Influenced by artists ranging from Ihsahn all the way to Luc Lemay, single-man project The Clearing Path is ready to release its debut album, Watershed Between Earth And Firmament. The music of the Italian Gramaglia presented here is a modern take on black metal that has difficulty forming an image and rather desperately collects black metal cliches while it explains and justifies itself with words and artwork.
Colombian death metal band Carnal Blasphemy has recently released details for their upcoming debut album Liars Made Authority.
Featuring cover art by Karen Marin, Liars Made Authority was produced by Sander Bermudez at Soundtech Studios (Amputated Genitals, Carnivore Diprosopus, Evil Darkness) in Bogota, Colombia. The album also includes guest appearance by the likes of Jason Netherton (Misery Index), Julian Suarez (Suppuration), Ricaurte Triviño (Genetic Error) and Luis Vile (Ex-Undergrave).
Track list is as follows:
1. Liars Made Authority
2. Machine Of Destruction
3. Daily Atrocities
4. Your Suffering is My Pleasure
5. Perfect Crime
6. Purification Through Violence
7. Devoured Souls
8. Your Empire, Your Tomb
9. The Dead-End Ambition
10. Ignorant Facing Dominated
Liars Made Authority is set for release September 18, 2015 via Gore House Productions as CD and Digital.
NECROMASS’ video “Fair of Blasphemy” is now available. The video was directed by Stefano Poggioni and features Claudia Cataldi (Factory Prod.) as director of photography, both winners of several video-clips
and short films awards, such as “The Drift”.
This is the first official video of the cult florentine band and it is a first preview of the new split with Mortuary Drape, set to be released shortly by Funeral Industries.
Besides being on the look out for promising bands and nurture them as the future of metal, there is also a place to examine the living corpses of decadent and useless products release by the emotionally needy and artistically impaired. Sadistic Metal Reviews to put the pretentious wankers, the clueless “experimentalists” and the postmodernist “intellectuals” in their place: in line and ready to be disposed of.
Latin jazz deathcore featuring conga breakdowns, sax solos, bass slams, gang chants, tough guy
empowerment lyrics, and At the Gates. This is Elements with ear gauges for those who enjoy the
bongocore of later Sepultura. To improve their future releases, I recommend the band overdose on
artificial opiates cut with chemicals usually found in anti-dandruff shampoos.
Vattnet Viskar – Settler (2015)
Vattnet Viskar are screamo in the same vein as Deafheaven. On Settler they could have attempted to use careful melodies and riff progressions to emotionally convey to the listener the existential nihilism of an ordinary woman attempting to transcend her earthly existence only to be brutally splattered upon the Earth’s surface. Instead they disingenuously pander to a liberal hipster audience for whom Mayhem and Burzum are verboten by pretending to be an acceptable “black metal” band. Major scale tremolo riffs, sludgy hard rock, and hardcore breakdowns are randomly arranged in songs grounded by emotional choruses and vocal hooks. This is not shoegaze; Vattnet Viskar and Deafheaven are as far from My Bloody Valentine as they are from Darkthrone. Post-hardcore with comprehensible screeching as the primary emotional vehicle is screamo. Those who eat this album up and genuinely think it is true black metal are just deluding themselves about progressing beyond their whiny teenage musical tastes.
Gyre – Moirai (2015)
Gyre exploit the misguided nu-metal commercial revival driven by millennial ex frat boys wishing todefend their shitty taste as mall-dwelling tweens. Moirai is a nu-metal album with djent chugging and afew speed metal solos just in case a member of the target audience is the air guitar type. PreventingGyre from achieving financial success with this artistic failure is their lack of name recognitioncompared to Fred Durst and Serj Tankian. Thus Gyre are best advised to run back to the brostep clubs and never return.
Ysengrin – Liber Hermetis (2015)
Arranging simplified, slowed down Megadeth riffs around boring acoustic interludes doesn’t make for effective thrash and doom metal. Claiming to be blackened death metal as you play those riffs through distortion pedals into crappy solid state amps to get a more fuzzy than bestial guitar tone means you fail two more genres. Go listen to Rust in Peace again instead of subjecting yourself to this unnecessary career retrospective.
