It is commonly assumed that the most unique album in death metal is Nespithe and while there is a very strong case for such a claim, Supuration’s The Cube has a stronger claim to such a title. Demilich have a large number of failed imitators while Supuration have none at all. The first listen to Demilich immediately shows the band’s intentions and dizzying whirlwinds of ideas in elaborate riff mazes. Supuration sounds like a rock hybrid that borders on modern metal but with much depth and just as unique but requiring many more listens to dig past the highly accessible aesthetics. Here are a few tools that Supuration used to create the most unique album in Death metal.
Like most of the death metal crowd, Nicke Andersson reverted to his hard rock and 70s stadium rock roots after participating on a few classic death metal releases. Once you have said the vital portion of your worldview in musical form, you are forced to articulate it, which is less fun than the unformed but emerging image.
Fleshcrawl – In the Catacombs of Flesh
Fleshcrawl return after a twelve year layoff with this abortion of an album that should be avoided. The overall motion of the album is extremely bizarre as the band start with one decent song before slowly spiraling into simple chugging rhythms reminiscent of later Entombed and slowly falling into pure saccharine Melodeath. The vocals have devolved into the almost shouted Nu Death vocals popular in the early 2000s. The weak vocals lead these songs and help distinguish them by shouting each title multiple times. The lyrics perfectly illustrate to what mentally deficient depths this band has descended to with golden quotes likes “Suffer you fucking cunt, die you fucking cunt”. The drums have devolved into follow the riffs without any of the intelligent fills and patterns that were once emblematic of this band. In the Catacombs of another man’s flesh!
The venerable Royal Yacht serves many a pipe-smoker as a staple, since it presents the ultimate rarity, a high-powered Virginia-based blend that also manages to be flavorful, smooth, and sweet. Famous for its unique topping — a combination of rum, Tawny Port, citrus, and possibly honey — this blend has delighted smokers since 1912 and proves to be the most divisive blend most will encounter.
Back in the 1980/90s – a time when underground metal wasn’t just a click away – buying compilation albums was a fun and affordable method for discovering new music. As introductions to specific styles or scenes – some of which otherwise remained restricted to the tape trading community – they’re the perfect option. Also, compilations occasionally featured alternate takes or tracks that couldn’t be found on the albums proper. Ultra Metal serve both functions; presenting the then current state of Czechoslovakian underground metal and offering exclusive versions of specific songs.
Although it might disappoint some readers, it’s probably advisable to begin this review by stating that this is not a lost recording by a well-known Polish musician. However, the music does fall somewhere within the black metal sphere. Darken is a three-track EP released by guitar-virtuoso Toby Knapp, presumably conceived as an attempt at writing and performing music in the language of mid-to-late-1990s melodic black metal. Joining the multi-instrumentalist on vocals and as lyrical contributor is a certain Necrotriton, while drums are obviously computer-generated.
The crown-jewel of this album is titled after the previous record, Hammerheart and uses epitaphial lyrics by Quorthon over the music of British composer Gustav Holst. It summarizes the affinity between Bathory and classical music by being a tribute on metal’s compositional heritage and romantic roots, but also going beyond that; it summarizes the beauty of self-sacrifice, a Viking funeral on the eschaton of human existence. Our analysis ends here.
In Nomine Satanas. One of the greatest black metal songs that have ever been or will ever be, a few parallel vocal movements of fifths is transformed into a hymn to love, sojourn and homecoming: Bond of Blood. This is a beautiful song. It celebrates two things:
Many of you have enjoyed Eikona’s musically advanced take on Dungeon Synth and perhaps find yourselves wanting to know more about this enigmatic act. Thankfully, the musician behind Eikona made time available to answer a few questions.
Part IV: The Spiritual Significance of Struggle and the Mountain
“The most spiritual men, as the strongest, find their happiness where others would find their destruction: in the labyrinth, in hardness against themselves and others, in experiments. Their joy is self-conquest: asceticism becomes in them nature, need, and instinct. Difficult tasks are a privilege to them; to play with burdens that crush others, a recreation. Knowledge-a form of asceticism. They are the most venerable kind of man: that does not preclude their being the most cheerful and the kindliest.”