Unhinged public self-destruction performer Bam Margera recently did something-or-other and was photographed wearing a Burzum tshirt, but apparently, the “woke” press failed to notice.19 Comments
In an industry crammed with anti-hero biopics, Lords of Chaos follows the self-destructive rock star trope while sensationalizing the events that occurred during the black metal movement in Norway. Instead of simplifying the story to tell a more accurate tale of actual events, it adopts the more complex and clunky Hollywood cliché of the anti-hero rockstar who must “confront his own demons” instead of the more interesting story, as happened in real life, of a clash over artistic, philosophical, and personal differences. (more…)7 Comments
While it may appear pandering to many that we constantly bring certain albums to the forefront of our discussion, the reason for doing this is that the state of maturity which metal as a whole attained was only able to knock on the door of the mysterious experience transmitted through music. Different albums discovered different doorways, uncovered overgrown pathways, and scaled mountains. Ildjarn found contemplation of the absolute in the eye of stormy rage through elated freneticism. At the Gates reached hitherto unmatched heights of craft and musicality. All rasping and scratching while blindfolded, a crossing of the threshold by different means and interpretations. Fewer still are the music albums, metal or otherwise, which struck at a purity of sound that needed no interpretation.
Studies have shown that listening to instrumental music while writing, studying, doing accounting, or any other productive task can increase stimulation without the distraction that the words of vocals provide. But for Hessian, Templar, Heathen and other true metalheads instrumental works can be difficult to come by as extreme metal has not dabbled much into the realms of instrumental savagery. But thanks to the necrophiliac obsession that many have had with Norwegian black metal and its culture, there are a few enjoyable demos and early rehearsals from Norway’s finest that can provide a motivational grim instrumental experience without demanding too much from the attention of the listener.
Join me if you will for a vocal-less adventure through some of Norway’s best kept foreboding hidden secrets.2 Comments
Tags: 1990s, Black Metal, Blackthorn, burzum, darkthrone, death metal, demo, Euronymous, Grymyrk, hellhammer, instrumental metal, low fidelity, mayhem, norway, Norwegian Black Metal, rehearsal tapes, Thorns, varg vikernes
Once upon a time, musicians needed to have a fat budget for a decent studio recording (and therefore, a record label to front the bill on the onset). But even with one, many extreme metal recordings in the 80’s, 90’s and 2000’s still sounded like complete ass. Even insanely popular death metal bands like Cryptopsy, who have sold over half a million records, have had albums with production so shitty that I can’t hear most of the riffs. Aside from a few innovators, most audio engineers (back when it was possible to make a career out of it), simply did not know how to record and produce metal.
However the industry has changed mightily over the last 15 years or so, and in today’s music world the phrase “everybody’s an engineer” is deeply rooted in truth. Whereas high end recording software was once closely guarded and outrageously priced, the freedom of file sharing as put many high end tools in the hands of the public at no cost and without the need for professional training to use. No longer do you have to shell out $10,000 for an album that sounds like it was recorded in the prior decade, nor do you need take out a ludicrous college loan for audio engineering school. Instead, all you need to do is make a few quick downloads to successfully arm yourself for a quality recording (assuming, of course, you have done your homework in practicing your instruments and listening).
This change in landscape greatly benefits the type of music personalities we saw in Darkthrone, Burzum, and Graveland- top-tier musicians more concerned with their art and ideology than pandering to a room of idiots via live performances (yes, I know Graveland and Darkthrone both played live: it was only at microfractions of their careers). And given that lefties are regulating and policing which bands are allowed to play live shows, there’s all the more reason for defiant metal musicians and bands to forgo live performances and focus their energies on quality studio recordings. With narcissism, attention seeking, and fan expectations removed, the opportunity for quality recordings to flourish is undoubtedly more abundant.
It is an honor and privilege to present to you, the readers of this infamous site, the favorite battle-tested software and tools from a road-tested veteran who began a career in metal when freeware first became widespread some 15 years ago:25 Comments
Tags: Audio Engineering, burzum, darkthrone, DAW, death metal, Digital Audio Workstation, EZDrummer, freeware, graveland, Guitar Rig, Izotope, mastering, metal, metal recording software, metal software, Midi, Mike Kyre, MikeMetal, one man bands, Pirate Bay, pirating, Reason, recording, remasters, software, Tabs