Nightland – Obsession (2015)
Slaughter of the Soul riffs? Check. Hit people breakdowns? Check. Random songwriting? Check. Metalcore with orchestral fluff played by guys in leather dresses is still metalcore. This time it’s just marketed toward fat Nightwish goths and frilly-shirted Fleshgod Apocalypse fans.
Cult of Fire – मृत्यु का तापसी अनुध्यान (2013)
Here Cult of Fire randomly mix stolen Bathory, Immortal, and Emperor riffs with Abba keyboards and pointless eastern music into a pathetic failure of black metal. This album is yet more proof of how easily the basic compositional requirements of the genre can escape even the most technically accomplished musicians.
Klamm – Ernte (2015)
Blackened folk singalongs played by German hipsters? This music is the result of too much cuddling and too little beatings. Dumb to the point of being exasperating, Klamm tries to fulfill ideological cliches of what both folk and black metal represent. Press stop to leave the beer hall.
Horrendous – Ecdysis (2014)
Steal Heartwork riffs, run them through a Boss HM-2 pedal, and throw in some random Journey to pad out the tracks. Contrary to the title and cover art, this pretentious pseudo-Swedeath fails to shed its melodeaf skin. The only thing this album transcends is listeners’ patience when it assumes they are intellectually disabled by building multiple nu songs from the riffs in one very popular older song called Heartwork. Horrendous prove themselves musically no better than Archenemy and far inferior to them when it comes to musical common sense.
Örök – Übermensch (2015)
Coming from the spiritual-minded ambient “black” metal camp, this self-absorbed music is so ego-centric it somehow manages to be unaware of its stagnancy, vacuity, it’s lack of proposal and direction. As the title indicates, rather than an excellent specimen’s product, this is more of a diva’s self-appraisal. Untermensch.
Dismember – Massive Killing Capacity (1995)
After the commercial success of Entombed’s Wolverine Blues, money-grubbing record labels pressured the rest of the big Swedish death metal bands to pander to the Pantera crowd. Dismember turned down the distortion and gazed back to seventies rockers Kiss and Deep Purple for inspiration. Unfortunately, downtuned and distorted butt rock riffs coming out of JCM 900 heads are still butt rock riffs. A few songs that rip off Dismember’s own prior good work and Metallica’s Orion make this slightly more listenable than the aforementioned Wolverine Blues but do not come close to alleviating this death ‘n’ roll turkey’s massive shitting capacity. This is Highway Star death metal.
Nebiros – VII (2015)
Mellotrons and makeup do not paint your metal black. These overlong songs are structured around
deathcore breakdowns and stolen Gothenburg riffs. This is more Heartwork for subhumans than a Pure Holocaust.
Archaea – Catalyst (2015)
One could say this sounds like Unleashed only if Unleashed were one of those deathcore bands from five years ago with the token female keyboardists. This is a stereotypical blend of polka beats, breakdowns, Gothenburg candy melodies, and keyboard leads. Listening to it makes me want to lay my head down upon the train tracks just so an overweight man in a jumpsuit embroidered with his own name will be forced to power wash my brains off to the sweet voice of Kenny Rogers.
Comprised of bassist/vocalist Marcin Świerczyński (Yattering), drummer Szymon Andryszczak (Pandemonium), and guitarists Artur Piotrowski (Mess Age) and Andrzej Peszel, death metal band Ogotay recorded eight brand new songs at G Studio sometime in 2014. The next album is set for August 1st, 2015 release via Selfmadegod Records on CD/digital.
