Belarussian Ljosazabojstwa’s Staražytnaje licha has finally been released on CD.6 Comments
Tags: Black Metal, Centinex, death metal, entombed, festivals, General Surgery, god macabre, grave, interment, Left Hand Path, merciless, necrophobic, news, Speed Metal, Swedeath, Sweden, Swedish Black Metal, Swedish Death Metal, Unleashed
Dark Descent and Unspeakable Axe Records have released a new free sampler CD of their recent upcoming releases. It is freely available with a purchase from the Dark Descent online store and for free download on their Bandcamp page with four additional tracks that couldn’t fit on the CD.
The new Dark Descent Records/Unspeakable Axe 2016 CD sampler is now available. This is a FREE sampler and available with purchase through our web store and at Unspeakable Axe. Included on the disc is 16 tracks (8 from each label) with premieres from Blood Incantation, Excommunion, Lantern and Ruinous. The sampler also includes an discount code good for our web stores. Get yours now before it’s too late!
Trenchrot – Hell Pilot’s Call
Blood Incantation – Chaoplasm
Ripper – Anthropophagic Life
Ghoulgotha – The Sulphur Age
Hemotoxin – Transparent Eyes
Sheidim – Without Reins
Nucleus – Cube
Excommunion – Nemesis
Mortal Scepter – Violent Revenge
Nox Formulae – Hidden Clan NXN
Scorched – Lust for Strangulation
Lantern – Cleansing of the Air
Manic Scum – Strapped to the Gurney
Ellorsith – Jerome I
Obscure Evil – Enchants of Bitterness
Ruinous – Dragmarks
Article by David Rosales.
We often use the term underground following the multiple discussions of underground extreme metal started on Death Metal Underground by Brett Stevens himself. Conceptualizing it here would be redundant and confusing. Instead, we might benefit more from brainstorming that allows for the reveling of authenticity that so characterizes underground music. What we are interested in here is not metal only, or metal as a whole, but rather metal as conducive to realization, breaking of false boundaries, destruction of a false mainstream, doing away with a useless society, and a contempt for a decadent civilization that through negation is blind to its own fatality.
The answer is not in this or that genre, in formal philosophy, or in the bare findings of the scientific establishment, but in their use in service of individual discernment. Music itself, if taken as more than mere sensual distraction, is the intuitive way leading to the shattering of illusions perceived through the senses, instigated by the mundane. This is not mere sophistry,; its most practical result is that in the abstract realizations thereof the mind is free to challenge what before appeared as commandments written in stone. Reality does not belong to anyone; truth is a quest.
Unaussprechlichen Kulten – Baphomet Pan Shub-Niggurath (2014)
The tumultuous death metal of Unaussprechlichen Kulten captures the rawness of exploring black magic in darkness upon the listeners mind. What is significant about the interest of metal at large in what is hidden, what is occult, is not the morbidity alone, although that is the explanation that even luminaries may conjure and the only one that the rabble may consciously understand. The open door to asocial darkness, to inhumanity, to disintegration, is the contrast between ephemeral and the immanent. However, facing this burning darkness is also a voluntary act: it lies beyond good and evil, where the primal breath of the whole that puts our non-divinity into perspective. Here, the old school death metal expressions within free structures that never overextend and are perhaps inconclusive, nevertheless represent a perfect introduction to an energetic flow of destruction and consumption.
Sorcier des Glaces – Snowland MMXII (2012)
A well-deserved update of Snowland, Sorcier des Glaces’ Snowland MMXII shines with self-attenuated glow, hiding vibrant vitality. This is the course of nobility after or through darkness. Sorcier des Glaces takes us to the essence of black metal as post-nihilism. What some would confuse with empiricism or mere scepticism, but is in reality free transcendentalism following death, complete nihilistic destruction. The dark light emanating from image and action, from reality and unreality, the delight beyond sensuality in the universe as it is as perceived imperfectly as we see it in the thousand ways in which we tune in to it.
