Conjureth Releases Foul Formations EP

Conjureth, a project of Decrepitaph personnel, released its new EP Foul Formations on February 15, 2020, featuring more of its hybrid between Incantation and Immolation style mid-paced trudging death metal. Each song builds its main riff out of a central theme, then creates a staggered counterphrase for the chorus, and features a more thorough and basic elucidation of the theme as a transition, but otherwise for the most part is riff-chorus metal.

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Oath of Cruelty – Summary Execution at Dawn (Dark Descent, 2019)

Guest Article by Belisario

Now that last year is already far behind, I would like to get back to a record featured on very few year-end lists and which, in this writer’s opinion, deserves to be highlighted. Summary Execution at Dawn is the debut album by Houston-based band Oath of Cruelty. Probably due to the fact of it being released in the last month of 2019, it didn’t get all the attention it is worthy of. Emerged from the fertile Texan underground scene and featuring members already seasoned in a broad number of bands, this battle-hardened act launched its first full-length after almost ten years of activity during which the band hasn’t manifestly been idle. The result is a compact and powerful album, which contrary to most modern death/thrash bands is not limited to a constant and simple aggression, choosing instead to develop different approaches and resources in songs that are incredibly varied and brief enough to eschew needless repetitions and excesses.

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Sepsis – To Make Rotten (La Caverna Records)

To Make Rotten was initially released in 1991 by the band Sepsis and only seventy handmade copies existed at the time. La Caverna records have re-released this record twenty eight years of its initial release. While many expect another band that is rediscovered uniquely for existing at the right time and having a certain “spirit”. Sepsis put these claims to rest with a good demo that shows untapped potential.

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Malevolent Creation The Ten Commandments Re-Issued

Peer into the intense fury of three decades ago when Malevolent Creation unleashed their powerful fusion of speed metal and percussive death metal, The Ten Commandments (1991). Full of nice meaty riffs cleated to pounding double-bass drumming, this album explored the side of death metal that stayed closer to conventional metal.

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Supuration The Cube: Death Metal’s Most Unique Album

It is commonly assumed that the most unique album in death metal is Nespithe and while there is a very strong case for such a claim, Supuration’s The Cube has a stronger claim to such a title. Demilich have a large number of failed imitators while Supuration have none at all. The first listen to Demilich immediately shows the band’s intentions and dizzying whirlwinds of ideas in elaborate riff mazes. Supuration sounds like a rock hybrid that borders on modern metal but with much depth and just as unique but requiring many more listens to dig past the highly accessible aesthetics. Here are a few tools that Supuration used to create the most unique album in Death metal.

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Deicide At Their Fiery Best

Live in London on December 17, 1992, Deicide bashed out a heck of a show which reveals their original interpretation of the material on Legion and their re-assessment of their first album, namely by playing the former faster by a shade and adding textural complexity to the latter.

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