Sadistic Metal Reviews : Unholy Desecration of Entropic Repetition and Randomness Edition

The question before us remains whether humanity will get its act together to adapt and survive. We beat the first few levels, yes, with agriculture and institutions, now have some nifty technology like digital computers and infernal combustion engines, but that just leveled us up.

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Xysma – No Place Like Alone (2023)

For years many of us have told death metal bands that instead of trying to mix hard rock into their death metal, it makes more sense just to cast off the underground metal aspersions and go full hard rock. With a mix of Motörhead, Iron Maiden, and AC/DC plus their own melodic and prog touches, Xysma do that.

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Sadistic Metal Reviews: Metal as a Service (Mucho, Mucho MaaS)

What happens when something succeeds? It fixates on that success because now it has something to lose. Forget all those stupid alt-right tropes about “hard times make hard men weak, weak times make weak men hard” because they are like most things Right-wing merely a prelude to the type of sodomy that Jesus does not mind. Metal reached its peak in the 1990s with underground death metal and black metal, but now the little people have come in to munch the carcass while loudly demanding attention.

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Deber – Aspire to Affliction (2021)

This band wears its influences on its sleeve — Evoken, Worship, Skepticism, and Colosseum — but at its core, this is something more like EyeHateGod, a riff look that breaks into an inner sanctum of something like rage, emulating a cry from the betrayed generation that carved out the rudiments of underground metal.

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Flames of Hell – Fire and Steel (Draconian, 1987)

As much as we want to think otherwise, our reception, enjoyment and evaluation of music is not strictly dependent on the pure act of listening. A truism perhaps, but still something that is worth reflecting on from time to time. Especially for collectors of cult metal vinyl – the modern-day personification of the emperor’s new clothes syndrome (or should we say old clothes?). If you invest a disproportionate amount of time, effort and money in reading about and eventually acquiring a record – as collectors of obscure metal tend to do – your judgement is likely to get clouded to the point where it’s hard to assess the quality of the work in question. And this includes both positive and negative judgements. Case in point: the hype surrounding the Icelandic proto-black metal band Flames of Hell and their sole full-length album Fire and Steel (1987).

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