Interview: King Fowley (Deceased)

Deceased are an incredibly longstanding band from Virginia, US. They’ve run full-circle in their career, from over-the-top metal and hardcore of the mid 1980s (Discharge, Voivod, Slayer, Sodom) later merged with the energy of emerging death metal in the late eighties/early nineties and back again to rediscover themselves in the context of their heavy metal forebears. King Fowley, whose enthusiasm for the music he plays and what it represents seethes through everything he does, has lead the band’s charge since their inception.

Originally for Heidenlarm e-zine #5.

Cursed productions recently issued The Radiation Years, a collection of early demos. Is this the complete deceased pre-label discography?

Actually it’s not! ‘The evil side of religion’ our first demo still needs to surface complete. And will very soon! Probably on Cursed Productions as well. Actually in all honesty there was a home studio demo before ‘luck of the corpse’ l.p was recorded. With ‘Fading Survival’, ‘Terrifying Spectres’, ‘Industrial Tumor’, and ‘Psychedelic Warriors’ that is ‘lost’ to me and the band. The master was lost in my pile of cassette tape hell, that is my collection. I only know one guy who may have it and it’s a guy named Yoshio Cain who plays for the Japanese band Shadow now! He was a die-hard Deceased freak and i sent it only out to him back in 1989! I hope it is ‘found’ one day! It’s got some wild stuff on it :)

Other then that, only rehearsals and stuff like that is floating in ‘the vaults’ :)

When you started out as a band, it seemed you were one of the first to bring technical and speed metal elements, like Voivod and Razor (?) influences, to the music. was this a planned decision, or a natural culmination in the ways metal was being made at the time?

We were so fucking high on any drug we could get our hands on we were off in ‘freakout’ zone. We were honestly just trying to be the most ‘over the top’ band ever. We were taking speed from Sodom, Slayer, DRI, punk, thrash, etc. And mixing it with distorted styled lyrics of dread and death ala ‘War and Pain’ era Voivod, and Venom, Blessed Death, etc. Then ‘attempting’ to put in some Voivod weirdness guitar chords, and some Mercyful Fate ‘evil’, just all of it on hand! We had no idea where it would take us! It was very straight forward and insane! It was basically just a bunch of long- haired teenagers in Slayer and Venom shirts going nuts for metal and aggresson in 1985!

The first Deceased I ever heard, Luck of the Corpse, had tight and fast rhythmic arrangements and workout drumming; what atmosphere were you intending on that album? How did it turn out relative to your expectations?

Well ‘Luck..’ was an experience! I got good and bad memories of that ‘era’ of Deceased. Original guitarist Doug Souther and me were completely on different levels as to where the band needed to go both musically and personality wise at that junction in the bands life. So it ‘clashed’! Neither of us was right or wrong. Just ‘different’ in our beliefs! I think the other guys (Mark and Les) wanted to go with my ‘angle’ more so, and Doug took offense. He was really ready to move on and away from the band. So recording that record had it’s ‘negativity’ to it. Musically it’s just too fast for it’s own good! Trying to still live up to our ‘faster then you’ attitdues and trying to release something ‘good’ for death metal fanatics the world over to bite into. Everythnig was ‘rushed’ and in the end it sits a bit ‘dissapointing’. I loved the songs and I loved the chance to release a record with Relapse and be thought of as ‘competent’ enough to record and be on a record label. That was great! It was ‘neat’ to see your face and music on a cd and vinyl, cassette. It felt ‘good’! We were ‘growing up’ a bit and we had to start somewhere ‘fresh’ as a band.

When you think of the people who enjoy your music, is there anything they have in common (besides enjoying Deceased)?

I’m sure there is! I personally like to call Deceased music supporters, ‘friends’! I don’t like the word ‘fans’. Makes you think you are ‘better’ then them! We are all ‘even steven’ in my eyes. We all get up out of bed, eat, drink, sleep, love music, got our hobbies, families, etc. That’s all it is to me. ‘Seperation’ between bands and their music supporters is pretty ‘high ego’ to me. No need! Let’s all just have fun and keep on laughing through as many good times as we can!!! Look out for each other and keep on keeping on!

People sometimes ask me if I feel I’m being disrespectful to the dead by celebrating morbidity through music. What do you think about this question?

Hmmm — good question! Morbidity through music. I don’t personally see any disresect in it. Death is imminent to all and we all have to challenge it daily, every day on earth. No one knows the exact moment they will leave this place and move on to life beyond. Is there life beyond? Is it peace? Is it despair that awaits? No one truly knows. It’s life’s biggest mystery!

As soon as you’re born you’re dying. I talk about it and ‘subject’ it cuz it too intrigues me as a human being. That’s why ‘deceased’ was such th eperfect name for our band. Being the lyricist of the band i know in my heart how i feel and what my words are being meant when i write them. I am a very ‘up’ guy in my living personality. But death is always looming in the back of my brain for sure. It’s just something that truly intrigues me! Death to some is sadness. To others it’s joy, a time of celebration. To me it’s just ‘death’ and it’s unknown what will be ‘next’!

Metal has gone through huge changes since the middle 1990s. With the internet and the personal computer, it now seems everyone has a label or a zine or a band, and there’s tons and tons of metal “information” with perhaps very little data. What do you think the next stage will be?

Well it is always ‘evolving’ with the times and technology. Some for the better some for worse. But that’s ‘life’! I appreciate anyone who sincerely sits down to write an article or passes on msic to a friend to possibly enjoy. It’s ‘word of mouth’ to me that still runs the metal ‘underground’. I dont like label created ‘hype’ and ‘buzz’, never did! Let the music do the talking is my motto. Too many people sadly fall into the ‘live for the press’ mentality. Bad reviews send off interest to some people. While a ‘shining’ review makes them instantly ‘love’ it. Too weird to me!

I got my own mind, and I think and choose for myself what works for me musically as a music supporter! Sure, take all ‘aspects’ into consideration. Cuz a review can ‘help’ in your selection, but in the end let it be no one but you who decides what ‘you’ like! As for ‘next stages’, hmmm?! It’s hard to say! The internet/computer is definitely running the show now. It’s quick, updated at any given time, right there for anyone to take in! I say that will run the gament for some time still!

I was talking with Ray Miller of Adversary, a band from Indiana, and I said that in many ways I respect most the styles from when the styles we have today were newly forming. He suggested I listen to early Deceased, and I did and heard many influences in the music. What do you think each style of metal (heavy metal, melodic heavy metal, speed metal, death metal, and crossovers like hardcore, etc) represented to the generation that produced it, in terms of both music and attitude? When you brought together these styles, could you recognize each distinct impulse in your work, or did they gel into a new language?

Well i’ve always loved music. I mean anything and everythnig that got me ‘going’ i loved! It is my life’s greatest ecstasy. Early on I fell in love with the Beatles,. I was literaly 3-4 year sold. The choruses… the ‘greatness’ was quite easy to understand to me. Then I got into the ‘hoopla’ of Kiss. The blood of Simmons on the covers, the ‘image’ and visuals. It’s perfect for an 8 year old to sink his/her teeth into! It got me into wanting and craving more outlandish and more ‘over the top’ music. Trying to conquer the ‘extreme’! What is now tediously ‘mellow’ in music standards of today (Van Halen, Ted Nugent, Heart, Benatar, etc.) was once ‘over the top’ and pretty darn ‘heavy’ stuff! I just kept poking my head around in mags, record stores, all of it to ‘find’ something to fix my craving. This got me to the ‘gory’ Eddie and Maiden, razor blade through fingers artwork of Priest, the ‘devils and witches’ of Sabbath! All of it! Which in turn got me to Motorhead, Ramones, Plasmatics, Venom, etc.
It’s all a big ‘turn of the screw’! It just continues to move on and no one can slow it down. So when i got into deceased and we formed the band we knew deep down all of us had a common bond for ‘muis’c first and formost. Sure, we were ‘caught up’ in th eheavy metal mania of the times. We died for sodom, exciter, venom, fate, manaowar, all of it! But we still had our ‘elders’ of musical uprise (The Cars, Kiss, Journey, Blondie, Foreigner, etc) in our hearts as well.

We were living the life style of ‘full blown heavy metal’ but we had our hearts set in music!

So when we started writing we just blew it out as fast and furious as we could. Beyond “caught up” in the times of aggression and drug- fed energy. The ‘attitude’ you speak of was just 100% ‘us’! It was ‘Deceased’! We just got in and ‘did it’! We took all of the aspects of music we loved, speed of hardcore and thrash, melody of traditional heavy metal, choruses and ‘structures’ of traditional kiss styled rock n roll, and the ‘zaniness’ and off kilter of punk and the ilk.

It ‘worked’ for us! Sure some ‘genres’ worked better for us. But it was still all just a big band blender and we kept feeding it with more musical vegetables :)

It seems to me much of the metal from 1978 onward would have lost impetus and extremity if it weren’t for the influence of hardcore music. How do you think on this issue?

Yeah, I can see that indeed! ‘Extreme’ standards have gone ‘haywire’ n the last 20 odd years. It is the ‘way of the world’ on all accounts. Everything is faster paced in the world. More ‘raw’ and much less ‘polished’. No one has time to ‘stop’ anymore. Alot less ‘love’ in the world, sadly so much hate and destruction. A total ‘kill or be killed’ mentality!

No one has time to ‘relax’. It’s just ‘go go go’! So obviously the people creating the music are gonna ‘release’ it in the same way. It’s all humans jsut ‘being human’! That’s just how it is!

Do you read any zines or websites today?

All the time! I’m always taking in the words and wisdom of others. Knowledge is man’s greatest gift, and at times our worse enemy.
But it to me is food for thought and impossible to not ingest.

As I said anyone who sincerely takes time to put up a musical related site or a fanzine, magazine and you read it and instantly fall in love with their ‘personality’ or the ‘charm’ of the crafted entity, that’s just a great feeling! More power to ya’! I know i’ll be reading and searching it all out.

Do you think the political climate in the USA will be more or less tolerant of death metal in five years?

I say it’ll be the same as of today. It seems to ‘stay’ under the radar al lthe time. It seems no one’s minding the ‘smaller’ people of the earth and globe right now, music or non music related. But i see a slow but steady ‘rising’ of this around the world and in time it will outnumber or truly challenge the ‘theories’ and practices and beliefs of alot of the world. Geesh remember when Dee Snider was ‘sooooooooooooo bad’ in the governments eyes?! Wow! How far we’ve come in 20 years!

