Sadistic Metal Reviews: Heat-Death of the Metal Universe

Imagine a genre: it succeeds, so then all these lost people come in and make their own versions of it, trying every possible variation. Soon the field is so full of weird instruments and odd timings that all of it sounds just about the same, and no one can pick a good band from a bad one. This is heat-death:

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Sadistic Metal World: Sacred Words of Praise (Hail Satan)

Musicians today have barely a chance in Hell of creating underground metal because they do not understand the cause before the effect. The music was the effect; the cause was a chance in thinking (throughout human history, the sane adapt or change their thinking to match reality; the insane demand that reality adapt to them, making external changes in order to regulate their internal mental state).

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Sadistic Metal Reviews: Metal as a Service (Mucho, Mucho MaaS)

What happens when something succeeds? It fixates on that success because now it has something to lose. Forget all those stupid alt-right tropes about “hard times make hard men weak, weak times make weak men hard” because they are like most things Right-wing merely a prelude to the type of sodomy that Jesus does not mind. Metal reached its peak in the 1990s with underground death metal and black metal, but now the little people have come in to munch the carcass while loudly demanding attention.

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So That’s How Grindcore Ends

Everything must run its arc, and for grindcore that arc apparently ends in being commercialized just like everything else. Rendered in plastic, served up on styrofoam, simplified to obsequious edginess, and yours for the low, low price of $19.99, the new Napalm Death Scum “Reaction Figure” glows in the dark just like your FBI agent.

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