Sometimes for no actual logical reason, terrible metal bands become adored despite not having a gimmick like satanic Abba songs or a mentally deranged topless DJ as a vocalist. These bands offer nothing of interest even on initial listens and should be actively mocked for their pretentious unsubstantiated claims.
Finnish stalwarts Rippikoulu embark on a short North American tour with the likes of Chthe’ilist and Nucleus. While Musta Seremonia was an enjoyable listen and easily a greater live experience than what copy cat bands like Spectral Voice and Hooded Menace have to offer, the price of admission isn’t probably worth seeing them especially with the two supporting acts known for aping Demilich more than anything else. Hopefully the price is low enough to justify hanging around with friends outside while waiting for Rippikoulu.
It is customary to begin a new year with the setting of goals towards accomplishment and growth in view of the experiences had during the previous period. The present writing aims at putting forth some works that may enrich the serious would-be Hessian in their struggle to embrace an ever more complete vision of reality. As Brett Stevens has pointed out, an interest in the occult is part and parcel of the Hessian outlook as he searches for logical patterns everywhere, not allowing himself to be circumscribed by any authority. Of necessity, this interest in the occult goes beyond Judeo-Christian conceptions, even if for historical reasons a poisoned landscape of Judaized misconceptions and moralistic admonitions has to be tread through or around. Mythos, its relevance to human psychology and possibility, must be embraced, and for it to be embraced, its import must be studied through pre-history and the whole of civilizations. While the scoffers will decry what they cannot allow themselves to rationally accept, they will remain in the grips of one or another mythos. Such is the curse of the atheist, the rationalist and those who belong to the democratic crowds. Allow mythos, vision, and hunger for life unite a distant past, the present and a distant future. The way is forward, paved by the billions of skulls of the meek who would inherit this planet, ascending to the heavens, beyond the stars and into far off galaxies.
After the success of the first issue and Niklas Göransson’s unique ability to get interviewees to genuinely express themselves, Bardo Methdology returns with a second issue that gets rid of most of the problems of the first issue while offering a much more methodical approach to the interviews.
Pagan Megalith are a Hunagarian Black metal who like their name suggests are heavily inspired by Gorgoroth’s Pentagram but also take from the other big names in the Norwegian scene in this well thought attempt at creating Black metal that seeks nothingness as its creed.
Following the tale of one of the fourteen holy helpers Achatius, more commonly known under the name of Saint Agathius, the patron saint against headaches and more importantly a central figure in the various wars against the Ottomans. His story is that of a soldier who was tortured and decapitated for not relinquishing his faith and therefore becoming a martyr. Funeral Presence expand on this brief tale by playing a form of Black metal that exists within the confines of the first wave yet but with subtle influences in overall scope and direction from the second wave.
Death/groove hybrid Internal Bleeding initiates its 2020 tour in Los Angeles with fourteen dates to start. With tour-mates Depulsed, Logistic Slaughter and Embryonic Devourment, Internal Bleeding aims to “burn and pillage” (and hopefully sodomize) its way across the western half of the Judeo-Christian States of America.
Pensées Nocturnes – Grand Guignol Orchestra:
The Grand Guignol was a form of French theater known for its exaggerated performances that fused horror and comedy in revealing the most violent tendencies that lie hidden within every individual. Outlandish yet poignant and a precursor for what the best horror cinema had to offer. Pensées Nocturnes confuse this with the circus and make carnival music with a wide variety of instruments that eventually has to rely on dissonant Black metal riffs. Ideas aren’t connected to each other and the songs follow a riff salad pattern that sees the traditional instruments fade away for some sub-standard attempts at Black metal. Only the vocals manage to convey both horror and comedy as demented howls meet pseudo operatic singing. The constant need to shock the listener loses its potency as its predictable nature is quickly revealed as its base, this is bad Black metal taking from influences it doesn’t have the slightest grasp on to create the lowest denominator metal at which fails completely.
Humans love big categories and broad statements that seem to reduce the complexity of life to a simple checklist or to-do list. Stick around awhile and you will come to distrust such things because they reflect human needs more than actual intellect, intuition, or reality.