Around Fearless Undead Machines, it seemed to me that your style as a band shifted from aspiring to a death metallish sound to more of what you were doing with Doomstone’s first album, namely making heavy metal using some of the techniques from death metal. Rhis to me was a brilliant move, as it put you closer in touch with your roots, aspirations and musical loves. How is it that you as a band can pull something like that off, and Immortal could, but virtually every other musician appears mediocre when they attempt something like that?

Well, that’s some nice words coming from you, and we truly appreciate it! All I can say about that ‘time’ is that we as a band had decided we needed to complelty build on our ‘musical strengths’! To sincerely cut the ‘fat’ and ‘extras’ of our sound up to then (‘Blueprints..’ l.p was very bizzare and ‘all over the place’ musically) and do what 100% worked for us! We were still ‘searching’ for our ‘perfect identity’ in music and we at that time, I beleive, found it! Guitarist Mike Smith came forth and said ‘i write guitar riffs this way and this is what i want to write in this band’. I took it into consideration as the band’s ‘arranger’ of songs. Mark and Les (guitar and bass) also put their ideas and words into persepctive and it really felt ‘right’. It was a sincere ‘bonding’ of the band both musically and spiritualy! We ‘got on wth it’ and delivered our finest record up to that point in our eyes. It was very well recieved by the industry and that felt good to us. Doing it completely ‘our way’ and being accepted for it! From there it’s all just ‘fell into place’ since.

I’m told that King Fowley is still a very active tape trader. How do you find the time? And what do you trade?

Well tapes are now cd’rs in our ‘technologically advanced’ world! Haha

I love to ‘pass on’ the music to others who care to listen!. I trade with anyone that wants to spend the time to burn and learn as much as I do. I got so much music I can not afford to buy at this time sadly. And I got tons of music I have collected through my many, many years in the music field in return.

There’s no greater feeling then passing over a Demon Flight cd burn to a friend and watching them get the same smile I got when i first heard it! Or the ‘cheer’ from the guy who says ‘man that fucking Griffin you sent me is bad ass’! It just feels ‘right’ and makes me smile every damn time. I find the time cuz there’ s always time for things you love to do. That’s one of my personal ‘life’ ways of the world!

Were there any other Deceased side-projects besides Doomstone?

Well, Deceased-related, no not really! Unless you count a few ‘one off’ sessions with silly named ‘projects’ me and Mark have done like ‘Masbah’, our tribute to Japan’s Casbah and early Master from Chicago. It was a jam session and we just went ‘silly’ haha. I got that on tape somewhere, and i believe that was 1991. Also there’s ‘talk ‘of me and Mark doing ‘rock brigade’ an all 80’s rock thing where we cover Aldo Nova, Gary Moore, Fist, and Triumph songs, etc.! Les Snyder was/is in Doomstone along with me and that was fun. Doomstone has gone all over the place using ‘session ‘guys and just ‘mixing it up’ to confuse us as well as others. Now I do have a side band called October 31. It’s not Deceased-related outside of me being part of it, but i really enjoy the times and music that band has created! ‘Traditional’ heavy metal is what we file that under!

Does metal exist in the mainstream any longer?

It doesn’t matter to me. The music is the same to my ears! The identity of the ‘captivating’ audience has long gone back to the ‘die hards’. And that’s how I personally see it fit. It’s not for everyone and it’s really by it’s own ‘musical law’ not to be concieved as very ‘commercially viable’. It has it’s ‘surges’ and it’s a rollercoaster love affair to some. But to me it’s just music and it’s always gonna be there for those who want it! I know i always will!!!!!!

What do you make of this hip-hop influence in nu-metal – artistic advancement, or tool of the labels to make music more like that which they have trained the sheep to buy?

Wow man! I really am the wrong guy to ‘invite’ this into metal music. That ‘style’ of art never did a damn thing for me. Outside or inside the genre of metal music. Just does’t ‘click’ for me in the least! Some took to it instantly, others it ‘grew on’. To me it just does not work!!! It tries to break down the ‘barriers’ that as I mentioned metal music kinda set its self in firmly many, many years ago! The ‘funkiness’ of it isn’t needed for metal. The ‘ghetto’ vibe is just so ‘out of place’ in the metal genre. Let it be its own ‘entity’ and stop trying to ‘heap’ it in with the trappings and undying spirit of heavy metal music and it wont be a problem with me!

Old metal records seemed to me to be a brilliant project, because each generation of metalheads ages and then the music they found meaningful, especially the rarities, is forgotten and all we know of that time are the bands with excellent advertising budgets. Is there a way to combat this generational loss in metal?

Well, I tried! Sadly human nature came into play again. And what was once a great dream and ambition of mine became tarnished with false promises and greedy people pretty quick. I tried in vain to keep the label going forward from day one. But too many ‘ex band members’ forgot what it was to play and record music and let it be heard by any and all they could. They wanted all of ‘this’ and all of ‘that’. Like I was to reimburse them for being shit on by their record labels of years ago. I’m just a dude into heavy metal music and I was doing all I could to ‘better’ the cult past by re-reelasing and upgrading formats of their music from a time ago. I’d get old band members of bands I loved names out of phone books and call them up and talk about putting their stuff out again. Some instantly ‘clicked’ with me and my ideas and some past and we went our own ways without a problem. But it was the empty promises and sudden changes of thought half wa through projects that got me ‘down’ on it all. I’d press a bands c.d and then they’d ‘change’ their mind. Or something or someone would surface with a not as enthusiastic feeling for the event!

You know if I was to please every person in every band I was in touch with I’d never have released jack shit! Every band has ‘differences’ and years later some could ‘give a shit’ and some don’t wanna know at all. It got old and I just tried to put it to rest. The label’s still around in small spurts but it’s never to be the same. Some bands appreciated my sincerity, and we still remain great friends, while others now knock me in their ‘revival’ interviews from nostalgic metal, retro- mags etc.

It hurts to see that sometimes, but I know what I did and how I approached it. And i can 100% always live with myself for that!

Is it true that most metalheads quit at 30?

Probably! Some call it ‘the music of youngsters’! And 30 seems to stop the youngster ball rolling for some. Not me! Gonna be 35 in a few months. And I find it healthy, life giving, and still 100% a part of every day I exist on! To me, it’s all in the way you look at things.

Do you think paranoia in this time of history is warranted on the part of the citizen?

Yes! Too many croonies and back stabbers, fakes, cheats, liars, out there. Who sleeps with their windows open anymore at night!? Sad isn’t it! Laziness, greed, the need to ‘stay up’ with another persons fortunes plays evil tricks on the mind of many. The ‘whoever dies with th emost toys wins’ mentality is fucking pathetic! I say take what you got and build on it. Some obviously have it easier in their means/ways to ‘survive’. Some deserve it, some don’t!

But the cards are drawn, make your own dreams! Paranoia is indeed ‘needed’ at this point in life. From this horribly, crummy war, to the indecencies and anger that most of the free world puts on each other daily. It’s fucking sad! Human beings, a dying breed! One day…extinction!

While your early material was urgent, it seems your newer work is more medium paced. What caused this change, in your view?

Urgent was the drugs and the ‘need’ to stay up with the speed factor. Our mentality was speed is ‘extreme’ and we were wanting to be part of the ‘extreme’! We don’t feel that ‘urgency’ in that way anymore! We love fast! Trust me im’ a hyper spazz ‘fast’ guy! Haha

But it’s now ‘called for’ when needed! I do say ‘its alive’ off our lastest e.p is still pretty frantic and indeed ‘fast’!

It’s all in the song and emotion of the day!

How did creating the Doomstone album For Those Whom Satan Hath Joined influence your outlook on songwriting in deceased?

In no real way really! It was just a project that took off in a real bigggg way for awhile. People really liked the ‘Sabbath edge’! The darker substance. The slower ‘brooding’ of the pace of the songs for the most part!

It’s got a great place in metal music. Cuz so many who listen to this genre have that ‘twisted’ underframe.

But as far as Deceased goes, it didn’t really influence me or the band in the least!

Do you listen to any black metal besides Venom?

Well what’s ‘black metal’ anymore? The gurggling, non heavy, non catchy crud of something like Darkthrone? I despise that horrible shit! To me it has to ‘brood’ it has to ‘lurk’ it has to create the ‘dark’ side of things in both atmosphere and personality. That fast insane blast, garage punk/electric shaver styled guitar, and unimpressive or convincing vocals stuff don’t so it for me! I just prefer the ‘trappings’ of a Venom ‘Sacrifice’ or a Mercyful Fate’s ‘Into the Coven’ anyday! I listen to tons of the newer stuff out there and often ‘hyped’ up. And I hope to hear something i can grab onto. But sadly it get sput to the side and discarded over time. Cuz it don’t have depth or stayin gpower for my tastes in music. I think the last great ‘black metal’ record I heard and sincerely appreciated was ‘Ritual’ by Master’s Hammer! And that’s at least 10 years old now! I’m still waiting and hoping for more ‘darkness’ to surface.

What were the handful of most influential bands during the 1980s? 1990s?

Do you mean for me??? Voivod, Venom, Fate, Slayer, Maiden, Queensryche, Motorhead, were big ones for my Deceased musical ‘ideas’ in the 80’s!

The 90’s brought me fewer bands cuz my seeds were set!

I wasn’t as ‘keen’ on ‘influential’ bands like Fear Factory or Deicide or that type!

I am set in the 80s for sure! Though I love tons of music made in the 90’s as well! Just not as ‘influenced’ by it as a player! One band I truly admire from the “90’s” is The Gathering. Beautiful people and gifted as hell musicians and song-writers!

Did these bands differ markedly from the bands of the 1970s?

For me it sure did! Cuz the 70s belonged to the radio for me as a kid! By the time I was into less known ‘album tracks’ by radio artists of my ‘childhood’ it was almost 1980! I was the ‘hit song’ guy! But I quickly learned there’s tons of songs the radio doesn’t play that really got my goose :)

What do you think bands in the 2010 decade will be like? Will there be a resolution to mainstream versus underground, black versus death, funk beats versus metal beats, etc?

Who really knows? I just keep watching this ‘segregation’ unfold from the sidelines and some of it is justified while some is just plain silliness. I really don’t care where it goes really. As i said earlier music is… Music!!! You like something, like it to death! Who’s up who’s down, who’s got the upper hand!

My advice is to just play from the heart with all that you’ve got inside cuz that’s all you have at the end of the day!

Referencing the previous question, it seems to me that metal uses percussion differently than most mainstream music: where mainstream music creates a bounce and an expectation of its fulfillment, metal creates a driving structure which encloses change in harmonic/melodic patterns (by other instruments). What ideas differ between these two groups?