Isa – Отход на закате [Departure at Sunset] (2015)
Risking death by lynching, I’ll introduce this rather inconspicuous and only vaguely metal album as the culmination of this discussion. This lies more in the realm of ambient and is liable to be confused with post-rock when seen from a certain angle. Departure at Sunset captures the naturalist side of metal in a stronger way than do most these days. This is done in perhaps an extreme way that does not befit the always-hidden, the underground spirit of metal. That is, there might be too much sunshine in this for the traditional underground, so that it might seem counter-intuitive for some to see this as more authentically revealing than what sounds traditional. But the trademark old school sound has been hijacked for a long time now, it has been commercialized in what is almost a counter-spell to its original black conjuration. The truth seems to emerge, then, in the opposite, sunlit, ice-clear sounds of this ambient metal that transports us to Siberia as the antithesis to the modern world.
Tags: Baphomet Pan Shub-Niggurath, Black Metal, death metal, Departure at Sunset, Isa, Snowland MMXII, sorcier des glaces, unaussprechlichen kulten, underground death metal, underground metal, underground music, Отход на закате
Profanatica‘s new album, The Curling Flame of Blasphemy, has been released early on tape by Hells Headbanger Records for jaded eighties headbangers with old cars and cassette decks. Profanatica being one of the few bands still releasing quality material in this age of rehashed mainstream pandering makes this worth checking out. A higher quality CD version for the audiophiles is coming out in late May and the LP for the hipsters in early August.21 Comments
Kaeck‘s Stormkult is about to be pressed to cassette by Heathen Tribes for all the heshers who still drive their parents’ 1990 Volvo station wagons. Death Metal Underground’s 2015 Album of the Year is perfect for blasting from your steel battle wagon or Dodge Neon to herald the coming of the god of this world to your fellow commuters.8 Comments
Greek black metal gods Rotting Christ have announced an extensive North American tour for this fall supporting generic war metal veterans Marduk. They’re coming out here to do some gigs! Shit will be wild man, wild! Here are the dates from Marduk’s Facebook page:
09/02/16 Ft. Lauderdale, FL Culture Room
09/03/16 Tampa, FL The Orpheum
09/04/16 Atlanta, GA The Masquerade
09/05/16 Baltimore, MD Soundstage
09/06/16 New York, NY Gramercy Theatre
09/07/16 Boston, MA Brighton Music Hall
09/08/16 Montreal, QC L’Astral
09/09/16 Toronto, ON The Opera House
09/10/16 Columbus, OH Al Rosa Villa
09/11/16 Chicago, IL Reggie’s
09/12/16 Minneapolis, MN Triple Rock
09/13/16 Kansas City, MO The Riot Room
09/14/16 Denver, CO Marquis Theatre
09/16/16 Vancouver, BC Rickshaw Theatre
09/17/16 Seattle, WA Studio Seven
09/18/16 Portland, OR Bossanova Ballroom
09/19/16 Oakland, CA Metro Opera House
09/20/16 Las Vegas, NV LVCS
09/21/16 Los Angeles, CA Regent Theater
09/22/16 Phoenix, AZ Joe’s Grotto
09/23/16 El Paso, TX Mesa Music Hall
09/24/16 Dallas, TX Gas Monkey Bar & Grill
09/25/16 Austin, TX Dirty Dog Bar
Article by Corey M.
Overall satisfying (but not quite inspiring) straightforward songs with equal parts thrash and proto-death metal present. I don’t quite hear the “occult” sound these guys are evidently going for; their music sounds too immediate and, weirdly, fun. The band members clearly enjoy creating this music and therefore their work is free of pretense; no revivalist coat-tail riding here. Expect to hear fairly similar-sounding riffs throughout, without much in the way of dynamics. Compared to their contemporaries in bands like Nifelheim and Aura Noir, Occult Burial are competent and maybe even a step ahead of the more popular bands that mix thrash with modern metal because they aren’t impeded by gimmickry. Their lack of theatrics may work against them because they will probably continue to be overlooked until they learn to cut loose and let their imaginations run a little more wild with their songs. Compared to the more aggressive speed metal classics from Coroner and Razor, parts of Hideous Obscure are downright boring. Even playing a bit faster and cleaning up the recording could do wonders for the effectiveness of these songs. Some parts sound truly terrible. For instance, the snare drum sounds in the words of my favorite robot puppet “like a bag of sardines thrown up against the side of a pole barn.” Nevertheless there is promise here and I would reserve more judgment until Occult Burial release a proper-sounding album or I can catch them live.22 Comments