the name ‘Bad Brains‘ by the graceful ascent of nebulous DC Rastagandist hardcore act into Rock and Roll Hall of Fame reject status, singer H.R. (Huge Rasta) is preparing to undergo brain surgery to correct SUNCT (Section-8 Unemployed Nation-of-Islam Crackrock Tension) on February 21. Huge Rasta has been using “holistic substances” to treat his bad brain. I asked my girlfriend what she thought, given that she listens to music that is thematically much more similar to Bad Brains (i.e. Minor Threat, Black Flag, MOI, TLC, Destiny’s Child, Kelis, Lady, et al) and she pointed out that the guy from Bad Brains has a bad brain. In addition to being a woman, she is wrong inasmuch as the soberly considered thematic direction of the album is that of facilitative Afropunk proto-nationalism. H.R. even managed to upset the singer of Cro-Mags by playing Louis Farrakhan tapes in the van.

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