Metal music is known as a driving force so you will find it staying on tap and ‘in the pocket’ most of the time! Metal has a great love for dynamics in the traditional sense ala Maiden or say early Queensryche! But i’d like to see more ’emotion’ in metal music myself! I love to feel and live the song. The ups and downs of the music. Th topics and choice of ideas could be so widely expanded on in music and tempos and all! Mercyful Fate in the early days were masters of this. The percussion of metal also leaves alot ot be desired at times for me as a listener. That’s why me as a drummer go to a Phil Erhart of kansas or a Carl Palmer of elp for my ‘identity’. Cuz that’s more ‘me’ as a player and where I ‘inspire’ from. Sure you got the influences of dave lombardo or a kim ruzz as well. But it’s sadly less common to see really ‘brilliant’ creators in percussion in more ‘extreme’ metal music!

Hope to see that change in the future!

What non-metal makes your playlists these days?

Well 10 things ‘non metal’ I’ve played alot lately include the new Guano Apes record, any and all No Doubt, Benatar, Berlin’s latest record, early The Fixx, Oingo Boingo, Planet P, Laibach, Einsturzende Nuebauten, and some Switchblade Symphony!

Tons of bands I been cranking lately! I’m all over the place for ‘listening’ pleasures! Haha just me being zany I guess!

If you could wish positive things for metal in these areas, what would they be:

A. Bands: to drop the egos alot of them have and be musicians first and formost! Erase the egos pleaseeeeee! To really cherish and hold in heart the honor of playing music!
B. Labels: to be more respectful to your artists. Treat them as hmans and not business cattle. We are all in this together so even up the angle already!
C. Journalism: to write from the heart and always call it the way you see it!
D. Philosophy: to learn by your mistakes, grow everyday, and challenge ‘challenge’ on every occasion!

It seems to me there are now several live Deceased releases, including a few that didn’t make massive distribution. which is your favorite?

There are? I only know of one! ‘Up the tombstones’ live from Thrash Corner! Unless you count the old cassettes we made in the later 80’s! :) I’m confused here. Or drawing a blank! You decide! Haha We are gonna have some live tracks surfacing soon though! As bonus songs for cd releases! :) As for ‘up the tombstones’, I love the live c.d! It’s ‘us’! It’s the energy, live attitude, and songs we played of that time! Thanks to ray at thrash corner for releasing it and ‘phantasmagoria’ club for having us!

Will Deceased ever do a massive tour?

It’s unknown to me truly! Jobs and home security come first with us. Family, rent, etc.

Yeah all bands on some level deal with it. But we are us and we gotta look out for us first off! If we can ‘arrange’ it then ‘yes’ we will indeed be there! Time off from work aint easy to some of the guys. And I sincerely respect that and understand tenfold. I know if we can we willlllllllllllll!

Mr Fowley, I have heard you are recovering from lung troubles that mean you cannot assume your customary position behind the kit. Will this ever change?

It’s doubtful! We have a new drummer in Dave ‘Scarface’ Castillo and to tell you the truth, he’s just perfect for the band and we will carry on with him as brother, family, and friend! It’s the ‘end of an era’ and the beginning of another! Chapter 1 complete! Now onto chapter 2! Wish us luck! We rise from the grave come midnight!
since you gentlemen have survived this long, where most metalheads are in their teens, do you have any advice about “growing up” and “life and how to live it”?
Do your best to keep your head about you! Have your spirit in hand at all time, wear your heart on your sleeve, and keep your elders’ good ways within you. Never look back and never give in! I wish everyone well in their journey!

How would you have me killed for asking so many questions? Or, more apropos to the interview: is there anything else I forgot that should be answered?

Great interview! It came from the heart and so did my answers! Thnaks for caring long enough to type this and i wish you only the best! Check out the website…

(official) Up the Tombstones

And email me at kingsley22@starpower.net for any info, etc. you may need!

Long live the loud!

Thanks a million and one
King Fowley 3/20/03

The normal question, the first question is, are these cannibals? No, they are not. Cannibalism in the true sense of the word implies an interspecies activity. These creatures cannot be considered human. They prey on humans. They do not prey on each other, that’s the difference. They attack and they feed only on warm flesh. Intelligence? Seemingly no reasoning ability, but basic skills remain from a remembered everyday life. There have been reports of these creatures using tools. But even these are the most basic, the use of tools as bludgeons and so forth. I might point out that even animals have been known to adopt the use of tools in this manner. These creatures are nothing but pure, motorized instinct. We must not be lulled by the concept that they are our family members or our friends. They are not. They will not respond to such emotions. They must be destroyed on sight!

– Dr. Millard, Dawn of the Dead (1978)

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Interview: D.L. (Cruciamentum)

Old-school authenticity is typically a contradiction in terms in the realm of modern death metal. Cruciamentum, hailing from the UK, seeks to strike back at this notion with their own stated purpose of delivering a “spiked fist in the face of trendy ‘death metal'” with a encapsulating, occult delivery and conviction in its creation.

You’ve gone for an old-school approach, updated with elements from the “mature” and final albums of the old school. What did you pick from each, and why did you take this approach?

There was no conscious decision to adopt the sound we have, it just came naturally. I prefer to just call our music “death metal” rather than applying any other tags to it. To me the phrase “old school” tends to imply just another Nihilist clone rather than a band with any character of their own. However, a lot of the old bands are personal favourites amongst the band’s members, so doubtlessly they are an influence on our writing.

What appeals to you about the old school sound?

Darkness, evil, power and song writing. All the things that modern death metal lacks!

If you could identify your primary influences, what would those be?

Incantation, Absu (Barathrum, and Temples of Offal era), Demigod, Shub Niggurath, Morbid Angel, and Immolation, though a lot of the time it depends on my mood.

Then suddenly the clouds thinned and the stars shone spectrally above. All below was still black, but those pallid beacons in the sky seemed alive with a meaning and directiveness they had never possessed elsewhere. It was not that the figures of the constellations were different, but that the same familiar shapes now revealed a significance they had formerly failed to make plain. Everything focussed toward the north; every curve and asterism of the glittering sky became part of a vast design whose function was to hurry first the eye and then the whole observer onward to some secret and terrible goal of convergence beyond the frozen waste that stretched endlessly ahead.

– H.P. Lovecraft, The Dream-Quest of Unknown Kadath (1927)

When you write songs, do you start with a visual concept, or a riff, or something else?

A mixture of things; I’m a slow writer and different things inspire different parts. Usually it starts with a riff and then progresses naturally from there. Sometimes it can be just a mental image and I try to write riffs to convey that feeling. The riffs are always composed before we practice and then we structure the song in the rehearsal room together as a band.

It seems obvious to me, when all factors are added up, that our society is in decline. However, this opinion is not widely shared. Why do you think this is?

This is an interesting subject, but I don’t think that it is something that can be easily summed up in a couple of paragraphs. I do agree with you that there has been a strong moral decline in the last decade; people have become lazier, apathetic and more selfish. Many I have heard attribute this to the economic decline of the last few years, and although I don’t doubt that the inevitable depression caused in worse affected areas by poverty and unemployment is to blame, but I think that these problems are older than the economic problems. Bear in mind I am only 26, but I have noticed since my childhood a huge rise of an entitlement attitude in people in England. People seem to believe now that they are entitled to more, and many will grab at whatever they can lay their hands on, people have started to have children younger so that they can receive benefits and lead a more comfortable and lazy life. No doubt the obvious neglect on these “unwanted” children is having a serious effect on the younger generation’s behaviour as well. Perhaps with people’s needs being catered to more easily we have just simply eradicated the need for friendlier, close-knit communities? To be honest, I have no answers to these questions, just speculation of my own. I’d be more than happy to discuss this at further length in person with anyone interested though.

What would define “success” for you with your music?

In terms of Cruciamentum, I think that we have already reached it by writing and recording music that we are immensely proud of. We have no interest in making money, extensive touring, furthering our social lives, or anything else. As long as we have made something that we ourselves are happy with, that is all that matters.

Do you believe underground metal is still a viable form of music?

Of course, the current underground has produced some of my favourite bands! Bands like Necros Christos, Dead Congregation, Ignivomous, etc., I believe can stand by the classic bands such as Morbid Angel, Incantation, Deicide etc. The musical climate is just different these days, if the bands I mentioned previous came out in the early 90s they would have been much bigger, these days mainstream metal is more about image than musical content which is why the “true” bands of today remain in virtual obscurity.

What distinguishes great music from bad? Can it be distilled into technique, or is it something less easily defined?

Great music is music that connects with its listener. I don’t think technique has anything to do it, just the ability to do your own thing and do it with enough conviction that it can be conveyed in the music.

What releases have you produced so far, and where are you taking the band at this time? What’s next for Cruciamentum?

So far we released a one-track demo in 2008, and the 2009 demo Convocation of Crawling Chaos. We’re currently writing material for a MLP which we hope to start recording in a few months time, which will be released through Nuclear Winter Records. Expect around 25 minutes of new music. We also have started playing our first foreign gigs in Italy, Belgium, Germany, and Finland.

Did you ever study music theory or take lessons? Did this help you or slow you down in achieving your musical goals?

I’m not sure about the other members, but I took a few lessons when I started playing guitar and then gave up and taught myself. I’ve also studied Music and Music Production. The theory helps in understanding each other when writing new material, but we’re not a complex band, and we don’t compose based on music theory.

Some have said that rock music is about individualism, or escaping the rules of society and nature to do whatever the individual wants to do. However, some have also said that heavy metal breaks with that tradition with its “epic” and impersonal view of life. Where do you fit on the scale?

I believe that to be a dated concept now. I’m sure that was very much true in the early days of rock-n-roll while our parents and grandparents were young, but since then I believe rock music and metal has become just another genre that has found its niche in popular culture where it can be watered down and devalued for popular consumption. I genuinely couldn’t say for sure where we fit into this, I think that is partly to be decided by how the listeners interpret us.

One of the most striking signs of the decay of art is the intermixing of different genres.

– Johann Wolfgang van Goethe, Propylaea (1798)

When Hellhammer said, “Only Death is Real,” it launched legions of death metal and grindcore bands who showed us through sickness, misery and sudden doom (in their lyrics) that life is short, manipulations are false, and we need to get back to reality. Where should the genre go from there?

I think that that phrase sums it all up perfectly! Death is a key element to life, and that is something that everyone should pay some thought to. I wouldn’t say that metal is there specifically to remind people of this fact though; there are plenty of different directions to take the lyrical and philosophical approach of the music in.

