Imprecation – Damnatio ad Bestias (2019)

Imprecation return six years after their great release Satanae Tenebris Infinita with Damnatio ad Bestias which refers to a Roman game that consisted of allowing beasts to kill various criminals. Here it possibly refers to the various Christian martyrs that were killed this way and possibly a reference to the Morbid Angel song “The Lion’s Den” which deals with the exact same topic. Here the band are aware of the success of their previous record and attempt to replicate but with a slightly modern touch that takes away from the immersion yet remains an enjoyable listen that pushes certain previous ideas to their limit.

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DMU Podcast 1: At the Gates and The Unlikely Mexican Heirs

Join us on the inaugural DMU Podcast where we go through the influence that The Red in the Sky Is Ours had on the Mexican Death metal scene and how it spawned two albums that sought to recreate its grandeur. The Chasm Deathcult for Eternity: The Triumph! and Cenotaph Riding Our Black Oceans

note: here is the fixed version

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Headless Pez – Carpe Verpa

Drowning themselves in the Manowar aesthetic in their lyrics and in the overall feeling of their compositions. The music is caught between early Slayer/mercyful Fate with hints of Exodus. Headless Pez may be very tongue in cheek with their ridiculous look and their Manowar turned up to 11 gimmick but this album shows glimpses of something greater.

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DMU Podcast and Song Contest #3

It is time for the third song contest in our hopes of finding out what the underground can offer. The rules have been stated before can be found here. Are there still any Hessians able to dethrone previous winner Salustiano? Or will we receive Tulio Baars like songs?

In other news, here at DMU we are preparing the first ever DMU Podcast and shall include reader submitted questions. We await your questions in the comments or at editor@deathmetal.org. We ask our readers to keep questions within the sphere of metal and other related genres.

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Uada – Cult of A Dying Sun

Hipster Black metal arrived at the stage where copying from Indie and Post Rock bands was no longer going to work and to distinguish themselves from the rest of the crowd, Uada had to resort to stealing Batushka’s hooded look and the music from the funderground favorite Storm of the Light’s Bane while in arranged in the droning style of Mgla and the like. All of this is sprinkled with every hipster trope possible and the new publicity stunt of “being supposed Nazis” which is a smart way of bringing in Hipster metal to the anti-SJW crowds while playing music that caters to their tastes. The band being formed in Portland which is known as being the hipster mecca should already cast doubts for those who haven’t experienced the pain of listening to such a record.

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Analysis – Mayhem “Life Eternal”

Let us momentarily forget the ridiculous circus act that surrounds the legacy of Mayhem at this time and focus on what earned the band all the praise they deserve. “Life Eternal” provides a particularly interesting example composition because it consists of a collaboration between multiple musicians during the long creative process that led to the release of the album. Featuring the final lyrics Dead ever wrote as a parting gift and some incredible ideas from Varg Vikernes and a large number of ideas from so many other musicians, it encapsulates the original vision that the Norwegian Black metal originally possessed in its purest form.

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New Zine “No Help Came” To Release First Issue

A new underground fanzine called “No Help Came” will feature interviews with the likes of Sammath,Condemner,Into Oblivion,Necronomicon and local Romanian bands should interest Hessians interested in what is going on beneath the funderground. The zine can be followed on Funbook by clicking on this link.

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