Upcoming Sodom Demo Collection

Floga Records are publishing an upcoming anthology of Sodom‘s demos on September 1st. Demonized compiles both the Witching Metal and Victims of Death demos onto one disc. It will be available on LP, cassette, CD jewel case, and CD digipak. Get the jewel case of course if you are a Sodom fanatic and In the Sign of Evil / Obsessed by Cruelty still was not filthy enough for you. Demonized may be pre-ordered here.

https://www.youtube.com/watch?v=ncM2gRtGoBk

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Tankard Belch “Syrian Nightmare”

Tankard vomited up a new track from their upcoming album of beer metal, One Foot in the Grave, that’s coming out on June 2nd on Nuclear Blast Records. “Syrian Nightmare” sounds like a lamer version of the already lame modern day Sodom to appeal to social justice warriors and Sally Struthers types. What happened to making dropping payloads of napalm on third world peasant children for crispy, cancerous death sound like trends mosh core fun for people in tight, patched up denim tuxedos and high top sneakers to mosh to? “Feed the Syrian Children” is incredibly boring. War is a natural form of entropy. Why don’t yuppies want to live a healthy, all-natural life style?

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Destruction North American 2017 Tour

Destruction are touring the US this year. The not as legendary as Sodom German speed metal band are bringing along z-list death metal bands Warbringer and Jungle Rot. Do people who love Sodom, Destructor, and Kreator love Jungle Rot? How many middle-aged men and party thrashers in Suicidal Tendencies hats also wear cargo shorts? Seeing this tour gives you the chance to find out. Will Schmier’s voice be as haggard as his appearance? Will Destruction’s drums be as fake as modern Kreator’s?

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Sodom – Decision Day (2016)

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Article by Anton Rudrick.

Now that a thorough overview of Sodom’s career has been completed, and a short analysis from that overview has provided us with new insights, we can be more confident in our evaluation of their new album, Decision Day, in a way that allows us to tentatively explain the origin of its strengths and faults. This becomes especially useful with an album displaying averageness on all levels, showing no prominent ideas that distinguish it neither in the abstract nor the actualized, and furthermore, certainly not being more than the sum of its parts. The situation is one in which all that remains are the references that these streamlined and pre-fabricated pieces meant in their original contexts, and how this commercial product attempts to play on them for maximizing revenue.

Sodom has earned a solid reputation among the metal crowd through the years. Most fans of the metal underground will probably have heard about Sodom, or that of Tom Angelripper, and will express respect at the mere mention of either name. Their newest album displays traits which one would associate with their own brand of speed metal (a.k.a. thrash metal, incorrectly dubbed), but these seem filtered through mannerisms borrowed from styles acquired over the last two decades and a half while Tom Angelripper explored the mainstream side of metal. Decision Day is catchy, and every step and turn is a hook optimized for comprehensibility and mass consumption.

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Sodom In Context

sodom-1985-moe-ax
Article by Anton Rudrick.

To be fair, one must approach judgement of a legendary and veteran band such as Sodom, with care, so that their present actions are seen in light of the road they have tread. In this spirit, it is appropriate that we go over the band’s career, taking a brief look at each step of their evolution so as to get a picture of how the band came to be as we see it and hear them today on Decision Day. If we are to start from the very beginning, we have to look back to their very first demo released in 1984, Victims of Death, which stands in an area between MetallicaKill ‘Em All and Bathory’s self-titled debut album. Sodom’s first step is closer to contemporary hardcore punk than speed metal, which affords them a certain street credibility.

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Sodom – Decision Day Out August 26th

sodom - decision day

Sodom‘s new album Decision Day featuring a D-Day lyrical theme is set for an August 26h release on Steamhammer. Sodomites should prepare their ANUSes for more rehashed speed metal similar to Sodom’s prior 21st century output.

“Decision Day” track listing

01. In Retribution (06:14)
02. Rolling Thunder (04:22)
03. Decision Day (04:03)
04. Caligula (04:01)
05. Who Is God? (04:35)
06. Strange Lost World (04:59)
07. Vaginal Born Evil (05:15)
08. Belligerence (04:00)
09. Blood Lions (03:17)
10. Sacred Warpath (05:34)
11. Refused To Die (04:27)
12. Predatory Instinct (04:44) (bonus track for vinyl and iTunes edition)

Configurations:

* Digipack including doublesided poster
* Double gatefold LP with printed innersleevs, 180-gram, red vinyl, CD in cardboard sleeve and bonus track
* Boxset limited to 1,000 units: digipack, 2LP, poster, handsigned photocard, sticker, button, patch and a flag
* iTunes exclusive version including a bonus track
* Digital download

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Anheuser-Busch InBev / Florida Ice and Farm Company S.A. – Labatt Blue & Occult Burial – Hideous Obscure (2016)

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Occasionally an artist’s work and the chemical inspiration thereof are inseparable and must be experienced together. Occult Burial’s recent ersatz, Hideous Obscure, was inspired by the sloppy, mid-Eighties Teutonic speed metal recordings of Sodom, Kreator, and Destruction which were all written and performed under the influence of a copious deluge of the cheapest Euro pilsner poured down their throats by the liter. This proto-underground beer metal was composed so as to be musically comprehensible to even the drunkest bar patrons still standing in the audience. Lacking even the melodic narratives of Motorhead standards, rocking rhythms, groovy powerchord progressions, and catchy choruses repeated ad nauseam over speed metal gallops and pick-up drum beats, hammering the basic riffs and leads into the heads of all the long-haired drunks tackling one another protected only by jean and leather jackets. To get into the garage practice space, inebriated mindset of these Canadian imitators of the imported speed metal of their fathers, I decided to pick up the Genesee-brewed as mandated by the Obama administration modern recreation of what those in my generation considered a northern, imported treat alongside the likes of St. Pauli Girl, Beck’s, and Guinness Extra: Labatt Blue.

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Beer Metal Label Goes Broke, Starts Ponzi Scheme

witches brew

Blockheaded beer metal label Witches Brew is bankrupt from releasing beer metal and the owner’s bottom feeding A&R at German beer halls and rethrash bands’ MySpace pages. Many record labels are passion projects or Ponzi schemes. Witches Brew is openly the latter now. Their failure proves that experienced Hessians would rather buy actual beer and Obsessed by Cruelty reissues than sub-Little Caesar’s pizza thrash.

State of the Brewery address 2016. Despite having maintained a super positive attitude since our rebirth in 2013, the current state of Witches Brew is that the label is broke/bankrupt. Having invested nearly 90% of my job income into the label and in the end now being in debt over 7000 EUR, reality has hit me that it’s just not possible to keep going at the level I’ve been trying. Especially not in light of the fact that I will be jobless at the end of this month. I took a lot of chances, invested a lot of money in bands that in the end basically used me for a free ride. Disappointed is how I have felt in the last weeks. I’m NOT stopping the label, I’m just downsizing to a handful of bands and releases will be a few a year, because I’ll need to raise the money from sales in order to pay for the releases since my job money won’t be there anymore. I also have to get myself out of the damn debt somehow.

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