Is there a relationship between how an artist sees the world, and the type of music he or she will then make? Do people who see the world in similar ways make similar music?

Yes, I think there is some truth in that. Although the personalities in Cruciamentum are different, all members have a similar attitude. Personally speaking, I have quite a negative outlook on life, I don’t think someone who is part of a popular social group would feel the same emotions that I do that are required to channel into making the music we do.

Do you think your music will have a “real world” effect, other than people buying and listening to CDs? Will they take your ideas and do something of them?

I doubt it. Due to the nature of the music, we will already be preaching to the converted, to reach a wider audience we would have to severely compromise our style, or even play a different style of music, and Cruciamentum exists to create dark music, not to preach.

When did Cruciamentum form, and what was the goal? How long did it take to produce your first recordings, and how have you changed since then?

The band dates back to 2005, though it took me until late 2008 to finally find all the right musicians for the band. Before the Convocation… demo, there was probably around an hour of music written, but the demo was such a huge leap forwards from that material that it has all been abandoned. The Convocation… demo took roughly around a year, as I fired the entire line-up at one point, and re-wrote the songs with the current line-up. Then there were numerous set backs in the recording process, and further set backs in having the demos printed. Hopefully that is the end of the troubles now though!

As for changes, since our inception we have improved more than I could have imagined back in 2005. The band finally has all the right people, the attitude is right, and we’re moving forwards.

Do you think the “underground” still exists?

Yes, it has simply changed from what it used to. With the internet making it easier to access some music, it has obviously become more widespread, and to a degree perhaps watered down, but there are plenty of die-hards with the right spirit.

Can you tell us what equipment you use, and what production techniques you use for recordings?

There’s nothing special equipment wise. We use BC Rich and Jackson guitars, various FX pedals, Warwick basses, Pearl drums and whatever amplifiers we can get our hands on. For the demo we recorded the drums at The Priory Studios with Greg from Esoteric, and I recorded, mixed and mastered the rest. I think we will do the same for the next recording; I’ve bought a lot of new equipment since the demo, so we should get a better sound this time round.

Yet I am not more sure that my soul lives, than I am that perverseness is one of the primitive impulses of the human heart as one of the indivisible primary faculties, or sentiments, which give direction to the character of man. Who has not, a hundred times, found himself committing a vile or a stupid action, for no other reason than because he knows he should not? Have we not a perpetual inclination, in the teeth of our best judgement, to violate that which is Law, merely because we understand it to be such?

– Edgar Allan Poe, The Black Cat (1843)

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Terrorizer “Hordes of Zombies”

The first thing people say, almost like a spell to ward off mistaken appreciation, is that this band is not the same band who cranked out “Fear of Napalm” and “Corporation Pull-In.”

That’s true — and it’s a good thing.

While the old material is as classic as a castle on the Rhine, and will inspire grind-heads for many generations into the future, times have changed and grindcore is trying to adapt to a modern (post-1994) era of metal.

Most options for this are bad as they are limited by strict genre constructions. For example, one can try to be “tr00” kvlt d-beat, or even blurcore, if not falling into the randomness trap that produces carnival music like metalcore, in which no part resembles the others and no sense is made; you’re supposed to appreciate it like the sample platter at your local seafood place. But it’s not fulfilling.

The new Terrorizer album instead wisely takes after Napalm Death’s Fear, Emptiness and Despair, which acknowledges the maturation of the genre by streamlining it and thus giving it a bit more room to grow. It reduces the genre to a minimum but with clear boundaries so that experimentation, not of the surface kind that consists in adding jazz solos and a bassoon and playing the album live on a basketball court, but of the inner kind where melody and form are explored as an emulation of the sounds and emotion of life.

Intelligently, this Terrorizer aims to be a blast of energy that rivals any 5-hour stim supp or purple drank you can find. It’s pure pulsing percussion kinesis, driving forward like the pumping of a panicked heart transitioning to ‘kill’ mode during combat, but without the darkness or cruelty of intent of death metal or black metal. Instead it’s like punk crossed with techno, using the mixture of crust and death metal riffing that has always made grindcore easy to grasp but hard to appreciate in depth.

Within this framework, there’s a lot of variation, including a fair number of melodic hooks that provide emotional content. Anthony Rezhawk’s rasping voice is back in monotone mode, where he sounds impatient and dismissive, as is appropriate for an album about the zombiefication of the human species slowly destroying the planet (whether that’s metaphor or not awaits a detailed reading of the lyrics). Pete Sandoval provides excellent percussion, and under the guidance of these two seasoned songcrafters, the raw power of the new bassist & guitarist is shaped into compelling songs.

This will be one of the best of 2012. People are unwilling to admit this fact now because that requires bucking a social convention in that, (a) “it’s not the old Terrorizer” and (b) it’s rather “pop” in its own sense of not attempting depth, or jagged self-drama, but instead making songs to stand on their own as objects of revelation of the world. The old Terrorizer could not exist now because its members have moved on but also because the world has moved on, in circumstance and in music, and this new album rises to incorporate those changes and make of them an interesting and paranoid tale.

1. Intro
2. Hordes of Zombies

3. Ignorance and Apathy

4. Subterfuge

5. Evolving Era

6. Radiation Syndrome

7. Flesh to Dust

8. Generation Chaos

9. Broken Mirrors

10. Prospect of Oblivion

11. Malevolent Ghosts

12. Forward to Annihilation

13. State of Mind

14. A Dying Breed

15. Wretched (bonus track)

16. Hordes of Zombies (demo)

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Interview: Lori Bravo (Nuclear Death, Raped)

the anus.com metal development team was lucky to catch lori bravo during a break from work with her new band, Raped. she was kind enough to consent to an off-the-cuff interview which had some remarkable results.

as those who are fans of early death metal know, lori and her band nuclear death were instrumental in developing the genre in its early days. still carrying touches of thrash from the previous generation, she and her bandmates forged forward with a unique and devastating style of music. read on to learn what inflames her passion and willpower toward the making of metal.

Nuclear Death sounded to me like it descended halfway from the progressive extremist speed metal (“thrash”) of the previous decade, mixing that with its fundamentally deathy influence. If you could name something that you’d heard in the time leading up to the creation of the nuclear death works, what influenced you the most?

I would say…Discharge,Venom,Mercyful Fate,Black Flag and Russian Classical.

What art do you enjoy outside of metal?

Actually…I do not listen to alot of ‘metal’…..I am into punk and hardcore, jazz and fusion, classical, indie-rock…..and of course the works of Goya, Picasso, Bosch, Giger, Mapelthorpe, Giger, Rimbaud, Smith, Morrison, Plath, Baudelaire, Whitman, Kerouac, Manson, Wilde, Cobain, Saffo……..etc.

Do you consider art to have relative grades of complexity?

Of course…but I also….believe the most simplest of lines can be most complex in nature.

Is your current band metal, or a metal fusion? i ask because many metal artists choose after an underground success to turn to the mainstream somewhat, mostly looking for new worlds to conquer.

I do not believe that I have even achieved what you dubbed as ‘successful’…..My new band is called RAPED…and it is a fusion of my anger,jealousy,hatred,hopefulness and liberation from boyfriends,bullshit and sexism!!!I call it arte-sexed-dark-edged-fuckyourface-off music….or GRRRLCORE!!

What do you think about drugs, group sex and fascism?

Drugs are how we as a society seem to cope…I mean EVERYBODY’S on SOMETHING!!!Group sex is great…do it SAFELY….I am in the sex business..I strip….SAFTEY..PEOPLE….I CAN’T STRESS THAT POINT ENOUGH!!!Fascism in shit…but it is a big part of life…..I don’t think it is going to go away…so we,as artists,need to address the issue and alert the public on how much it ruins us internally and externally as many times as we can write a song ,paint a canvas, make a film or make a statement!

If you saw a black spot on a purely white wall, would you consider the wall to have an entrance, or the spot to have a boundary?

Entrance…I don’t beleive in boundaries…that is limited to me…I don’t like limits!!!!

What in your mind are the usefulness of these states: caprice and serendipity?

I Love impulsiveness in all things!!!! Spur of the moment……A whim of change….some of the best things are built from this lovely little spurt!Beautiful ‘accidents’…..serendipity is how I have managed to write every fucking thing that is good and paint a canvas that is worth viewing!!!!! I am a creative FUCKUP!!!

If you were suspended in a reality where another Nuclear Death album might be made, what in your mind might it sound like?

If Steve and I did another…I think it would be an in your face muse….RAPED is the result of what ND spawned.

If you had four minutes to give advice to a young metal band, it might be…?

Don’t sign anything without a lawyer, never compromise your principles, be yourselves, listen to your inner voices and take NO shit!!!!

What do you think about commerce, morality and the holiday of Easter?

Trade and buy/sell rules the world…enjoy it…Sexually-speaking…let’s fuck!Even I have morals…..Have CLASS people! You can be Hardcore without losing your integrity….Easter…..I like the iconography aspects and rituals…..rising from death…aint it sweet…..Bunnies for everyone!!!!!

I like the shorter song format with some bands, offhandedly naming Carcass and DRI, as it allows a fragment of a consciousness to momentarily express itself and vanish, where a full song might have to artificially include other subject matter to flesh out the shit. Then again, if you write your lyrics when wasted or careless, what flows might be pure subconscious dialogue and therefore might be effective. It seemed to me some study went into the Nuclear Death lyrics, no matter how hasty their creation. What sorts of ideas and systems of thought were influencing you at the time?

Alcohol,drugs,reading,sex,fear and dreams.

What do you think of capitalism, Christianity and Zionism?

Good and bad….I hate corporate-owned anything…but what are you going to do….do it yourself and put it on the net……christianity has been so fucking twisted and raped of its origins and beliefs,honestly,I think Christ would want to kill those fuckers,I believe every people should be able to ‘go home’…we all deserve our place.

Are you a large fan of any mainstream media?

I am pop cultured,you know? I like anything that I find interesting!

Often relationships in bands are as stressed as two cops dating. Do you have any advice in the most general sense in this area?

Fuck….it’s a marriage,respect eachother.

Do you own guns or dogs, and what kind of vehicle do you drive? Do you see these questions as destructive to the persona of a metal artist and therefore not worth answering? I hope so, but if not let me know. I want one of the new glock .357s to take out that pesky streetlight.

I own a 45 and a single-shot….I am slave to 5 cats…I cycle..I never have driven.

