Soulburn unleashes “Under the Rise of a Red Moon” from upcoming The Suffocating Darkness

October 13, 2014 –

soulburn-the_suffocating_darkness

Dutch underground metal band Soulburn — formed from the ashes of Asphyx and related acts — carries on in a new direction with new track “Under the Rise of a Red Moon” released in advance of forthcoming November release The Suffocating Darkness.

This track shows more of a black metal vibe and trope to this band, eschewing the percussive feel (and left-hand-mute sheeting distortion guitar technique) of Asphyx in favor of a dark atmosphere with melodic continuations driving the song, which was the style of black metal that exhibited the last gasp of an underground through bands like Deathspell Omega and Inquisition. However, the band cites first-generation proto-underground bands like Celtic Frost and Bathory as well as NWOBHM band Venom as inspiration, although Soulburn exhibits technique from later black metal.

Soulburn features Asphyx anchor and drum talent Bob Bagchus but also Eric Daniels, who wrote some of the more interesting guitar on early works up through the self-titled album, although by that point he had exited the band. Added to the list are Remco Kreft on guitar, who played with Daniels in Grand Supreme Blood Court, and Twan van Geel on bass. Notably missing is Wannes Gubbels of Pentacle who may be responsible for the melodic direction that Death… The Brutal Way took which was missing from the more mechanistic Deathhammer. However, Daniels and Gubbels serve similar roles in creating the melodic understructure of songs.

Billing themselves as “blackened death metal,” Soulburn clearly seek to distinguish their music from the choppy explosive death metal that Asphyx and related acts like Hail of Bullets are currently producing. “Under the Rise of a Red Moon” features a dark and lush ambiance with song structure mutations in unexpected places, leading to a sense of destabilization and ambiguity. This contrasts the style of Asphyx, which increasingly sounds like a reduction of the world into discrete and concrete statements, and embraces a future of dystopia and confusion.

Drummer Bob Bagchus, who left Asphyx at some point after they started to sound like Hail of Bullets, leaves us with this summary: “This track shows well what Soulburn is all about: cold, dark and grim blackened doom/death metal. ‘Under the Rise of a Red Moon’ is furious and contains all the elements we love the most about metal. This song also shows that one does not need many riffs to create a grim atmosphere…this is a mid-paced assault with a pure and heavy 80s feel, just how we wanted it!”

Soulburn to release The Suffocating Darkness

September 23, 2014 –

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Including former Asphyx drummer Bob Bagchus and original Asphyx guitarist Eric Daniels, Soulburn — known to many as the “off-brand” version of Asphyx during personnel shakeups — returns with a 2014 album entitled The Suffocating Darkness to be released via Century Media on November 17th in Europe and November 18th in North America.

As Asphyx continues its drive in parallel with Hail of Bullets to make a modernized form of its pounding abrasive death metal, those who are less committed to playing as a professional band have shifted to Soulburn where they can keep normal lives and still produce music. For Asphyx fans, this move provides two benefits, namely the more commercial version of Asphyx dominating the airwaves while the more underground version can more flexibly explore its style.

Bagchus and Daniels add Twan van Geel (Flesh Made Sin, Legion of the Damned) as vocalist/bassist and Remco Kreft (Grand Supreme Blood Court, Nailgun Massacre, Xenomorph) as a second guitarist. The album was recorded with Harry Wijering (Harrow Productions), mixed and mastered by Dan Swanö (Unisound Recordings) with artwork from Timo Ketola and Roberto Toderico.

“Bringing Soulburn back to life was a natural thing to do since the inspiration was huge, more than ever before. Playing the old songs as well as the new incantations is a blessing. The riffs and thus the songs kept coming and coming and we knew we were on the right track. The new deal with our longtime label Century Media Records was the next logical step,” said Bagchus.

SOULBURN line-up:
Twan van Geel – vocals/bass
Remco Kreft – guitar
Eric Daniels – guitar
Bob Bagchus – drums

SOULBURN tour:
21.09.2014 – Bremen (Germany) – Schlachthof *sold out*
22.09.2014 – Essen (Germany) – Weststadthalle *sold out*
23.09.2014 – Berlin (Germany) – SO36 *sold out*
17-19.04.2015 – Tilburg (The Netherlands) – 013 / Neurotic Deathfest

Hail of Bullet’s – III: The Rommel Chronicles

July 3, 2014 –

hail_of_bullets-iii_the_rommel_chronicles

Hail of Bullets formed when Martin van Drunen joined ex-Thanatos, Gorefest and Asphyx personnel to make a modern metal project with the intensity of old school death metal. Drawing heavily from related act Houwitser, the band specialized in pounding chorus-emphatic songs that used the simpler song structures of grindcore to accentuate the abrasive riffing of old school death metal applied with a modern metal sense of rhythm and production.

