Napalm Death Announces Spring North American Tour

Grindcore pioneers Napalm Death, now playing a hybrid of death metal, grindcore, and indie rock as they have for the past two decades, launch their Spring North American Tour 2020 with tourmates Aborted (April 17-May 16), The Locust (April 9-April 15), Nastie Band (April 9-April 15), Tombs (April 24-May 16), and Wvrm (April 17-May 16) for select dates.

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Proscriptor Ends Absu

After three decades of existence, Proscriptor McGovern has decided to finally end famed American black metal band Absu. While the “Absu” trilogy will never be finished due to Proscriptor’s difficulty in maintaining a stable lineup and the histrionic ego-drama of a certain guitarist, the band leave behind a decent catalogue with unfortunate dips in quality over recent years. Though this begs the question, was there anything else that Absu could express?

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Supuration The Cube: Death Metal’s Most Unique Album

It is commonly assumed that the most unique album in death metal is Nespithe and while there is a very strong case for such a claim, Supuration’s The Cube has a stronger claim to such a title. Demilich have a large number of failed imitators while Supuration have none at all. The first listen to Demilich immediately shows the band’s intentions and dizzying whirlwinds of ideas in elaborate riff mazes. Supuration sounds like a rock hybrid that borders on modern metal but with much depth and just as unique but requiring many more listens to dig past the highly accessible aesthetics. Here are a few tools that Supuration used to create the most unique album in Death metal.

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Deicide At Their Fiery Best

Live in London on December 17, 1992, Deicide bashed out a heck of a show which reveals their original interpretation of the material on Legion and their re-assessment of their first album, namely by playing the former faster by a shade and adding textural complexity to the latter.

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Calyx – Vientos arcaicos (2019)

Guest article by Belisario

Now that the end of 2019 is over, with its list-saturated madness, it is a good moment to look backwards in search for the decent albums we may have overlooked during the year. That might be the case of the debut album by a discrete Spanish band under the name of Calyx. Released in the month of May, it was published by no less than Iron Bonehead Productions, a well-known middle-sized label which is lately supporting smaller and lesser known bands, a move certainly worth praising.

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The Hessian Introduction to MMA’s Most Barbaric Moments

MMA is now a mainstream sport consisting of highly paid athletes, large organizations, specialized doctors and strict rules governing all aspects of the sport. During the sport’s formative years, this was not the case as fighters didn’t fully comprehend the rules, the pay was minimal and the risks weren’t fully understood, creating situations that were wild and uncontrolled. This lead to some fights that had a feral quality that has mostly been lost in the sport barring a few exceptions. Here are some fights that showcase the brutality of the sport.

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Doug Cerrito and Hate Eternal – Conquering the Throne

Hate Eternal’s Conquering the Throne is a fairly mediocre album plagued by the symptoms that were spreading across the Death metal universe at the time. The need for even more brutality was visible on one side of the spectrum while the need to rival the more overground and Rock derived bands on their terms dominated the other side of the spectrum. Erik Rutan had finished his second stay with Morbid Angel who had just failed at accomplishing any of the objectives with the juvenile Gateways to Annihilation and would then form Hate Eternal who simplified everything Ripping Corpse had done into music that attempted to be memorable and punishing but ended up being predictable and flat. Though three songs stand out on this album, showing at times a level of composition far beyond anything that Rutan could ever dream of conceiving. These would become Doug Cerrito’s last contributions to Death metal.

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