Virgin Steele: A Retrospective (Part 2)

[Continued from Part 1]

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Virgin Steele: A Retrospective (Part 1)

By the Gods my friends!

Forged in the desolate halls of 1981, hailing from the majestic kingdom of Long Island, New York… Virgin Steele have been one of the most enduring acts of Powerful Epic Heavy Metal for aeons! The aural magnificence of ultra-charismatic vocalist / composer / keyboardist / all around renaissance mad-man David “Dionysus” DeFeis and trusty six-stringed axe warrior of indomitable fury and vengeance Edward Pursino’s combined creative efforts have been overlooked by scholars of Metal for too long!

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Jobs Are Jails

What would Hessianism be, if it were expressed as a philosophy? The idea that beauty is found in whole structures and not textures; in other words, when you see all that is there, you understand the role of darkness and how the beauty in it is essential to have other good things, and when we deny it, we fall into an abyss of ourselves and suck in everything around us, choking ourselves out with our own weight.

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Uada – Cult of A Dying Sun

Hipster Black metal arrived at the stage where copying from Indie and Post Rock bands was no longer going to work and to distinguish themselves from the rest of the crowd, Uada had to resort to stealing Batushka’s hooded look and the music from the funderground favorite Storm of the Light’s Bane while in arranged in the droning style of Mgla and the like. All of this is sprinkled with every hipster trope possible and the new publicity stunt of “being supposed Nazis” which is a smart way of bringing in Hipster metal to the anti-SJW crowds while playing music that caters to their tastes. The band being formed in Portland which is known as being the hipster mecca should already cast doubts for those who haven’t experienced the pain of listening to such a record.

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Analysis – Mayhem “Life Eternal”

Let us momentarily forget the ridiculous circus act that surrounds the legacy of Mayhem at this time and focus on what earned the band all the praise they deserve. “Life Eternal” provides a particularly interesting example composition because it consists of a collaboration between multiple musicians during the long creative process that led to the release of the album. Featuring the final lyrics Dead ever wrote as a parting gift and some incredible ideas from Varg Vikernes and a large number of ideas from so many other musicians, it encapsulates the original vision that the Norwegian Black metal originally possessed in its purest form.

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Infamous – Winter Ruins in Howling Mist (2019)

Infamous contributed two tracks to the split CD/EP with Cmentarny Zew, Thorncastle and Ordo Sanguinis Noctis named Winter Ruins in Howling Mist released by Darker Than Black Records. These songs demonstrate why Infamous remains at the head of the new brand of black metal, mainly by staying true not just to black metal, but to idea-driven music.

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