Crawl/Leviathan

Hipster celebrity and accused tattoo gun rapist Wrest from Leviathan returns with a new sidekick in an attempt to restore some underground credibility.  This is a common gimmick used in rap music whenever an artist has faded from the mainstream but wants to continue making money off the young kids consuming the underground’s newest flavors.  Unfortunately for Leviathan, they were never respected in the underground and Crawl displays very little potential to make any sort of impact.  The split is one twelve minute song from each artist that both manage to be terrible but for very different reasons.  Wrest promised “Aural Mizery” and has ironically maintained that promise.

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Retortion Terror & Invidiosus Record Split

Grindcore guitar god Takafumi Matsubara (Gridlink and Mortalized) has a new band now, Retortion Terror. They have recorded a split with an American grind band called Invidiosus. Both bands are currently seeking labels to print and distribute the release on CD, cassette, and LP.

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This Ends Here / The Conqueror Worm – This Ends Here / The Conqueror Worm (2017)


Review contributed to Death Metal Underground by Jon Browning.

This Ends Here / The Conqueror Worm is a not totally godawful, self-titled punk split from the bands of the same names. You won’t want to shoot half of them after listening to it if you’re that bored you know. This Ends Hear’s a-side consists of atmospheric d-beating crossover similar to Discharge crossed with Celtic Frost to create punk with the same tempo as 1990s post-hardcore and atmospheric sludge with none of the outright guitar wank and junkie idiocy. While listeners have probably heard the standard d-beat rhythms, the influence from the stranger, melodic side of speed metal (Sabbat and the Brazilians) and later post-hardcore gives them strength beyond the robotic machine punk guitar wank of bands like Martyrdod. This Ends Here would do well to get rid of most of their bluesier attempts at atmosphere in future material or better integrated it into flowing compositions similar to the better Celtic Frost influenced death metal like Autopsy and Obituary – Cause of Death you know.

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Infamous / Winter Blackness – Symbols of Scarlet Revenge (2017)

Infamous have delivered us yet another split with a weaker but by no means incompetent band. Winter Darkness provide the almost filler this time on Symbols of Scarlet Revenge, playing somewhat generic, riff salad black metal that doesn’t really go anywhere special on this split has promise if they could unite the various parts together in order to express something greater than merely “We actually play black metal, we wrote riffs, they’re not random, and our music is not that so bad that it will make the Death Metal Underground editor press a power drill into his skull.”1 In their defense, Winter Blackness use RAC-like drumming, and songs that conserve sneering tension that sometimes resolves on “Demons of Winter Blackness” and leaves you wishing the band would explode on “Frozen Nocturnal Blood”. A slow burning match that burns out into darkness rather than lighting a fire is not the best way to conclude a record. At least Winter Darkness are way more aggressive than Gratzug’s half of the Infamous / Gratzug split.

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