Macabre Omen – Gods of War – At War (2015)

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During black metal’s most creatively fertile period in the early 1990s, a handful of Greek musicians forged an alternative musical path noticeably different from that of their Nordic peers. Their efforts would subsequently crystallize into the Hellenic black metal sound or style.

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Cóndor – Sangreal (2016)

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Condor again present a wholesale blending of death metal, classical guitar, folk, and progressive rock influences into epic heavy metal songs rather than pretending instrumental masturbation is intelligent like Dream Theater or that alternative rock with power chord chugging and a couple angular or dissonant riffs is metal like Bolzer. On Sangreal attempt to convey the romanticism behind the Arthurian legend, particularly the grail cycle concerning Percival or Galahad restoring fruit and flower to the desolate Waste Land rendered infertile by the sins of the maimed and emasculated Fisher King.

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Graveland Announce 1050 Years of Pagan Cult

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Graveland announced a new album of studio rerecordings of prior material and premiered a new music video for “Thousand Swords” on their Facebook page. 1050 Years of Pagan Cult comes out this November.

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Gorgoroth – Instinctus Bestialis (2015)

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Article by Anton Rudrick.

One clear sign that a band’s direction is compromised can be seen through unity of style. In this case, we see Gorgoroth lacking a clear voice of their own, in place of which Instinctus Bestialis offers three main ways of constructing sections and a rather pop-oriented way of building whole songs. The first is a bare bones neoclassical melodic method using two guitars, which is an interesting addition to traditionally more modal and harmonically chromatic genres such as death and black metal. Due to the foreign nature of these, the incorporation can be quite delicate and ought to be treated with the utmost care. The second is a collection of standard modern metal tropes ranging from the rhythmic intonations of deathcore with a low-string chug riff, probably inherited from the most prosaic speed metal. Last is the most important of the three in a rather unexpected choice in anthemic heavy metal, which happens to be the customary choice for commercial metal acts which have become barren of inspiration and direction.

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Sangreal Impressions

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Article by David Rosales.

Condor surprises us in their last album, Sangreal, with several different advances of stylistic explorations. While Duin constituted a formalization of the finding that was Nadia, we could expect that the next step to be taken should be precisely this expansion of a consciousness which had only recently become aware of itself. Even though Condor’s music projects a very traditional image, the final result has turned out unique, both in its character as it is shaped by consistent melodic preferences, and in its methodology, which enabled veritable compositions to come into existence from powerful riffs and inebriating tunes.

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Cóndor – Sangreal Out October 12th

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Cóndor, creators of some of Death Metal Underground’s favorite albums of the past few years, announced that their third album, titled Sangreal, is coming out October 12th on their Funbook page:

Les presentamos la portada de nuestro próximo álbum, ‘Sangreal,’ pintada por David Viana. El álbum saldrá el 12 de octubre. He aquí también el listado de canciones.

We present to you the artwork and track-listing for our upcoming third album, ‘Sangreal’ which will be released on October 12th. The cover was painted by David Viana.

1. Sangreal
2. Se extienden las sombras
3. Viejo jabalí
4. Outremer
5. Sainte-Terre
6. El árbol de la muerte
7. Roncesvalles

“¡Qué ingeniosos y hábiles tuvieron que ser los dioses para engañarnos!
Rápidos, estrepitosos y furtivos,
Hablando siempre en su lengua extraña.
¡Qué incierta era su música, qué incierto su desconsuelo!
¿Cómo fue que nos engañaron y olvidamos su presencia?”