Antifa Boots Antifa Supporting Metalcore Band

German antifascist communists booted American metalcore band Woe from the lineups of some shows on their current tour due to Woe opening for Inquisition a few times. Woe are one of your standard, screamo random post-hardcore bands pretending to be “US Black Metal” when in reality they are still metalcore. Moreover, Woe being social justice warriors from Brooklyn, New York played several benefit shows for antifa in the US. Now Woe themselves are throwing a fit about leftist crybabies preventing them from playing shows on Facebook as the communist scum decided that since Woe do not march in gay pride parades, probably do not fuck the gaping open wounds of mutilated transvestites, and do not mind opening for bands that once sort of played a simplified form of black metal that Woe occasionally play on Spotify when wanting something heavier to relieve the stress of their service jobs, Woe must be shot with hollow point bullets in the back of the head.

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Blood Enter the Studio

German grindcore gods Blood have entered their studio to record their first album in 14 years according to their Facebook page. Good luck guys!

14 looong years after Dysangelium it feels amazing beeing in the studio again. Ventilator, Satanic Taki, Destroyer Eisen, Martin Witchskinner and Evil Chuck will promise you: something brutal will come! Be warned and stay tuned…

Arab States Lie About Funding Islamic Fundamentalism

Saudi Arabia and the other too consanguineously bred Gulf monarchies are denying the fact that they support Islamic extremism in western states against accusations by the domestic German intelligence agency according to recent news reports. The Saudis are denying that they even support the Salafist ideology despite “Salafism” simply being an appeasing, more hen-pecked liberal term for Wahhabism, the fundamentalist Sunni movement founded in the 18th century that is the ideological bedrock of the Saudi monarchy.

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Ungod: The German War Machine That Flies Under Metalhead Radar

ungod_-_band-photo

History is full of paradoxes. Twentieth century Germany provides one of the major mysteries of the modern era: Why haven’t the Germans produced more high-quality black metal?

The country has been a heavy metal-stronghold since Neolithic times with a significantly high metalhead-per-capita rate. Furthermore, Germany has spawned more metal bands than any other country in Europe with abundant native labels, zines and distros supporting them. Yet, when it comes to black metal, there’s not much to write home about. Continue reading Ungod: The German War Machine That Flies Under Metalhead Radar

Sodom In Context

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Article by Anton Rudrick.

To be fair, one must approach judgement of a legendary and veteran band such as Sodom, with care, so that their present actions are seen in light of the road they have tread. In this spirit, it is appropriate that we go over the band’s career, taking a brief look at each step of their evolution so as to get a picture of how the band came to be as we see it and hear them today on Decision Day. If we are to start from the very beginning, we have to look back to their very first demo released in 1984, Victims of Death, which stands in an area between MetallicaKill ‘Em All and Bathory’s self-titled debut album. Sodom’s first step is closer to contemporary hardcore punk than speed metal, which affords them a certain street credibility.

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Dinkelacker-Schwabenbraeu AG – Oktoberfestbier Märzen

dinkelacker oktoberfest marzen

I picked up Dinkelacker’s Octoberfest to relieve myself of the gut cramps from drinking a six pack of Shiner’s pitiful attempt. The Oktoberfestbier Märzen pours out a dark, translucent brown and actually looks very similar Shiner’s Bock but smells better. I sniff dark fruits and grass. The taste is toffee, nuts, dark fruits, toasted bread but those are almost overwhelmed in the end by a generic grassy bitter finish. The beer is not hoppy but has enough hops in it to slightly overpower the malts but without actually letting you taste the hops. I had to drink many bottles to grasp the flavor profile. Dinkelacker – Oktoberfestbier Märzen is still better than any domestic rendition of the Oktoberfestbier style even if it has some probably intentional balance issues inhibiting the flavors so Hans can chug five liters while staring at a 23 year old’s breasts every October.

Quality: ****/*****
Purchase: ****/*****

Absurd’s Der fünfzehnjährige Krieg Reissued

absurd rerecordings reissue

Absurd‘s Der fünfzehnjährige Krieg CD of old tracks rerecorded by the current line up is being reissued by Hammer of Damnation for everyone who wishes Absurd’s older material had a sterile metalcore production. Hopefully the reissue is better than the horrible Asgardsrei one.