Dead God’s Prophet Track Listing:
- Dead God’s Prophet
- Antiseptic Hell
- Axis Mundi
- Entering The Void
- Bastards And Orphans
- Kneel And Die
- The Wasteland
- Huge Fucking Nothing
Finland’s hardcore crossover thrash quintet, Forseen HKI, has announced the band’s very first American tour, as the band prepares to attend This Is Hardcore Fest. Leading off Forseen HKI’s upcoming US tour in support of their Helsinki Savagery debut LP, the band will hit the stage at the mighty annual This Is Hardcore in Philadelphia on Sunday, July 26th, set to play alongside The Exploited, H20, Negative Approach, All Out War, Power Trip, Rival Mob, Slapshot, Twitching Tongues and many others. Directly after the fest appearance, the band will hit the East Coast alongside Power Trip and Red Death for a week of dates, after which they’ll split off on their own ongoing rogue mission into the Upper Midwest states and back to the East Coast, ending the trek in Baltimore on August 9th, with a total of sixteen shows confirmed.
Forseen HKI Helsinki Savagery Over America Tour Dates:
- 7/26/2015 Electric Factory – Philadelphia, PA @ This Is Hardcore Fest
- 7/27/2015 Strange Matter – Richmond, VA w/ Power Trip, Red Death, Barge
- 7/28/2015 Kings – Raleigh, NC w/ Power Trip, Red Death [info]
- 7/29/2015 Rock N Roll Hotel – Washington, DC w/ Power Trip, Red Death, Protestor
- 7/30/2015 Cuisine en Locale – Boston, MA w/ Power Trip, Red Death, Boston Strangler, Fury, Freedom Intent
- 7/31/2015 Warren American Legion – Warren, NJ w/ Power Trip, Red Death, Razorheads
- 8/01/2015 Palisades – Brooklyn, NY w/ Power Trip, Red Death
- 8/02/2015 Amityville Music Hall – Amityville, NY w/ Power Trip, Red Death
- 8/03/2015 Bug Jar – Rochester, NY
- 8/04/2015 Zenith – Detroit, MI
- 8/05/2015 Mt. Happy – Chicago, IL
- 8/06/2015 Indiana City Brewing Co. – Indianapolis, IN
- 8/07/2015 The Foundry – Lakewood, OH
- 8/08/2015 Mr. Roboto Project – Pittsburgh, PA [matinee]
- 8/08/2015 The Rock Room – Pittsburgh, PA [night]
- 8/09/2015 Charm City Art Space – Baltimore, MD [matinee]
Southern California institution MoshKing.com, which has faithfully reported the metal concert events in that region since 1997, went on hiatus some time ago, but now has announced plans to return. Last year, the personality known as MoshKing posted the following notice:
Greetings Southern California Metalheads,
I want to wish everyone an outstanding new year.
As you may have noticed, Moshking.com has not been updated in some time.
I have decided to take a break from the site to pursue other interests.
I intend to start up the site again sometime in the future, bringing back an improved version of Moshking.com.
For now, I bid you all the best and thank you much for the support throughout the years.
Denis P. Recendez (Owner & Chief Editor)
For The Southern California Metal Scene
Many of us were saddened, having relied on the site for years and appreciated Dennis’ editorial judgment. Luckily, the site appears to be returning, as indicated by a Twitter message (tweets are for birds) posted on July 14:
The phoenix to be resurrected soon. What features would you like to see on http://Moshking.com v.3 ?
To encourage him devilspeed in this endeavor, hop on over to MoshKing.com to see what a “for metal, by metals” concert listing site looks like.
Playing in the style of NWOBHM bands with harsh vocals (aka “melodeath”), Dark Tranquility have carved a name for themselves on the mainstream fringes of metal among the sensitive fans that look for a mixture of melody, polished production and a semblance of aggressiveness.
Dark Tranquility is coming back this year and have released a first video for their new single, “The Science of Noise”.
UK hard-rock-metalcore band Scythian are releasing Hubris in Excelsis on August 21st.
Tracklisting for Scythian’s Hubris in Excelsis
- Beyond the Dust…
- Hubris in Excelsis
- Apocalyptic Visions
- As Tyrants Feast…
- Penultimate Truth : Ultimate Deceit
- The Laws…
- Three Stigmata
- War Graves (Dulce et Decorum Est…)