Incantation – “Messiah Nostrum” Music Video

Incantation released a music for the track “Messiah Nostrum” off their sure to be lame upcoming album Profane Nexus which comes out on Relapse Records later this year on a date I do not care enough about to Google or read the description of the Youtube video for. Neither should you as you absolutely should not pay money for this excuse to tour.

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Aversion to Advent Parallax


Article by Lance Viggiano. Read his take on Transilvanian Hunger here.

I was essentially swindled into purchasing the gorgeous gatefold edition of this Averse Sefira LP which showcases some rather magnificent and captivating artwork as well as an above average execution of the band’s themes, concepts, and symbolism in visual form.

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The Mask of Yosuke Konishi

Metal interview blog Bardo Methodology interviewed Nuclear War Now! Productions owner Yosuke Kinishi earlier this week about his motivations for starting his mostly war metal label. Konishi spoke about his mild misanthropy, veganism, “die hard” edition cash grabs, and how most war metal bands (presumably on his label) fail to live up to the social Darwinism they spout.

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Deathspell Omega – The Synarchy of Molten Bones (2016)

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Article by Lance Viggiano.

Deathspell Omega return with another uninspired and uninspiring record entitled The Synarchy of Molten Bones. Their last record, Paracletus, was built on a foundation of Voivod-lite chords executed with the alt metal sensibilities of The Dillinger Escape Plan. In an effort to build ambience, additional guitar tracks would attempt to produce a microtonal effect without actual production of microtones; just more dissonance. These techniques were then deployed over pop-leaning melodies which become pronounced should one decide to hum the otherwise atonal morass.

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Ossuary Insane – Possession Of The Flesh (2016)

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Article by Lance Viggiano.

A few years ago a mallcore band named Waking the Harbinger posted demo tracks on Metal Archives. The music was assailed by regulars whose corrective actions coerced the young upstarts into adopting a formulaic approach to Malevolent Creation and Cannibal Corpse tier artistry. Ossuary Insane play relentlessly empty upgraded pizza parlor speed metal with all the bells and whistles of intensity innovated by that movement within the metal tradition.

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Gorgoroth – Instinctus Bestialis (2015)

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Article by Anton Rudrick.

One clear sign that a band’s direction is compromised can be seen through unity of style. In this case, we see Gorgoroth lacking a clear voice of their own, in place of which Instinctus Bestialis offers three main ways of constructing sections and a rather pop-oriented way of building whole songs. The first is a bare bones neoclassical melodic method using two guitars, which is an interesting addition to traditionally more modal and harmonically chromatic genres such as death and black metal. Due to the foreign nature of these, the incorporation can be quite delicate and ought to be treated with the utmost care. The second is a collection of standard modern metal tropes ranging from the rhythmic intonations of deathcore with a low-string chug riff, probably inherited from the most prosaic speed metal. Last is the most important of the three in a rather unexpected choice in anthemic heavy metal, which happens to be the customary choice for commercial metal acts which have become barren of inspiration and direction.

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