Carcass Release New Song “Under the Scalpel Blade”

Carcass have released a new song from their upcoming 2020 unnamed album by the name of “Under the Scalpel Blade.” It should be no secret to anyone here that Carcass are a shell of their former selves and have been attempting to cash in on the sound of Heartwork mixed with their Swansong Rock ideas. This time round, the band take that base and add a very basic chugging riff that leads to the chorus and then a fast riff that shows a glimpse of creativity before the song follows its basic verse/chorus/solo pattern. Early signs to avoid the album.

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Possessed – “Abandoned”

article by Empire Algol


When you’re talking about death metal bands that have a great discography, Possessed is likely going to be mentioned. Seven Churches is largely considered one of the greatest albums of the genre, and while Beyond The Gates is generally an inferior work, it still has some good moments. Even the demos from 1991 and 1993, which featured a very different lineup than the “classic” lineup, are a curiosity to listen to.

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At the Gates – To Drink from the Night Itself (2018)

Music is a language, and utilizes formulas to communicate emotions to an audience.  This is the most basic understanding of the idea of music as a tool, but the mastery of the manipulation of human perception through the mathematics of musical language can only be effective if an artist has something substantial to say, and uses the medium of music as the vehicle to communicate that idea, rather than approaching this communication as if the method of expression is the message itself.  This is the disconnect we see as musicians “mature” and develop their craft as their passions slowly extinguish, and it is not surprising that the best releases using metal as a communicative tool are often released in a band’s initial releases, when they knew the least of how the musical language works.  This ignorance allows an immediacy that overwrought cynicism betrays, and it is here that the heart of metal thrives.  The education gained from elaborating on the language of music can enforce the initial artistic message when the understanding of human perception is developed, or it can suffocate the communicative process should the composer fixate on how the listener will react to the information presented.  The efforts of post-reunion At the Gates are mired in the latter type of composition, and To Drink from the Night Itself is the band’s most grievous offense.

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/smr/ Sadistic Metal Reviews – Post Black Metal Eulogy (Part 2)

In post black metal, we saw riffs being declared null and void in favor of atmosphere.  Gone were the melodic harmonies of Iron Maiden and Dissection, the savage atonal decimation of Morbid Angel and Blasphemy, and the memorable rhythm and lead guitarwork of Slayer and Death.  All this came in favor of completely forgettable riffs and songs in favor of an overall spacey “transcendental” experience.  Aesthetically, post metal was the reflection of progressive societal values of the 2010s- the emassculation of men (all musicians were Nu Males), artwork made by douche bag art degree scumbags that live in ghettos, and tame, timid, “spiritual but not religious” lyrics that had not a shred of aggression or danger.

It didn’t have to be like this.  There could have been ways for bands to experiment with post rock/shoegaze elements and still maintain the foundation of a metal presentation, maintain metal aesthetics, and have attitude or edge.  But not a single band- NOT A SINGLE ONE- was capable of doing so, proving that the accusations of these bands/musicians not being metal were to be fully valid and accurate.

This is the absolute end of post black metal before it circles the drain of a shit-stained toilet and is flushed to the bowels of irrelevancy.  A finally eulogy to a genre that never should have happened.  The musicians will bleed out their parents money and then become homeless, get aids from a bad batch of heroin, and die a miserable death in an alleyway gutter where they should have been left to rot at birth.

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Roman Salutes Are Too Evil For Watain

At the end of last year, we predicted that overt satanic lyrics and themes in metal would see their last days. There is no band that will accelerate this quicker than goofball circus act Watain, who market themselves as the evilest band in the world by LARPing as an American biker gang and staying in character through all media interactions. By doing so, they can act like they’re more “trve” than Dimmu Borgir and Dark Funeral despite being even more campy than both in their music and aesthetics.

But in the most cowardly of moves, the band kicked out the only credible member- former Dissection guitarist Set Teitan- because a picture of him doing a Nazi salute surfaced on the internet.  Though the band hides behind the lame excuse that “he left so we wouldn’t have to talk about politics,” it’s clear that the move was desperation on the part of Watain as they struggle to preserve their cash grab machine.  But regardless of whether lefties decide to shutdown Watain’s freak show carnival tour, the band will never survive this incident as the few supporters they had will likely realize that Watain are as timid as they come.

Make no mistake, I’m not at all defending what Set Teitan did, as all Hitler/Nazi LARPing is a corny stunt pulled by fat redneck rejects so they can feel extreme from their mom’s shed.  Instead, I’m celebrating as the Watain scam will finally lose all traction and the band will soon be homeless and broken in the streets.  Though they thought themselves to be instruments of the devil, they ultimately did a better job serving God by destroying the satanic metal scene from within.

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Sick Pedos Inquisition Dropped From Label

Season of Mist have dropped scumbag frog-metal band Inquisition after it became known that Dagon is a sick pedophile fuck who pleaded guilty to child porn charges in 2009 for having sexualized photos of young girls and boys on his hard drive. Hopefully this will be the end of Inquisition as they were a terrible Immortal ripoff that became a flavor of the week favorite of hipsters only due to the undying hipster quest to find the most awkward two piece band in existence.  If we are lucky authorities will deport Inquisition back to Columbia, investigate their behavior at all of the all ages shows the band played, and, if any misconduct ensued, speedy trial and death penalty!

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Whiny Leaf Metal Singer Disparages American Workers

Ivor Whitten, the useless vocalist of the D-grade Canadian thrash metal band Anvil, complained in a recently published radio interviewtarget=”_blank” rel=”nofollow external” about how American workers are lazy and would all take welfare if they could. As many of us know, Ivor and Anvil’s entie legacy is their depressing but well marketed documentary on how being in a metal band is hard and they don’t have any money to go to the Asian sushi place near Niagra Falls after 20 years of playing generic thrash metal that was never good. Obviously triggered by the bored response the band receives at their American shows along with the tragic realization that he and his fellow musicians only were able to make money by getting people to feel sorry for them upon seeing their pathetic life story, Ivor foolishly proclaimed:target=”_blank” rel=”nofollow external”

From my personal experience, in America, it’s pretty much taken for granted and people kind of look at it like, ‘So what?’ Because people in that country, generally speaking, are lazy, and if they can go on welfare, they will. They don’t have work ethics. So how could they relate to a story about somebody who keeps trying and being faced with adversities and failures?”

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