Classic hardcore band Agnostic Front, who helped develop the NYHC sound along with the Cro-Mags, are embarking on a short tour to bring the hardcore reality to towns blighted by normie ideation.
28 CommentsTags: agnostic front, Hardcore, punk
Disfear – A Brutal Sight of War (1993)
Perfect World – War Culture (2021)
New York Hardcore after the 1980s tried to work in the cosmopolitan sound of universal urban life, bringing in rap rhythms in the vocals and slightly bouncier, rock-style riffs, but Perfect World dials back the balance so that the influences come second to punk and metal riffs.
3 CommentsTags: Hardcore, perfect world
John Joseph Joins Danzig in Lambasting Cancel Culture
Although Death Metal Underground, as a site run by veteran free-speech activists who crossed over from Leftism to Nihilism, has opposed “cancel culture” — a variety of “political correctness,” itself just another version of humans attempting to control reality through appearance and emotion — for some time, not only Glenn Danzig but now John Joseph from the Cro-Mags are speaking up:
32 CommentsTags: cancel culture, cro-mags, Hardcore, john joseph
Cro-Mags Drop New Single “2020” From Upcoming EP 2020
Legendary abrasive hardcore band Cro-Mags releases its new EP, 2020, on Friday December 11, 2020, and published the single of the same name recently to announce this new recording. The single reveals a new technical metal, emo, and metalcore influenced edge to the classic Cro-Mags sound.
9 CommentsCro-Mags Slot New Album In The Beginning Release For June 19, 2020
From Mission Two Entertainment (the successor to Tony Brummel’s Victory Records) comes the first Cro-Mags album in two decades, featuring the new lineup of Harley Flanagan on bass/vocals, Garry Sullivan on drums, and Rocky George and Gabby Abularach on guitars.
2 CommentsTags: cro-mags, Hardcore, Hardcore Punk
Disfear Re-Issues Soul Scars On Vinyl For 25-Year Anniversary
Swedish crust punks Disfear have announced that their debut record Soul Scars will be reissued on vinyl LP on May 8th, 2020. The band, famous for their hybrid of d-beat hardcore, grindcore, and Swedish style melodic death metal introduced the most complete form of their sound on that album.
7 CommentsG.I.S.M. – Detestation (Dogma, 1984)
For us Westerners, many forms Japanese non-traditional music carry an awkward, or even amusing air of exotism. When it comes to metal and punk, this sense of other-ness often stems from the way European-descended musical genres get filtered through a cultural lens largely alien to its original source. Even when it comes to obvious carbon-copy tribute acts, there’s always something strikingly goofy about Japanese metal/punk. Not surprisingly, this makes for a good marketing device because even if the bands suck (and to be frank, many of them do), they still sound “unique”. Relevant cases in point are just too ubiquitous to deserve mentioning. Let’s instead talk about something that does not suck. Like Japan’s premier hardcore punk act and much-overlooked crossover pioneers G.I.S.M. While definitely goofy, G.I.S.M. succeed where most Japanese metal- and punk-acts fail by forging a highly idiosyncratic expression that not only offers something new to the table, but also manage to resonate with the deeper spirit of both punk and metal.
8 CommentsTags: Crossover, destestation, Gism, Hardcore
Afflicted
Afflicted were a Swedish metal band from the late 80’s to the mid 90’s releasing only two albums and a handful of demos. They began as Afflicted Convulsion playing primitive yet erratic death metal/grindcore. Although the riffs on their earliest (listenable) demo, Beyond Redemption, do little to set themselves apart from their contemporaries, we are presented with nuanced compositions that keep the listener enticed through each track, presenting satisfying wholes rather than myopic moments of inspiration. As Afflicted, the band would take their compositional skills and apply them to unique riffs on their demos and first album, Prodigal Sun. (more…)
17 CommentsTags: afflicted, beyond redemption, death metal, Grindcore, Hardcore, power metal, prodigal sun, Speed Metal, Sweden
Soymetal Dies As True Metal Rises
As predicted here, the takeover of underground metal by late hardcore tinged substitutes has failed. This music, which we might call “soymetal” because it appeals more to the emo hardcore audience than the feral and realistic traditional metal one, took over because after the underground fizzled in the hands of NWN/FMP impersonators, labels found a new audience in whiny millennial SJWs. (more…)
11 CommentsTags: Hardcore, hipster metal, indie metal, internet, judas priest, metal sucks, metalcore, Satan, sjw metal, sjws, soy metal
