While 2019 has shown that home studios are only getting better with the release of better emulators and cheaper “ready to record” prepackaged setups, the increase of quantity has not shown a proportionate increase in quality across the music spectrum. Metal has been in a particular weak state despite the best releases of the year being better than those of previous years, the overall quality was so low that even the present editor had to explore non-metal underground music in hopes of finding something of great quality. While such “expeditions” have been for the most part fruitless, the best of the year can only leave the metal listener with a sense optimism of what the new decade has to offer. Without any further ado, here is the best underground metal of 2019.
Trench Warfare finally grace the world with their first full length. Building from the potential of their demo and split, the band finally manage to fuse their War metal with elements of Black and Death metal into creating a highly enjoyable listen that carries a few more subtleties than its aesthetic quality would allow one to assume.
While some loser-in-life Huffington Post reporter named Tulio Baars (the magazine does not typically employ males) continues spending his mommy and daddy’s money on a botnet to launch cyber attacks on Death Metal Underground, a temporary backup solution has been created for Hessians to get their fix of metal chaos and destruction.
An official DMU 8chan imageboard has been created and can be found at https://8ch.net/deathmetal and we’ll host all of our articles there for the time being until the Brasilia Policia catch up with Tulio. On this board anyone (including readers) can make posts there or engage in articles. Just don’t be a pussy!
And for the record, DMU is not- nor ever was- an Alt-Right or white nationalist website. We have never once have written about race. So if you think you’re a left-wing liberal crusader doing the word a service by shutting down a niche metal website you’re just retarded and probably confused about your sexual orientation.
For everyone else, thanks for still visiting here despite these pansies knocking the site offline for a couple of weeks.
What are THEY trying to silence?
What is too DANGEROUS?
BIGGER THAN METAL
Who is behind?
Countermeasures in play
Candi Canes anyone?
We see all
We know all
Take your Prozak
Enjoy the Show
Death Metal Underground has been under heavy DDOS attacks for the past 3 days due to our alliance with the right wing website Amerika. Amerika appears to be under siege as part of the mass censorship campaign that has gotten AltRight.com kicked off their server. The collateral damage has also affected DMU and kept us off the web for several days.
Under Brett’s orders we have broken formation and appear to be out of the killzone. Thus comms are back online, and Death Metal Underground may continue its crusade against leftism and false metal. Amerika remains in the bunkers, engaging the enemy.
Fortunately, we know where the attacks are coming from (ips, emails) and who is behind them (personal and family social media accounts). Our countermeasures and next course of action will remain covert at this time. Meanwhile, keep checking back for more updates. We will not be silenced.
Sometimes recognizing parasites becomes difficult. They sidle up to your genre, think that is fairly cool and they want a piece of that action, and then they morph themselves into clones of the fans of that genre. Then they shlurp their way inside of its cell walls, consume its vital energy, and inject their DNA into its core, replacing all that made it unique and meaningful. (more…)
Necrotic war metal band Trench Warfare recorded four songs in late 2016 for appearance on a future split with Goatdusias and Bestial Karnage entitled Paths to Victorious Perversion. The band recruited drummer Lee Fisher (Commit Suicide, Psyopus, Overlord Exterminator) to record percussion for the upcoming release. Titles on the album include “Twisted Lies of a Wretched Pedophile,” “Astral Projection into the Shapeless Abysmal Void” and “Hatred Prayer.”
Militant complex war metal band Trench Warfare plans to unleash two new splits, hot on the heels of its three-song EP Perversion Warfare. This shows the band continuing its style of textured riff-frenzy with songs that reach a definite apex and conclusion, in contrast to most of the war metal genre.
The band released the following statement:
Trench Warfare is currently recording three tracks for an upcoming four-way split entitled “Of Vultures and Vermin” which will be available via Surrealistic Fatality Releases (SFR). The other bands featured on the split are Sturmtiger (UK), Formulus (Alabama) and Lugubrious Descent (Florida).
We have also begun writing for a split with Morocco’s Agurzil for which we have enlisted the exceptionally talented drummer Lee Fisher. Lee has performed with Commit Suicide, Psyopus and Overlord Exterminator.
Someone close to the band also leaked three demo tracks from forthcoming Trench Warfare compositions. I traded a brick of Semtex for a dub and was able to hear clearly the progression in this band. Their same unrelenting approach has deepened its texture, with more interplay between riffs, and more fast tremolo riffs in the death metal style. The result is just as hard-hitting but has more internal variation and conflict, leading to a style of war metal that borrows the complexity of death metal, the intensity of grindcore and yet keeps true to its hammering martial assault.
Good things are coming from this promising Texas band, who raised eyebrows with the inscription on their debut EP:
NO MELODIES, NO GROOVES, NO SLAMS, NO BREAKDOWNS
ONLY HATE AND WAR!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
War metal was born when worship of Blasphemy, Zyklon-B, Sarcofago, Impaled Nazarene and Beherit merged with the newly-simplified post-Nordic black metal, but many of us noted that Blasphemy and Sarcofago in particular had more in common with their punk and grind ancestors than black metal as it evolved. Trench Warfare cuts to the roots of war metal by making grindcore with metal rhythms and intensity, and by breaking out of the stop-start patterns of most war metal produce an unrelenting assault that bears down with the intensity of full-bore death metal.
Perversion Warfare consists of three tracks which build high-energy primitive riffing in the Blasphemy style and expand to more traditional grindcore and death metal forms, commenting on the riff that forms the bulk of each song with a series of complementary and oppositional motifs that keep the momentum rolling through rhythm and pattern. Layered on this are urgent martial drums that comment extensively on the change in material, sort of like Destroyer 666 given a technical tune-up, and chanting defiant vocals which resemble a cross between Blasphemy, Blood and early Mika Luttinen. Songs do not relax the strident attack but do come to clear peaks and have a form shaped around that, which avoids the formless grindcore glaze-over that occurs with many bands attempting this style.
Three tracks do not give enough of an impression to tell where this band will go in the future, but it provides an insight into how they intend to make war metal both interesting and militant. Riffs here evoke Napalm Death and Immolation as often as Vulcano or Conqueror, and the way riffs comment on one another to build songs is more death metal than war metal, despite the general approach to riff-writing being more welcome to acknowledging its roots in grindcore and expanding upon them. The result is surging combat energy which creates a narrowed and critical view of the human experience, reducing our social pretense to the practicality of open battle, but infuses into that a delight in survival which — as with all good metal — gives life new meaning through darkness merging into light.
Texas war metal band Trench Warfare leaked three tracks from its upcoming work in progress. These tracks revealed a sound that is straight raging war metal surge riffs on the verses, complex Perdition Temple style fills, and melodic undercurrents to choruses that resemble those of early Beherit.
Naturally this provokes interest from metal fans worldwide with caveats. War metal has give itself a bad reputation for being an entry point into black metal for the same droning three-chord nonsense that ushered hardcore punk into irrelevance when it became popular and all the tryhards and poseurs crowded the stage. Trench Warfare tries to balance the Blasphemy-inspired excesses of war metal with variety in riffing and flexible interruptions to relatively standard song structures.
While little is known of this obscure band beyond its contested origins and fugitive status, these tracks augur well for the future of this homebrew outfit. It has its own style and, while these tracks may require refinement to stand out in a crowded field, that is an inevitable and welcome part of experience and will make this promising material stronger.