The aura combined of artistic form and content that is metaphorically relevant in a wrenching evocation of the sickness and desires of the current time, if present intelligently, can form the basis for powerful metal. Do these ideas “strike a chord” with any of your own?

I think we are a highly intelligent form of music…..we present to the listener what one may or may not want to face.Look…if you have shit lyrics…I don’t care how great the music is…..I won’t give you a second thought.

Do you have plans to write a book?

Yes……I have poetry,as well as a tell-all in the worx

If i were a gangbanger, anytime I shot someone, I’d say “you’d better hope for reincarnation!” Do you think reincarnation is likely, or is it another for the “wishful thinking” file?

I think it is bullshit…..This is MY fucking unique soul..when I die that is it!

Have you heard Burzum, Dead Brain Cells or Absurd?

No….turn me on……

What do you think are the faults of www.anus.com/metal, and why do you think many people hate us?

Because you are too intelligent for most dumbfuck metal-heads…..fuck ’em…you RULE!!!!

Do you visit any bulletin boards, chat rooms or use an instant messenger?

Oh yes….My s/n is insectbride…..I am a member of Hole’s message board,Distillers,TSOL’s…oh yessssssssss!!!!

Is Saddam Hussein a CIA plant?

Could be…..dunno….I think he is an android.

If you had no limitations and could make any music you would choose, how would your music differ?

Listen to RAPED….I have no limitations!!!!I know what I like.

What makes Arizona for you an attractive place of residence? After I drove through I considered moving, as it had a laid backness to the city.

I hate it…..That is why I am moving to LA,permanently in May!!!!I love the filth,corruption,trashedout ways of big cities…I am from Chicago…for fuxsake!!!!

Many thanks for any answers you can do. Some of these questions will be unanswerable, but I have designed them based on your other interview so that you will have fun with them, I hope. I will send you finished copy and we’ll cut any that don’t succeed. Hails and vomits…

..Thanx…I had a great time with your interview…….one of the best I have gotten in a while…..actually, I found ALL answerable!!!! I can rap for hours,Love…….New Nuclear Death/RAPED contact is my Email!!!!

IN DEATH AND CRUELTY….VO/Lori

The Christian concept of a god—the god as the patron of the sick, the god as a spinner of cobwebs, the god as a spirit—is one of the most corrupt concepts that has ever been set up in the world: it probably touches low-water mark in the ebbing evolution of the god-type. God degenerated into the contradiction of life. Instead of being its transfiguration and eternal Yea! In him war is declared on life, on nature, on the will to live! God becomes the formula for every slander upon the “here and now,” and for every lie about the “beyond”! In him nothingness is deified, and the will to nothingness is made holy! . . .

– F.W. Nietzsche, The Antichrist

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Graveland – “Be Like Valkyria”

Graveland “Be Like Valkyria” tshirts have been released. Additional news items:

  • Graveland “Thunderbolts of the Gods” will include 5 new songs, all bass guitar parts are recorded, I just now must write lyrics and will record vocals, and the album will be ready. The album will probably be released in September 2012!
  • Next two new Graveland songs are for a split CD with Polish Pagan Metal band Bialy Vitez. Split CD will be released by Eastside Rec.
  • New polish version of the album “Memory and Destiny” will be released under title “Pamięć i Przeznaczenie”, limited digi pack, totally new mix, re-recorded drum, fiddle re-recorded by Alruna, polish vocals. Digi pack will include bonus stuff
  • Hammer of Damnation released new official t-shirt of Graveland “Thousand Swords” ! and will release soon tapes of this great album!
  • On my official facebook profile (Robert Fudali) you can find some news and my new photos, like from Ogrodzieniec 2012 (Viking – Slavonic festival), and new Graveland photos!
  • New T-shirt “Be Like Valkyria” 2012. BLACK & NAVY t-shirt (B&C – 190 gramm / WOMAN only) with white / gold prints. Limited to 66 copies. Label: Hammerbolt.
  • Silver Thor’s Hammer. Thor’s Hammer – with dragons stylisation sizes 3 cm x 2 cm made of silver. Available at Walhalla.com.pl
  • Graveland “Logo” Caps 2012! Released by Warheart Rec! Available from Hellshop
  • Graveland – Prawo Stali – Tape 2012. Available from Hammerbund Prod.
  • Graveland 2012: Photo session Spring 2012. 1 2 3
  • Graveland “Following the Voice of Blood.” With the sound of horses the time of revenge drawls nigh. 1000 swords to be drawn to the disposal of the architects of faith and deceit. Pagan villages demolished, disposed of out of fear and lack of control. The bloody revolt will be a strength of wills, where the weak will cower down and heed to the new way. The strong will continue to fight the bloody struggle of their Ancestors. The ancient traditions will carry on through us, as we follow the voice of blood. CD re-issue 2012 by Forever Plagued Rec.
  • Graveland CDs released by Forever Plagued Records:
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Interview: MkM (Antaeus)

Editor’s note: this originally appeared in issue #3 of the zine “voices wake us…” (“Voices Wake Us…” Zine. $1ppd. voiceswakeuszine@hotmail.com) but it can be disseminated freely so long as this notice remains intact.

Questions by “Voices Wake Us…” Zine.
Answers by MkM (vokillz).

First off, what is your name and what part do you play in the band (instrument or vocals, etc.)?

vokalist, disease holder of AntaeuS. Satanik stigmata & preacher of the Void. 27 years old up to this day, non dead to most humans. Frontman & main voice for AntaeuS, I do speak for Him.

Now to the real questions. Black Metal’s legendary “first wave” included so many legendary bands like Mayhem, Darkthrone, and Immortal. Many conclude that the evolution of BM ceased after this period, so what do you think Antaeus’ relation is to the progression of the art? Is it justifiable to be merely more extreme? Can anything be added to the music at this point that has not been done already?

Black Metal does mix both ideology & musick, on this level, I would have to point out that most of nowadays bands have no linkz with the real meaning of this Art.Immortal never really took part of the bm kult, though their sound is very similar, their concept would be more based on northern landscapes, while bands like dark throne & mayhem had a more nihilitic death feels to the lyrikz & the aura was a bit more depressive in most cases.

We are payin hommage to those bands of the second wave, for their dedication in the early days & the message they did spread. We do evolve in the same vein, we hold the same message & our speech is based on hatred, denial of life & anything that would be related to “holyness” any religions wise, anything “human” related would be a target.

Black metal = SataN in its most strikt vision, we here speak of death, total death & the praise of the vortex that would swallow all. Though the utopia of such an ending is known of us, we do work in this way, spreading our disease & disgust of life and the concept related to it.

Sound wise, we are more extreme than the suscited bands, we couldn’t perform the same of art, for multiple reasons : we do breed violence more than depression (as individuals) & we do perform what we are & breath. The band is composed of 5 individuals more or less evolving on the Hate path. Me & Set being at the forefront of this, & since we are the main composer (him for the music & I being the sole responsible for any lyrikz & propaganda), we are the trademark of AntaeuS.

Also our approach is more destruktive than the “90s” gloomy approach of darkness, while they were opening gates of despair, we are opening gates of torment & pain.

Both are as effective, I truely find my inspiration in both, but violence is our key, our vektor.

Feel his pulse through us.

We are one stone of the edifice.

Black Metal is like a kathedral of Hate, it is not a question of evolution, the “evil”ution within takes place within the rankz of devotee evolving & praising the kult.

You have expressed dissatisfaction with the Cut Your Flesh and Worship Satan album as being too rushed in the studio. To me, I can say I do not think it harms the record and adds to the urgency of the album. However, you have a new album coming out and will this be different and in what way a “representation” of the band that we have not already seen?

Somehow you are right, now that the album is older to my ears (two years or so) I get to listen to it in different perspectives, not rekalling all the shitty detailz about its conception & its spreading.CYFAWS was a gathering of mostly old trackz, like demos & reh tracks, all gathered on the same full lenght. Only one track never appeared anywhere before the cd release (though I am not even too sure about that now, I should check the live tape on chanteloup creations…) also the cd had three different rekording on it, which was a bit messy & made it sound more like a recollection than anything else.

Now, I think that baphomet did allow the band to put all together the most efficient earlier track of the band (inner war, devotee, nihil khaos…) but a rerecording of the whole album would have been best, now that would be the main complain about this lp.

Also this album did cost us a lot of money, but I do not fool myself, it is the same way for many bands around here, still having labels to cash on your work without being fair to the band is something I will never tolerate. That made me freak out, the band never got a fuckin cent out of the sale of the band, considering it did reach around 3000 copies (which is amazing to us, we never expected this much) one could easily guess that we got massively fucked on this one.

DE PRINCIPII EVANGELIKUM the newest release presents a more compact release, being composed on a two years basis, the whole has a more “united” strukture & lyrikz wise, that did allow me to have something fully solid. This time the lyrikz are included, I had the time to type all in time so people will finally get to understand what lies behind antaeus, though it will remain obscure to most or simply fucked up.

DPE is less easy to get into, it took me a few month to get into some trackz myself, having one hell of a hard time to lay vokalz on those & get the whole strukture in the reh’ room

The band does reh’ around 6/7 hours per week in the reh’ room & more when we get nearer to live exp or studio rekording. We get ridd off a lot of material, our work is very serious & we are making sure to have the most efficient offering to the black metal kult.

I think that one thing that would lack on DPE would be the intro sektion that are truely important to me, this time the drummer & I did lack time to meet & do something of my taste, that is my main “negative critic” to the new album. Next release shall see a return to those sonic landscapes & all the frustration that did hide behind those.

Many BM bands are one-person projects (Burzum, Bathory, Taake, Krieg, Ildjarn, eventually Emperor, and at times Darkthrone). What is the band construct of Antaeus? How does the song-writing process work and who does most of the “legwork” for the band, ie: setting up gigs and record-related business. Any comments on past members or development of the band over time?

You would mention there strongminded individuals that had one hard time finding the right members to perform their art with, or simply couldn’t deal with others, due to ego conflikts.I was just a session member in the early days, being too busy with my zine & my distribution (& my former band)

When AntaeuS turned into a virus in me, I felt like it had to evolve further than the limitations that the main man back then had for it. I think that all took shape when I got hold of all the strukture of AntaeuS, getting set as main guitarist was the best move ever, since we have known each other for years & we had the same musikal taste (for the early 90s sound, nowadays we tend to listen to different aktz yet our basis are the same).

Drum wise, we decided to get ridd off the drum machine & never changed since.

