French Canadian Viking-themed black metal/ambient band Sanctuaire announced on their Facebook page that they are in the final stages of mixing their upcoming record, Feu Sacré (Sacred Fire). Hopefully the band have continued improving their compositional skills which advanced from their oft pedestrian Helserkr demo collection to last year’s sometimes inspiring Le Sang sur l’Acier EP.
Sorcier des Glaces announced on their Funbook page that their last two albums, Ritual of the End and North, are out now on vinyl LP from Obscure Abhorrence Productions. The albums were some of The Best Underground Metal of 2014 and 2016. They can be ordered from Obscure Abhorrence Productions on the label’s website.
French Canadian Gothenburg style metal band Forteresse announced a rehearsal album, Récits Patriotiques, today for all those who care about their boring Gothenburg material that sounds like early Amon Amarth with no tempo changes or variations for beer metallers who do not critically listen to music and prefer to just leave metal on in the background like a heavier version of smooth jazz they can ignore and check in on once every two minutes to see if the band did anything new or are back to scratching their asses. Récits Patriotiques will be released on March 18th, 2017 by Sepulchral Productions on 750 CDs for 750 fundergrounders or hipsters who want to crank frogified Davy Crockett metal to feel special about themselves like kale-flavored ice cream sandwiches. Preorder Récits Patriotiques here if you hate money and wear coonskin caps during sex.
Rob Darken posted his own account to the Graveland website of how anti-fascists and communists shut down the Messe des Morts VI festival in Montreal late last year. As readers are probably aware, the local police eventually shutdown the festival and forbid Graveland from taking the stage.
Canadian mainstream and funderground metal blog Hellbound.ca responded to MetalSucks‘ The MetalSucks Manifesto by publishing their own “The Wild Beast Manifesto” about how metal should not be neutered according to political correctness despite any single persons chosen political opinions.
No arrests, no tickets handed out. The protesters were aggressive toward the organizers (of the concert) but not towards police … When we told them to disperse they did so.
Said Montreal police constable Benoît Boisselle about the Communist antifascist terrorists who attacked the the police protecting the Messe des Morts festival where Graveland was scheduled to play. The Antifa thugs were clearly supported not only by the communist Industrial Workers of the World union but by the local Montreal city government too. Three of the perpetrators identities are known: recidivist junkie and anti-Semite Katie Nelson, Éric Sédition (a card-carrying member of the IWW), and Alexandre Bouleric (member of the Canadian federal parliament from a district in Montreal). All walk free to terrorize again.
Antifascist terrorists attacked the police protecting the Messe des Morts festival in Montreal on Saturday in response to Graveland, Mgła, and Forteresse playing, who the terrorist all accuse of being Neo-Nazis who wanted to violate Montreal’s safe space. The leftist terrorists purchased tickets to the sold out festival on the second-hand market, infiltrated the crowd wearing ski masks, and threw smoke grenades at the entrances. The antifa terrorists attacked the police who were supposed to be protecting the venue, artists, and concertgoers from their planned protest. One of the “protesters” turned terrorists was Alexandre Boulerice, federal MP for the New Democratic Party in the Rosemont-La-Petite-Patrie riding. The police ended up shutting down the festival for “safety reasons”.
Blasphemy suddenly released a live album today. The CD of Desecration of Sao Paulo now. Check the usual distros if you’re a war metal, bestial maniac. Hopefully this will sound better than Fallen Angel of Doom if you care to revisit Blasphemy’s material.
The original lineup of Canadian speed metal band Exciter is performing together for the first time since 1985 at the 2016 Calgary Metalfest.
Conqueror wanted to be a part of the “scene” but did not have musical ideas. The band discovered that the muddied sound of early Beherit and Blasphemy circa Fallen Angel of Doom could be used to obfuscate their dearth of ideas. Furthermore the hostility between the Norwegian scene and the rest of black metal could be amplified under false pretenses while not offering any truly satisfying alternative themselves. Basically, point to candy assed pop drivel like Dark Funeral but go to the other end of the spectrum entirely with a paper thin wall of television white noise with a drunken chipmunk howling nonsense. Conqueror’s “music” is structured which ironically stands contra to the concept of all out war. A little anarchy would at the very least allow the essence of battle to bubble up from the pot. Instead it’s a tame morass of very low effort grindcore riffs and mostly incomprehensible low E-string noodling. The best that can be said about Conqueror is that J. Reed has an identifiable sound.