Profanatica – Altar of the Virgin Whore (2018)

Following the peak of John Gelso’s manic laughter melodic sensibility on Thy Kingdom Cum, Profanatica entered artistic decline by releasing the excuse-to-tour Curling Flame of Blasphemy where the riffs were merely those of Disgusting Blasphemy Against God in a lull given a slight boost in populist consonance for the purpose of pleasing crowds. The G.G. Allin of black metal Paul Ledney sounded tired and uninspired which was reflected by the shark-jumping biker bar promotional pictures which were included in the booklet of the album. With Altar of the Virgin Whore we find Profanatica once again selling an excuse to tour only this time it is said plainly.

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Configuring Exact Audio Copy (EAC) With The Fraunhofer Professional (l3codecp.acm) Codec

Maybe you are one of those people who can hear enough audio quality to realize that the Fraunhofer Layer III MP3 Codec is far superior to plebeian alternatives like LAME. Maybe you are not an Apple user because your blood runs red and you do not want to join a cult based on twee interfaces and brightly-colored plastic objects. This means you are stranded in the world of practical people who want to use an MP3 player like Foobar2000 or the renewed WinAMP, a real codec like l3codecp.acm, and an audio extractor like Exact Audio Copy (EAC). Digital downloads are for wimps!

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The Problem With Metal Isn’t Just The Taake Poop Swastika Incident

Back in the day, Taake was the black metal band you settled for because all the old bands were no longer recording great stuff and your only other option was bedroom black metal. They were not bad, but had more in common with the melodic heavy metal hybrids that combined death metal with power metal riffing and pretty melodies. That makes it weird in a time where Taake is one of the better options out there.

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Decapitated Proven Innocent!

As I predicted a few weeks ago with 100% accuracy all charges of rape, kidnapping, and sexual assault have been dropped against the four members of Decapitated.  The collateral damage done to the band is going to remain however as this news (published on a Saturday when little mind is paid to the news cycle) will surely receive significantly less buzz than the breaking story of their arrest, or the subsequent leftist metal media narrative that a guilty plea should be expected based on a ridiculous interview with some dingbat attorney who had absolutely no access to any of the evidence.  This will therefore result in many of the fans who have disowned them to continue believing them to be heartless rapists.  The band can expect extradition back to Poland soon, having very harshly learned a tough but important lesson.  This story is an important lesson to metal concertgoers and even more so to young metal musicians who will be touring or playing shows soon.  Let’s briefly examine how this story was treated by the liberal MSMM (mainstream metal media) and its fans, take a deeper look at the takeaways that can be learned from this unfortunate experience, and conclude with an open letter to the members of Decapitated I once shared a bottle of vodka with some years ago…
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Ministry Releases “Antifa,” Promptly Sets A Trashcan On Fire And Collapses In A Pool Of Its Own Urine

Continuing his existence as a walking anti-drug ad, Cuban/Norwegian musician Al Jourgensen and whoever he has hired this week released “Antifa,” a track from the upcoming Ministry album AmeriKKKant on Nuclear Blast Records. In a desperate bid to remain relevant, Jourgensen has adopted a hybrid of Millennial politics and Baby Boomer sanctimony in a move that will alienate his Generation X fanbase.

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Acquiring the Taste : A Tour Through Progressive Rock, Part I

Since progressive rock first arose out of British and North American psychedelia, it has crossed every boundary that it could identify, which makes it like metal more a question of a spirit than a concrete set of musical or extra-musical traits. We can identify a few aspects of this spirit: a desire to make unique song forms which fit the shifting demands of their content, a passion for exploring melody and harmony, an obsession with the unconventional, and a chameleon-like ability to explore other styles and adopt them as its own.

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