Bass & rythm guitar wise, we might have had more than 20 different members within the band, but in 98 we did finally find the right one, being also involved in Eternal Majesty with whom we did a split demo back then. I did know them since they were working a lot with SPIKEKULT (since their first demo, “dark empire”).

Since then, the line up is perfekt & all of us are united & work on the musikal struktures.

For all the rest, interviewz, ideals, propaganda, kontaktz, ALL is done by me & me only. Mostly due to the fact that I am the only one speakin & writtin in english.

That does take a lot of my time, due to this I did stop all others implications (my zine, other bands & even spikekult for some months/years).

We do not seek gigs really, since conditions are always fuckin ridiculous or awful, I try to avoid to the max getting to play live, though we had two or three great shows since 94; mostly over the two past years.

Getting gas money & some beers seems to be the VERY best we could get in europe, even if we perform in front of 300 people… the cost to rent a place is so high that none could ever pay the band.

A couple reviews I’ve read of CYFaWS, while positive, have accused the band of not bringing anything new to the table. Stylistically, I would say that Antaeus is a) faster (I’d say only Krieg is as fast), b) more “grind”, c) less atmospheric, d) more brutal and divided into penetrating structures of noise than in an “epic” sense of many bands. Agree? What is the aesthetic you are going for here, other than just “fast.” Because it is definitely a unique and not just a retro sound.

I do agree with those reviewz, still we never did claim to bring anything to new, so I sometimes wonder why we are accused of that, just like we were lyin about it.True, we are faster, though I would use “more brutal” instead, since speed for itself doesn’t mean much to us, tons of swedish bands are playin hyper fast, but both the drumz & riffs are without any effects on the listener.

Brutality & Hate are the main faktors in AntaeuS sound, we do hold this pulse & seek to create such aura within any rekording of ours.

Our epic approach might be linked to the tension we do put in the rekordin process.

The grind aspect cannot be denied as well, musik wise, some bands are truely unique to me, but the message, most of the time, would be simply ridiculous or be the opposite of my ideas.

Older grind bands had more of a dark or sick approach compared to today’s fun/gore/political bands.

Hate is a large concept of the band. Does this reach over into politics at all? Many BM are clearly fascist, a politics based on hate, while others are nihilistic (and in that sense, partially anarchistic). Views of politics in yourself and in the scene?

Hate is anywhere, but most politics would serve some instead of others, while we support the death of ALL; all those fascist bands are always a source of interrogation in my kamp. All those linked to black metal & openly using both the sigils of SataNism & those of Nazism are creating a nonsense to me.the nihilistic part is often dealing with one hope for a brighter future, built on the ashes of nowadays society & values.

I do not have any hope of this kind, the only hope I have is tattooed on my chest.

Let’s go back on the nonsense, I don’t care about NS bands as long as they are not linked with black metal. Politics would limit the initial meaning of black metal.

NSBM seems more serious to the young than the “inverted cross”, since it would represent something more “socially involved”, having to deal with values that would be more “linked” to todays world & having more impact due to the importance of sigils (ie : the use of swastika or SS sigils are full of meaning & related to happening that took place less than a century ago). Politics are giving black metal a more “humanistic” approach, which I don’t really understand. I would understand sadistik exekution using SS symbols or funeral mist for their vision of death in general, but as far as “human values” are involved, I simply don’t get it.

Any individuals mixin bm with ns should realize that there is already a scene for that, anything metal related is more or less viewed as “outcast” due to the code of life (destruktive, alcohol, aggression)…

anyway when I think of those teens doing “sieg heil” here & there with their beers & long hair, they would be among the first to enter the gas kamp that does make me laugh

Death is the main goal anyway.

In what sense is Antaeus a “do it yourself” band that controls the aspects of recording, promotion, management, and production itself? You are clearly dedicated to the underground, but many people are not familiar with the metal underground as much as the more-established and cohesive American punk underground. How does the underground work and how much is Antaeus a separate entity from outside control and influence of labels, promoters, etc?

A would be my band then, since I would be responsible for most of those aspects.Being honest, I am not too aware of the punk scene, though got to meet up with some labels from around here pressing punk vinylz & their scene seemed much more “supportive” & less “inner war” in between labels & so on. I might have a wrong of it though.

I would be totally dedicated to one aspect of the ug scene, which I could describe as the only real scene, with true sick freakz & not wannabes & morons of any kind that would pollute the bm kult.

those idiots are numerous & for the past years, I would have spent way too much time on those inbreed fags instead on workin on my code of life & supporting what had to be supported with the scene (bands & labels wise). Now we are viewed as traitors to most, since we did sign to Osmose.

Osmose allows us a studio rekording budget & having the whole distribution in their hand, I could never deal with that myself, my daily job takes around 50 hours per week now (compared to 70 h per week for last year) which makes it nearly impossible to cope with the mail & any correspondance in general. Even reh’ with the band got closed to impossible for me. All is getting better now, but as far as I am concerned, if A didn’t sign to Osmose, all would have stopped. I couldn’t go on paying 300 usd per month for the band, not having enough to cope for my own living cost.

Now we do loose less cash, but we still loose. So when I get to read that we did become fucking rockstars or sell out, I might ask to whom did we sell out???

A band selling 5000 copies (which even ain’t our case) could never live out of it, I am sure that you are aware of that, but many readers out there that did write us do think that we do earn enough money with the band to live with….

It was ok to reply to those questions the first years, but after a while, it killed me that most people wouldn’t get how it workz…

But hell, we are talking about fuckin labels detailz & how bands are getting fucked most of the time

Right now with Osmose, all is doing ok, we just did spend around 400 usd for this one, (lay out & mastering) since we did excess a bit the budget allowed for the studio rekording.

How is the French “scene?” Are there many bands, zines, or venues to play in? Are there a lot of posers?

Scene in france is not my fave subjekt, I did support many bands from around here in the past, being proud of my “local scene”, but all those bands did fuckin backstabb us for no reasons or so. “allies of today are the backstabbers of tomorrow”, thus I don’t mention too much about bands from around here.There is a fair deal of akts though, most of them are amateurish to the core & spending more time in front of camera or doing shirtz than working on the musikal parts.

All of them are envious little morons who are offended when they realize it is not that “easy” to have a cd out. They all think that demos are useless & that the underground is just a chat room on the net.

For the older ones, we had either conflikts with them or totally different views.

Apart from a few dozen individual in the whole france, we don’t get along too much with individuals from around here.

I had my fair deal of war around here.

In the newer band ; dark opus & aosoth are among my faves

DEATHSPELL OMEGA must be the ultimate black metal band the traditionnal way. END ALL LIFE is without any doubt the best vinyl bm label, they must have by now the CYFAWS on lp out, & that is one Honour for us to be on that label.

Zines? well 666 is the best in the extreme bm/dm way, eternal fire was killer too but defunct (or simply no newz from them since long), stregoica was kult in its dayz, now they are doing ordealis rekords which is very promising (killer work from their part), deadfuckinchurch is a good zine but he said that his final issue will be the next…

Some distro are great too, like paleur mortelle & warchangel.

AntaeuS will have a split 10″ with AOSOTH on Paleur Mortelle (akhaeus@aol.com) in the comin month btw.

Gigs wise, the audience is way better than any us gigs that I got to visit (& I had my fair deal of us deals over the three or four stayz I did over there), we usually get from 150 to 400 nowadays, but places are not so numerous & each venues does cost around 2000 to 3000 usd to rent for a night, with such prices, no bands would get any payment, asking for gas payment is already a dream for bands.

Due to that, in 2001, antaeus only performed live Once.

We did perform a bit more over the past months, with bands like nargaroth, taake, enthroned, eternal majesty…

The last hellish gig we did do was in Paris with taake & enthroned, our best set ever since 2001

In nov 002 we will be among the opening bands for the DEICIDE european tour, we shall desecrate new countries & I do expekt that tour I must say.

It’s nothing you’d understand, but I do have something to say. In fact, I have a lot to say, but now is not the time or place. I don’t know why I’m wasting my time or breath. But what the hell? As for what is said of my life, there have been lies in the past and there will be lies in the future. I don’t believe in the hypocritical, moralistic dogma of this so-called civilized society. I need not look beyond this room to see all the liars, haters, the killers, the crooks, the paranoid cowards — truly trematodes of the Earth, each one in his own legal profession. You maggots make me sick — hypocrites one and all. And no one knows that better than those who kill for policy, clandestinely or openly, as do the governments of the world, which kill in the name of God and country or for whatever reason they deem appropriate. I don’t need to hear all of society’s rationalizations, I’ve heard them all before and the fact remains that what is, is. You don’t understand me. You are not expected to. You are not capable of it. I am beyond your experience. I am beyond good and evil, Legions of the night — night breed — repeat not the errors of the Night Prowler and show no mercy. I will be avenged. Lucifer dwells within us all. That’s it.

– Richard Ramirez

Most BM has diverged into “symphonic,” commercial crap. I’m sure you have some ventings on bands like this (Dimmu Borgir, Anorexia Nervosa, Ancient), or on “retro” bands like Dark Funeral. To many, Black Metal must remain underground and elite, and yet within it are elements that are more palatable to the masses- a band like Immortal proving that BM can be commodified over time. Thoughts on this phenomenon in Black Metal?

Like anywhere, when you get an artistic style that would be perceived as elitist & underground, one will have the wish to “extand” it on a different level, for various reasons.Some considers that the message should not be limited to one handful of individuals

some seems to think that they would sell more rekords having an “evil” image Some just find it “cool” to use such imagery Others are living the black metal kult, on a daily basis.

Music wise, I am closed minded when it comes to black metal, not opening myself too much to new genres, though I did try to pay attention to all those bands poppin up & crossing goth, indus & so on with black metal.

I must admit that diabolicum & mysticum were the only one that did match my expektations when it comes to the aura created.

On the other level, I also pay attention to the “performers”, for example : Anorexia Nervosa is often quoted as fag band, mostly due to the COF sounding of the musick. But on a personal level, the frontman is really a sicko & is among those few individuals I consider. Yet he would be a bit too much “rock n roll” sometimes eh too much drugz & autodestruction for me (which does provide a smile, that does you an idea on how fucked the man can be) aktually I think that when you get to meet him, he would be more in his place belongin to sadistik exekution than anorexia (musick wise) Ancient & dimmu borgir never made it to me, not even one track from their early days (the ep of ancient was ok though).

You did qualify some elements of black metal as “palatable” for the masses, yet we have to redefine masses then, since those masses would be the “extreme metal scene” which is not that wide, only a few thousands people I would say.

