The Mask of Yosuke Konishi

Metal interview blog Bardo Methodology interviewed Nuclear War Now! Productions owner Yosuke Kinishi¬†earlier this week about his motivations for starting his mostly war metal label. Konishi spoke about his mild misanthropy, veganism, “die hard” edition cash grabs, and how most war metal bands (presumably on his label) fail to live up to the social Darwinism they spout.

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Dying Fetus Release New Music Video

Camouflage cargo shorts band Dying Fetus released a music video for “Panic Amongst The Herd” off their upcoming crap album, Wrong One to Fuck With, on sell-out sludge and metalcore label Relapse Records. Relapse insist that:

Now 25 years into their distinguished career, Dying Fetus cement their legacy with Wrong One to Fuck With and uphold their position as the dominant force in death metal today.

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Midnight – Shox of Violence (2017)

Midnight are the definition of beer metal. Midnight sound like Motorhead if Motorhead accidentally took tranquilizers and forgot to write chord progressions and progressive minor-key heavy metal leads in their songs. Midnight are Motorhead if when Lemmy got arrested for drug possession in Canada in the early seventies while touring with Hawkwind, Lemmy did not merely get kicked out of Hawkwind and deported back to the United Kingdom; Midnight are Motorhead if the Canadians were really the Soviets who institutionalized and lobotomized Lemmy while forcing him at gunpoint to cart around a potent IV drip of anti-psychotics and sedatives for the rest of his life.

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This Ends Here / The Conqueror Worm – This Ends Here / The Conqueror Worm (2017)


Review contributed to Death Metal Underground by Jon Browning.

This Ends Here / The Conqueror Worm is a not totally godawful, self-titled punk split from the bands of the same names. You won’t want to shoot half of them after listening to it if you’re that bored you know. This Ends Hear’s a-side consists of atmospheric d-beating crossover similar to Discharge crossed with Celtic Frost to create punk with the same tempo as 1990s post-hardcore and atmospheric sludge with none of the outright guitar wank and junkie idiocy. While listeners have probably heard the standard d-beat rhythms, the influence from the stranger, melodic side of speed metal (Sabbat and the Brazilians) and later post-hardcore gives them strength beyond the robotic machine punk guitar wank of bands like Martyrdod. This Ends Here would do well to get rid of most of their bluesier attempts at atmosphere in future material or better integrated it into flowing compositions similar to the better Celtic Frost influenced death metal like Autopsy and Obituary – Cause of Death¬†you know.

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