Brief Analysis: Beethoven – “Moonlight Sonata”

Although very well known this piece is largely misunderstood, this sonata rarely sees the powerful dream that inhabits it. Made of a single theme; a single tempo, a single great and mysterious image. The whirlpools in this secret work (third movement) does not alter the tempo; as the major revelation (second movement) does not change the color interior of the work. The first movement generates everything even when it plunges into the storm. A truly mastered, deep, framed, infinite and haunting work. Whose end can be linked to the beginning, in the same tempo and the same atmosphere, in the same tone (C sharp minor). It is then that the first movement takes its true meaning and its exact rhythm.

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Uncovering The mysteries of Molested – Blod-Draum

Norway has never been known for being an exponent of death metal, barring the early contributions of Darkthrone and the parent bands to some of the greatest black metal groups to emerge from the country. The brainchild of Borknagar main songwriter Øystein Garnes Brun, Molested was a brief flash in the pan before the mediocrity of Borknagar would define his career.

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SMR – Liberty Or Death: Feasting Upon The Vanquished

Liberty or Death is our main dilemma on this sadistic article: whoever is not willing to die for his freedom, is not worthy of it.

Freedom and apocryphal rites of bestial devastation are foundational imageries commonly associated with metal. On this article, we will try to face the Thing that Should not Be, understand why ‘to live is to die’, crush our enemies, see them driven before us and hear the lamentations of their women.

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Imprecation – Damnatio ad Bestias (2019)

Imprecation return six years after their great release Satanae Tenebris Infinita with Damnatio ad Bestias which refers to a Roman game that consisted of allowing beasts to kill various criminals. Here it possibly refers to the various Christian martyrs that were killed this way and possibly a reference to the Morbid Angel song “The Lion’s Den” which deals with the exact same topic. Here the band are aware of the success of their previous record and attempt to replicate but with a slightly modern touch that takes away from the immersion yet remains an enjoyable listen that pushes certain previous ideas to their limit.

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The Dirt (2019)

Netflix categories The Dirt as a “dark comedy,” but more accurately it belongs to the new genre of victimhood/confessional documentaries that this film studio likes to produce. Like I, Tonya, which was the first of this type of documentary witnessed by your author, it admits wrongdoing but pairs it with a sense of being wronged.

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