Continuing the legacy of progressive/folk heavy metal band Absu, Proscriptor McGovern’s Apsû releases its self-titled debut this year. Now, the band has released the first single, “Caliginous Whorl,” from the upcoming album.No Comments
Longstanding mythological metal act Absu collapsed in a series of legal challenges to the name last year, but the core of the band — songwriter Proscriptor McGovern — continues with a new band named Proscriptor McGovern’s Apsû which plans to release its debut Proscriptor McGovern’s Apsû later this year.1 Comment
Leaving out the blues element in the late ’70s, metal pioneers Judas Priest and Mötörhead had used their heaviness while keeping in line with the attitude of punk to create a sound that was heavy rock n’ roll punk filled with economic guitar solos, much like those heard in the Ramones and Sex Pistols. In fact, Mötörhead’s 1977 self-titled debut, which had included the element of speed, had often mixed the sound of classic rock with punk and the ’70’s glam rock of Bowie and Slade. This would soon would be followed by ’80’s metal pioneers Saxon, Iron Maiden, Def Leppard, Diamond Head and Girlschool who had added a great amount of guitar dexterity to the mix becoming a prime characteristic of ’80s metal music from the beginning.
In addition, the article addresses some of the concerns with commercialization and assimilation that came straight out of the 1980s:
When considering ’80s metal, one has to recognize that although the spirit of punk from which it came had mainly focused on anarchy, anti-consumerism, anti-corporate control, much of it, particularly glam, had taken on a strong commercial aspect in the rise of a particularly increasingly commercial period. Mixed with a sporty look and big hair when an enormous mix of different music and styles had existed, after following on from punk and much that was derived from classic rock, metal music in the ’80s had flourished as corporate rock in a period when the commercialization of music saw the rise of an unstoppable corporatization on a wide international scale- indeed, major U.S. record companies were selling themselves to media moguls in Japan and Europe. In fact, metal was a music engulfed by a “give me the money decade” full of excess – drink, women, hair, drugs in a period which saw the beginning of fragmentation in music when the rebelliousness that once seemed to possess more innovativeness and originality from which it had originally stemmed from became swallowed up by commercialism.
In fact, one of the original ANUS articles, now lost to time, was about the difference between commercialism of a non-commercial genre and being within a commercial genre like Queensrÿche or Iron Maiden, who did their best despite coming from the aboveground.4 Comments
We knew heavy metal birthed itself from the intersection of UK guitar rock, nascent punk music, and progressive rock, and Sarcofagus shows us with this re-issue of an album from 1980 just how much early metal borrowed from the progressive side of things.No Comments
As all of the newer forms of metal exhaust themselves, classic heavy metal has made a return in its 1970s glory, undimmed by the 1960s soy-fruit rock and the rather unmusical rhythm-oriented music coming after. Cauldron Born embrace the guitar and the human voice as objects of power and beauty.No Comments
Since no one else seems to be able to do much of anything in this world, it falls on us to make sense of it all here at Death Metal Underground. Very few can actually think — a process both analytical and creative, realistic and abstract — and so almost everything published is gibberish.52 Comments
We might call this cultural heavy metal to distinguish it from the party metal like Motley Crue and Pantera, since it aims to produce an atmosphere and changing sonic adventure which hopes to reveal something in us that parallels what is discovered outside, more than entertain the lost.1 Comment
In life, we seek that which has what we lack. An author who can write some way that we cannot becomes instantly fascinating, just like music which expresses what we lack words to convey. Underground metal attracts those who are seeking to explain in philosophical terms what the mood, emotions, atmosphere, and texture — almost like a wall scripture from an Egyptian tune — conveys.11 Comments
Heavy metal proves hit-or-miss for most death metal fans; it too easily slips into what pop and rock are, which is a musical utilitarianism that likes color notes, melodic minor slips, and bouncy rhythms. The rare band captures both a mood and a transition through contrast.10 Comments
Amebix always had something that other crust bands lacked, a sense of the mystical or something existing beyond the consumerist, political, atomized, and individualistic modern world. It seemed to be connecting to something both ancient and futuristic.5 Comments