Not something that could be play on the air of any local radio show & musical tv shows or whatever. We are not dealing with “pop” music. But I do agree, black metal did sadly evolve to a wider audience & that doesn’t mean that the real audience did grow bigger, just that it did expand to people that simply don’t get a clue of what real black metal is about.

Having some individuals to compare napalm death to dark throne amazes me… the only link between those bands is mostly in the instruments used & some beats. (& some would kill me for the “rythm” comparaison)

Anyway, on our level, like other bands, we remain an underground band, you will most likely always find “cyfaws” & “dpe” on cd format, but we will go on doing limited tapes & vinylz. Only for those few sick ones that are also the pulse of the band.

It does mean a lot to us to be supported by like minded individuals, band members or zine editors or just listeners.

I do not get much letters in that vein, but with those few with whom we share visions, getting to read some comments on AntaeuS work is always rewarding.

Our satanik audio violence would be a weapon & only some individuals know how to handle it & how to view it properly.

Carcass or Bolt Thrower? Pick one.

Fuck… Bolt Thrower

at least they didn’t change & “cenotaph” is an instant classic for me, such as the “in the battle there is no law” lp. carcass had amazing trackz but fuckin wimped out too much for my taste.

When can we expect the new album (on Osmose, right?) and will there ever be an American tour??

the new rekordin shall be out on sept 23rd in europe, so obviously a bit later in the usa, osmose doesn’t have a distributor over there I think, so most releases are available mostly through ug mailorders & so on. I doubt one will find it as easily as CYFAWS over there. I seriously doubt on the american tour thing, though I wish we could go over there & perform with bands like black witchery, thornspawn, krieg, demoncy, gbk & so on. Since we are doing a european tour for “DPE” in november, as opening band for Deicide, I am not nearly sure that no tour will happen until the next release (the third album that is).Having us on a european tour would mean getting the band on a bigger “bill”, having an headlining band that could make it possible. As of now, I have no big expectation about a us tour, since it seems nearly impossible, we are not “selling” enough to be pushed that way.

The Deicide tour is already something really expensive.

In the future, who knowz? but I wouldn’t be surprised if the band never gets to perform over there.

Bands like marduk, satyricon & others took forever to go to the other continent & most of the time, itz like a money vortex more than anything else.

Time shall tell, we still have to perform over here first, that is our territory & we haven’t visited more than three countries as of now (which would be like performin in three different states for a us bands).

To you, what is most important in sustaining black Metal into the coming years, as it is increasingly an “endangered” form of music?

I see it that way : Evil will never dies, it might change shape, as long as some form of Art will be dedicated to its “grandeur”, I see no problem with itBlack Metal has somehow a more raw approach to it, a darker incarnation meant to appeal to more extreme masses, thus a minority of individuals are truely meant to understand fully the concept behind this genre.

Black metal is nowadays marketed as a musical genre only, with gimmicks to help the sales. Many bands did take the opportunity to rise using those “eye catching” ideas related to black metal.

Your top 5 BM records?

DarkThrone “a blaze in the northern sky”
Funeral Mist “devilry”
Katharsis “666” + “red eye of wrath” demo
Blasphemy “fallen angel of doom”
Beherit “D. down the moon” (& oath of the black blood)those are the ultimategettin near to that, I’d add sadistik exekution (all releases), profanatica, demoncy, krieg… I’d easily give 20 names that would represent the whole list of bands I really support…. Giving 30 names would be impossible though. not enough bands have individuals matchin the right ideology one should have within the bm scene.

Thanks for the interview! Good luck on your upcoming record and in the inevitable Satanic victory over the forces of light. Have a nice day

Forces of Light are forces of lies as well, they are their own failure & we shall be the witness & the temptation for them.Take a look in the abyss & the abyss will stare back at you

For we hold the ultimate void, we shall go on, we are Omega.

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Manowar to release “The Lord of Steel” on June 16

MANOWAR’s new studio album, The Lord Of Steel, will first be released worldwide on June 16, 2012 exclusively on iTunes and on the band’s own online store, The Kingdom Of Steel.

On the same date, Metal Hammer UK will release a special ‘Steel Edition’ of Metal Hammer #233, including the CD and a digital copy of the album.

The Lord Of Steel is blazing with pure power, untamed energy, and a sound as raw and wild as a force of nature. Track titles like Annihilation and Hail, Kill And Die! set the tone for a record that is packed with surprises.

In contrast to the 2007 release Gods Of War, this new album is not a concept album, yet each song tells a different story, retaining the MANOWAR vision of righteousness, honor and everything MANOWAR fans have come to know and love.

MANOWAR fans should expect to have “their heads completely blown off” said MANOWAR bassist Joey DeMaio in a recent interview, and explained that “…this album is all about brutality and raw power!”

Known for their adventurous spirit and for never releasing the same style of album twice in a row, MANOWAR have this time tapped into the world of action heroes and their stories, writing their first song specifically for a Hollywood movie, EL GRINGO and another one, Expendable, inspired by Sylvester Stallone’s action movie franchise ‘The Expendables’.

The band recently announced that El Gringo will be the theme song of the action western EL GRINGO, featuring Scott Adkins (‘Expendables 2’, ‘The Bourne Ultimatum’) and Christian Slater and produced by After Dark Films (‘An American Haunting’) and Joel Silver’s (‘Matrix’, ‘Lethal Weapon’) Dark Castle Home Entertainment.

“We were talking about a concept album but then got inspired to go in a different direction. This is where we are right now,” explained Joey DeMaio. “I’ve been doing research on getting the best microphones and pre-amps for the guitars. The bass sound is death defying. We’ve done a lot of work on drums too, giving Donnie room to stretch out. And Eric will simply sound bigger than life as always.”

The album will be mixed and mastered at the legendary Wisseloord Studios by long-time collaborators mixing engineer Ronald Prent and two-time Grammy award-winning mastering engineer Darcy Proper.

Upcoming MANOWAR headlining tour dates:

Sat, June 16, 2012 – Ost Fest – Bucharest, Romania
Thu, June 21, 2012 – Gods Of Metal – Milan, Italy
Fri, July 6, 2012 – Getaway Rock Festival – Gävle, Sweden
Mon, July 9, 2012 – Dortmunder Music Week Festival – Dortmund, Germany

More info:
www.manowar.com
www.facebook.com/manowar
www.magiccirclemusic.com

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Winglord – The Chosen One

I am calling this new genre post-black-metal. It is the spirit and mood of black metal, the rhythms of 1980s EBM and industrial, the samples and collage technique of martial industrial, the atmosphere of neofolk, the sweeping epic point of view of soundtracks, and that sense of world music evoking the spirit of ancient tribalist folk songs from Europe that Dead Can Dance had going. Mix all this together, and you get a new genre which has a few members such as Kreuzweg Ost, later Burzum, Arcana, Lord Wind and even the Beherit ambient albums.

This is a natural progression for black metal. It admitted its 1970s synthpop and ambient cosmic music influences. Even more, it was influenced by Danzig’s Black Aria and other soundtracks like those from Vangelis and Basil Poledouris. Metal itself was influenced by the soundtracks to 1960s Italian horror cinema. Beherit put out two ambient albums, Burzum two, and Darkthrone released its Tangerine Dream tribute band Neptune Towers. Even Emperor released that keyboard version of “Inno a Satana,” and Ildjarn put out three ambient landscape music albums. It’s in black metal’s blood, and with the end of the innovation of the style itself in the mid-1990s, the bands turned to the next step. More instruments, longer songs, more modes, more complexity.

Rolling on the success of bands such as Blood Axis and Lord Wind, the newest entry into this field is Winglord, a Scandinavian produce that hopes to rebirth the ancient spirit of Europe through synth-piano music. As mentioned above, it’s poppy like old Ministry or VNV Nation, but it has more musicality going on, like a Dead Can Dance track. It’s easy to listen to and yet melancholy, yet brings forth a message of not “small hopes” in the way modern music is “uplifting” but does nothing about the larger crisis of living in an insane and dying society, but instead shows us a way we can conquer the disease of this time. First in our hearts, then in our minds, then with our hands. It’s inspiration not through external forces, but through a sense of power, which is where it is most like black metal.

These tracks are built on a foundation of martial industrial and industrial dance (EBM). Verse-chorus loops are broken by interludes; layers extend melodies with different conclusions and beginnings. Melodies themselves, in a manner much like the way Summoning expands its riffs into soundtrack-style phrases, unfurl from lush keyboard layers into linear variation which then outlines the themes of each songs. It’s highly organized however which makes the entire listening experience a controlled, evocative process.

The Chosen One is a huge improvement over earlier Winglord, and shows us one future for this genre. It doesn’t aspire at all to the trends and individualistic ego-drama of the modern time. Instead, it creates for us a vista of a land outside of time, in which eternal values obliterate all of our temporal concerns, and lets us get lost and swept up in this majestic wave of power. For those who like good music, and want to see some new motion in the underground, this is a vital and impressive undertaking to be enjoyed.


Winglord
The Chosen One
Arktos, 2012, 43 minutes, $17.

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Help finish Birth A.D.’s debut album!

Birth A.D. is in the final stages of producing their debut full-length, “I Blame You”, and they need your help! A good independent production isn’t cheap, so anything you contribute to assist in the mixing and mastering process of this soon-to-be classic of crossover thrash is appreciated.

Your donation will be commemorated with the inclusion of your name on the album’s thanks list, and you will be counted as part of the new Birth A.D. fan club, the Seven Billion Graves Brigade.

The Misfits had the Fiend Club, Voivod has the Iron Gang, and this is your chance to get your name immortalized as a collaborator and conspirator! Years from now when the band is huge, overrated, and not half as cool as when they started off, you can break out the album everyone really liked and say, “There’s my name!”

Pledge now, and CAUSE PROBLEMS!

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Interview: Amebix

amebix logoIt’s hard to introduce a band who were part of the introduction of the genres upon which this site is based. Along with Discharge, Amebix were the punk half of the formula, influenced by Black Sabbath and Motorhead, a potent brew of inspirations which when mixed with NWOBHM made for the elementals of death metal and black metal. Coming to us from the UK, Amebix were also one of those rare inspirations that believed in the idea before the incarnation, and wanted to give meaning to life where others were satisfied with callow rebellion. Taking time out from practice for the new tour, the Baron gave us a few moments aboard a chartered Italian diesel submarine to keep us in the loop on art, music, life and Amebix.