The band launched their third effort in 2013 with III: The Rommel Chronicles. This album more closely resembles late hardcore bands like Terror than death metal. The bouncy nature of the riffs and rhythms along with the metalcore-esque melodies present to us a more fun and friendly flavor of death metal in complete contrast to the death metal lexicon.

Reading the lyrics makes one feel as if they focused entirely on the lyrical aspect and assembled songs as a vehicle for those lyrics. Emphasis on riffs declines with the need to present vocals foremost. Slower riffs sound like they drifted over from a Whitechapel song. Martin van Drunen’s vocals sound as vicious as ever but that does not save the underlying problem: a lack of emphasis on riffs and song structure to fit them as has been the hallmark of quality death metal since its inception.

III: The Rommel Chronicles disguises metalcore as grinding death metal like Asphyx at the time of The Rack, creating death metal by style, not spirit. While there is much to like about this all-star lineup and many of its aesthetic choices, the underlying music cannot back up that promise and so the album feels hollow and expedient. Leave the trenches, because nothing is happening.

Asphyx – Deathhammer

December 16, 2011 –

Asphyx unveil art for “Deathhammer”

November 30, 2011 –

ASPHYX – Unveil cover artwork for new studio album; Announce release dates for “Deathhammer”;
Confirmed to play ExtremeFest and Obscene Extreme Festival in 2012!

Following up on the extreme success of their latest studio album release “Death…The Brutal Way” and its “Live Death Doom” DVD/Live-CD successor, Dutch Doom Death Metal legends ASPHYX have now finished work on their newest studio album effort, programmatically entitled “Deathhammer”. A release date of February 27th, 2012 (Europe) and February 28th, 2012 (North America) via Century Media Records has now been confirmed too.

The time has now come to unveil the stunning artwork for “Deathhammer”, crafted by longtime parther in designs, Axel Hermann (http://www.axel-illustrator.de/). Hermann has not only worked on all of the early ASPHYX artworks and most recently on their “Live Death Doom” release, but is also responsible for many of the classic Century Media artworks by bands like Morgoth, Unleashed, Samael or Grave. Here is how both parties comment on their newest co-operation:

“ASPHYX and Axel Hermann is a fusion that has always functioned perfectly…from the days of ‘The Rack’ back in 1991, ‘til ‘Deathhammer’ in 2012. Like others such as Dan Swanö, Axel may be considered as an external member of the band and when we asked him to do the ‘Deathhammer’ cover – and as usual we would leave him free in his expression – we were very pleased to hear he was willing to take it on.

…And the man has exceeded himself! To the perfect death metal album comes the perfect cover that still leaves enough to everyone’s imagination. We hope he is as proud as we are on the final result. It seems all falls into place for this deathdozer of an album. I guess Axel can expect an offer from Le Louvre any time now.”

Martin van Drunen / ASPHYX

“A cover is the visual extension of an album that translates music and emotional intentions (or should I say aggression) into a clear statement of what to expect before taking the record off the shelf. In seldom cases you’re ending up with two perfect sides of the same coin. With ASPHYX and myself it has always and luckily been that case. And I am really proud of that! Show ‘em Death and hit them with a hammer…visually and musically! Guess, we flipped the coin once more!?”

Axel Hermann

Recorded at The Mörser Studio as well as at Harrow Studio with their longtime engineer Harry Wijering, “Deathhammer” was mixed and mastered in Sweden by Dan Swanö, who previously worked with the band on “Death…The Brutal Way” as well as on the “Live Death Doom” release.

Prior to the upcoming album’s release date, ASPHYX will still perform a very special “full album setlist” concert at this year’s Eindhoven Metal Meeting on December 16th, at the Effenaar club in Eindhoven, The Netherlands, where the band will be playing their complete “The Rack” album for its 20th anniversary of release. Additionally, ASPHYX have already been confirmed for the 2012 editions of the ExtremeFest, July 5th to 7th in Germany, Austria and Switzerland, as well as the coming edition of the legendary Obscene Extreme festival in Czech Republic on July 14th. Here are all the band’s upcoming confirmed shows:

ASPHYX live:

16.12.2011 Eindhoven Metal Meeting – Eindhoven (The Netherlands) * Special 20 years “The Rack” show!
05. – 07.07.2012 ExtremeFest Deutschland – Hünxe (Germany) http://www.extremefest.eu/
05. – 07.07.2012 ExtremeFest Österreich – Salzburg (Austria) http://www.extremefest.eu/
05. – 07.07.2012 ExtremeFest Schweiz – TBA (Switzerland) – http://www.extremefest.eu/
14.07.2012 Obscene Extreme Festival – Trutnov (Czech Republic) http://www.obsceneextreme.cz/