Miles Richmond and Peter Grenader featuring Steve Roach – POV (2019)

Ambient Allah Steve Roach has released his second effort of 2019. Like February’s HelioSphere, this new offering is a collaboration album, however this time he is working strictly in a “Guest Artist and Production Support” role as aid to a primary work by artists Miles Richmond and Peter Grenader.

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Serpent ov Old – Miskatonic Abysmal Path (2019)

After releasing an impressive debut back in 2012, then proceeding to vanish amidst the shadows, briefly emerging out of the mist and fog with a cryptic 2-track offering in late Summer 2018… Serpent ov Old, perhaps the most interesting Metal project of the past 15 years (if only to the the present author’s particular personal perspective and tastes musical and otherwise), have finally released their long-awaited sophomore full-length.

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Phantom – The Epilogue to Sanity

Phantom are a mysterious band with no information on them apart from various claims that range from their music being called Terror or Phantom metal and that they are there to completely innovate the genre and to create acoustic terrorism. While such claims have been spurted by many artists in easy marketing attempts or to stir controversy before an almost identical band makes the same claim and receives their mandatory fifteen seconds. Phantom unlike other bands, seem sincere in their objectives and genuinely try to live up to these claims.

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Mithras – Worlds Beyond The Veil

article by Svennerick

Morbid Angel’s output after Covenant led to a huge divergence between Extreme metal fans. After the huge failure and one of Death metal’s biggest downfalls, which was Domination, the band decided to change things up, which is a move that has to be admired, since many bands would milk out such a success and let their own music suffer in mediocrity.

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Brief Analysis: Nihilist – “Sentenced to Death” Climax

For many bands, summer is the perfect time to record music and to rehearse for live concerts in a boiling garage or studio. The festival season and the holidays allow many musicians to take time off to focus on implementing new songs to their set list or to push their capabilities as players. Where most players seek to play more technically dexterous music, a few friends of mine wanted to master a song that was simultaneously simple yet physically exhausting to play. Nihilist and Sodom both fit the bill perfectly but we would settle on “Sentenced to Death” for its brief periods of respite between the bursts of rapid picking. Though we thought of this song as being a basic and minimalistic slice of powerful metal, after our wrists and arms had been decimated completely, we came to realize that the true power of this song is not the constant madness but the final flurry that manages to go even beyond the insanity before it.

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Riff Analysis: Sarcófago – “I.N.R.I”

So many bands have failed in continuing Sarcófago’s tradition of blasphemic and vicious black metal. Reducing the band to a set of aesthetics and confusing their minimalistic songs for dumb simplicity. I.N.R.I stands out not because of its context or its introduction of certain visual elements that would become common a few years later, but because of its nuanced composition that has eluded later bands. Let us look at the initial riff from the song “I.N.R.I” to understand why.

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Linie Aquavit

Hailing from Norway, Linie Aquavit is a 41.5 % vol. aquavit distilled from grain and potatoes and flavored with a secret recipe of herbs, which possibly includes caraway, dill, anise, fennel and coriander. It owes its name on crossing the equator line (Linie) twice in order to mature.

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Riff Analysis: Unleashed – “To Asgaard We Fly”

Unleashed had at this point released two good records that saw the band create Heavy metal songs with limited Death metal stylings and were known for possessing a particularly small set of tools which almost made their previous very repetitive. On Across the Open Sea, the band’s Magnum Opus, the band re-contextualized their previous influences to create rousing and anthemic works while seeking to expand further into Death metal technique and arrangement. “To Asgaard we fly” shows this subtle marriage between the two and how the band were able to combine such styles without to saturate the listener with stolen Iron Maiden leads.

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