The AMEBIX “sound” has appeared as an ingredient in diverse metal and punk genres, and you’re a foundational influence on all crustcore. How did you hit upon this sound? Are there any parallels in visual art, books and movies?
For myself and Stig our approach has always been very instinctual, not having any musical knowledge or training we had to find our way blindly, mainly through the “feel” of a song, and the way we would try and build it up; it is not clever, but it has a simple and honest power. I am not able to tell if there are parallels in other Art, but our particular Silhouette style artwork was also in the same vein, getting a powerful idea across very simply, leaving the viewer to use their imaginative capacity.

AMEBIX: BaronIt has been said that, initially, AMEBIX did not use chords to create songs. How did you learn to play music, and did you take advantage of any established theory?
I think the answer above is applicable here too, I learned how to play guitar chords when I moved to Skye, but in a very real sense I found that understanding music in any way actually took away a huge part of the “magic” for me.

From the metal side of things, you cite BLACK SABBATH and MOTORHEAD. What about these bands appealed to you, and what elements of their style did you carry on into AMEBIX?
Well, Motorhead was about energy; Sabbath was for me a very deep band, although subsequent discoveries really place the lyrical side with Geezer, it was a dark band that we could really bring our imagination into sympathy with, like Killing Joke. Music for me is about seeing an internal landscape, and I really tried to make that come alive with Amebix.

In an interview with Romania’s Metalfan, you say “I can’t get into the completely predictable sound of so many bands now, why dont people take a risk and do something unusual?” — do you believe the sound itself is what they must innovate, or is there something that comes before the sound — a realization of what they want to make in music, or an idea they want to communicate — that causes them to pick the sound they want?
I think that actually it is the same as when we started: 99% of people who want to make a band base themselves on someone else; there are so very few that are manifesting anything unique only to themselves. People do not take risks. We grew up with Bowie, T rex, Slade and eventually punk, and believed that it was our job not to be like everyone else, back when punk bands were so diverse and original, pre-Crass/Discharge, etc.

I am also a boring old twat too, which doesn’t give my opinion any credibility.

How did musical illiteracy help or hinder you in creating the music of AMEBIX?
It freed us entirely of understanding and allowed us to manifest our true sound.

The transition from signs which dissimulate something to signs which dissimulate that there is nothing, marks the decisive turning point. The first implies a theology of truth and secrecy (to which the notion of ideology still belongs). The second inaugurates an age of simulacra and simulation, in which there is no longer any God to recognize his own, nor any last judgement to separate truth from false, the real from its artificial resurrection, since everything is already dead and risen in advance…Henceforth, it is the map that precedes the territory – precession of simulacra – it is the map that engenders the territory and if we were to revive the fable today, it would be the territory whose shreds are slowly rotting across the map. – Jean Baudrillard, Live Theory

In the AMEBIX biography, you describe living in squats, moving from “one ruin to another, no sanitation, little electricity, and skip raids for food.” Many people seem to romanticize this lifestyle, but it cannot have been easy. How did it shape the AMEBIX sound?
It is difficult to be objective about this, but there is a cold harshness to some of the music that we put out at this time, it is also unrefined and spontaneous. Not having solid practice places or such we would write a song and that was that. If we could remember it then we would take it into the studio, but we had absolutely no discipline regarding recording, so a lot of the songs are poorly recorded and very primitive in comparison to today’s sound.

Jim Morrison (THE DOORS) sang and wrote repeatedly of a “frontier,” or a no man’s land where chaos and conflict ruled, but also open spaces were present. Was he speaking existentially, politically, or both, and how does this apply to music that loves nature (red in tooth and claw), destruction, emptiness and melancholy loneliness?
Morrison was referred to as either an idiot or a shaman, for me personally I don’t have an interest in The Doors, although Stig does. I don’t know whether this is a poetic sentiment he expresses or a psychological state.

What distinguishes great music from bad? Can it be distilled into technique, or is it something less easily defined?
Great music will cause a reaction good or bad, in the listener. Bad music will play in the background of the elevators of existence.

In the Metalfan interview, you say “Punk was about individuality and creativity, it became a cult of Conformity” — it seems many genres and artistic movements go this way — why do you think this is?
There is a general tendency for people to organise and define themselves into genres and groups, it is an instinctual and general behaviour pattern that stems from insecurity; it is the same root as nationalism, bigotry and religious division. Punk swallowed itself, stupid little people.

AMEBIXAfter 17 years, why re-unite AMEBIX? You had said you were tired of playing every variation of A and E chords you knew, and expressed frustration with current music. Are you coming back to change things?
We have an opportunity to redeem ourselves at this point in time, to play as a tight unit using good equipment and with an audience that has actually come to see Amebix. It is of course also partly vanity, but in all honesty this would not have come about if we didn’t meet the mark. There is a ferocity about some of the songs that still remains, and we are really looking forward to playing our “fantasy” gigs, having the backing now that we could only dream of back then. Me and Stig could hear how Amebix should sound back then, but we never had the opportunity to realise it.

One thing that distinguished AMEBIX was that your lyrics were less obviously “political,” or endorsing changes in society, and more focused on values and symbolism, almost like Jungian archetypes. What influenced this, and what did it enable you to express that other methods would not? What do you hope to communicate to the audience this way, and is designed to get past some of their expectations?
My lyrical approach was to create access to internal Landscapes, Archetypes and symbols. This was before I had studied the matter more thoroughly, but I wanted people to bring their own imagination into the Music, and in a sense fill in the spaces, and own that song as their own interpretation of an idea. Ambiguous statements leave room for imaginative interpretation.

In the article about your sword-forging activities, this quote sticks in my mind: “I see the metal as a living thing. It becomes alive when you introduce the elements of fire, coal (earth), air to feed the fire, and water or liquid for the quench.” This reminds me of the movement to sacralize earth and view it as a living thing (Gaia). Do you feel that all of life is alive, or any compatibility with this view that reality itself is sacred? Did you feel this way when making music?
The Forging is an extension of what I was doing then, still trying to be in touch with the elemental forces, although it is 99% a Job now, but I can still get into the right space when I need to.

Once upon a time, in some out of the way corner of that universe which is dispersed into numberless twinkling solar systems, there was a star upon which clever beasts invented knowing. That was the most arrogant and mendacious minute of “world history,” but nevertheless, it was only a minute. After nature had drawn a few breaths, the star cooled and congealed, and the clever beasts had to die. One might invent such a fable, and yet he still would not have adequately illustrated how miserable, how shadowy and transient, how aimless and arbitrary the human intellect looks within nature. There were eternities during which it did not exist. – Friedrich Nietzsche, On Truth and Lies in a Non-Moral Sense

The allusion to living steel is a physical reality, as fire heats up the metal it opens up and begins to move more rapidly as it changes states, when the hammer or Will is applied this will imprint itself into the lattice. The steel will have gone through an actual physical change in accordance with the will of the Smith.

It’s interesting how many punk and metal bands come through modern ideas to discover the ideals traditional societies from a millenium ago, which were: reverence for nature, belief in a transcendental but not dualistic life, independence from humanist morality, desire to create the beautiful and eternal, searching for truth with the self as the lens but not the focus. Do you feel any of these in your own creation?
AMEBIX: StigYes, I absolutely agree with you, transcendence of duality is the goal, to realise that all is from the same.

The AMEBIX biography says that you have completed enough material for “seven full-length albums.” I have Arise!, Monolith and No Sanctuary (which seems to be a re-released Beginning of the End, whose legality I am unsure of). What am I missing?
Nothing missing, I don’t see where seven full length albums comes from.

Also from the article on sword creation: “What contemporary thinking fails to understand about the alchemists’ attempts to transmute base metal to gold is that they were undergoing a process of personal refinement. Transmutation was an ultimate goal that stimulated the imagination. It was a metaphor for the essential creative process. My sole aim is to take the alchemists’ metaphor and give it substance. To give it a more rational setting.” Are you forging your own soul as you make swords? What role does discipline play in life, and in creation? I ask that because it seems to me that it takes discipline to learn to forge swords, and discipline to make a good one.
Yes, Forging was an extension of other disciplines when I started. It is a fine metaphor that can be used by anyone who is seeking some personal truth.

If sound is like paint, and we use different techniques and portray different things in our paintings, what does it say when a genre sounds similar and has similar topic matter and imagery? Can the genre be said to have a philosophy or culture of its own?
Maybe. I would not like to be stuck in a particular genre. It is important to me to keep moving, and not try and fit in. The person who leaves the tribe will have the adventure and come back with the Story that will change the Tribe, if they can listen.

When we feel ourselves to be sole heirs of the universe, when “the sea flows in our veins … and the stars are our jewels,” when all things are perceived as infinite and holy, what motive can we have for covetousness or self-assertion, for the pursuit of power or the drearier forms of pleasure? Contemplatives are not likely to become gamblers, or procurers, or drunkards; they do not as a rule preach intolerance, or make war; do not find it necessary to rob, swindle or grind the faces of the poor. And to these enormous negative virtues we may add another which, though hard to define, is both positive and important. The arhat and the quietist may not practice contemplation in its fullness; but if they practice it at all, they may bring back enlightening reports of another, a transcendent country of the mind; and if they practice it in the height, they will become conduits through which some beneficent influence can how out of that other country into a world of darkened selves, chronically dying for lack of it. – Aldous Huxley, The Doors of Perception

Do you believe objective reality exists?
I don’t believe that we have the sensory ability to discern things on a higher level, that intimation can come through Symbolism and Visionary experience, but I cannot answer that with any authority at all.

AMEBIX band photoAny plans to write a book about the AMEBIX experience, and what the punk/metal movement meant at the time? The “Risen” DVD sounds like it has some inclinations in this direction?
I started to write a book some years ago; this has been shelved for now, but I may take it up again when I am in my dotage.

The world needed punk when it happened, but not much has changed, yet the music seems less relevant. Is there a way to make it relevant again? Dare I ask… Is that what motivated you to break your silence and return?
I think the Spirit of Punk got lost a long time ago, but it can be found popping up in other Cultural milieu. A lot of the scene was just a parody of an idea, although some people lived it. I like to think that you can keep that spirit alive in the way you live your life, not who or what you identify with, keep an open mind, allow new ideas to come in.

Just as only one out of 100,000 has the talent to be an engineer or an acrobat, only a few are capable of managing the matters of a nation or humankind…In this time and this part of the world we are headlessly hanging on to democracy and the parliamentary system, even though these are the most mindless and desperate experiments of humankind…In democratic coutries destruction of nature and sum of ecological disasters has accumulated most. – Pentti Linkola, Can Nature Win?

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