Trench Warfare Prepares Split Album Paths to Victorious Perversion

Necrotic war metal band Trench Warfare recorded four songs in late 2016 for appearance on a future split with Goatdusias and Bestial Karnage entitled Paths to Victorious Perversion. The band recruited drummer Lee Fisher (Commit Suicide, Psyopus, Overlord Exterminator) to record percussion for the upcoming release. Titles on the album include “Twisted Lies of a Wretched Pedophile,” “Astral Projection into the Shapeless Abysmal Void” and “Hatred Prayer.”

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Teitanblood Announce Accursed Skin


Article by Lance Viggiano.

Norma Evanglium Diaboli announced a new EP from crusty noise rock band Teitanblood. Accursed Skin consists of two lengthy tracks: “Accursed Skin” (14:28) and Sanctified Dysecdysis (11:46). Writing riffs is hard because it requires some modicum of actual creativity when you aren’t bashing power chords or lifting material from others. That’s why Teitanblood quit trying immediately after the mediocre Seven Chalices and let itself be carried by presentation and aesthetic to a greater degree than that record was on Death. Accursed Skin will be the second instance of this band using already released material to pad out the run-time of an EP as they cannot conjure up enough static, lukewarm grind/crust riffs and cool vocals to fill a release with new material.

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Bardo Methodology Interviews Angelcorpse

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Webzine Bardo Metholody interviewed frontman Pete Helmkamp (Order From Chaos, Revenge) and guitarist Gene Palubicki (Perdition Temple, Blasphemy Cruelty) of Angelcorpse. Helmkamp talks about music as a sort of arcane magic ritual, quitting drinking, his career, and why Order From Chaos and Angelcorpse both disbanded. Palubicki reflects on the weaklings of modern metal.

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Martire – Martire (1991)

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As the continent was before Britannic penal colonization, Australian black and death metal scene was and is still mostly an undeveloped desert of unexceptional crossover thrash posturing as “war metal”, blackened cheeseball beer metal, AC/DC clones with unclean vocals, and experimental technical deaf metal/post-hardcore/jazz fusion hybrids. Martire rode forth from obscurity to restore fruit and flower to the wasteland, fertilizing the barren bush wielding fire and sword.

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Blasphemy Release Desecration of Sao Paulo

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Blasphemy suddenly released a live album today. The CD of Desecration of Sao Paulo now. Check the usual distros if you’re a war metal, bestial maniac. Hopefully this will sound better than Fallen Angel of Doom if you care to revisit Blasphemy’s material.

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Tarnkappe – Winterwaker (2016)

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Tarnkappe‘s Winterwaker (“Guardian of Winter” in English) is another Dutch black metal album aiming to extend the victories of the old forward into a modern world deluged with genericized and masqueraded jingle rock. Most modern black metal recordings consist of typical verse chorus verse hardcore punk songs with occasional tremolo-picked, hopefully minor key riffs and raspy vocals to differentiated it from the punks with their spiky hair and Sharpie-drawn straight edge Xs in the same way that modern opposing political parties mostly present two sides of the same leftist coin merely aiming the public towards financially catering to differing oligarchic leagues. Tarnkappe, a duo composed of members of Kaeck and Kjeld, aim to bury the bodies of the mainstream-media promoted black ‘n’ roll and “war metal” themed crossover thrash groups in an unmarked, shallow mass grave in the forest-tundra.

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Frontschwein Folly

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Article by David Rosales

Marduk has never, with the exception of the laudable Opus Nocturne, boasted of a deep mystical aura imbuing their music and has rather been known for the sonic onslaught which is their music. The present work sees a band that appears to have long settled for a style and seem content to reproduce it for the benefit of an expecting audience. That is, a very palpable pop mentality has settled in, even if the music has not completely degenerated in form. The artistic vision nonetheless has affected, as is the rule, the manifested aesthetic of the music, and will predictably continue to corrode its quality as it has been doing for the past twenty years or so.

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Sadistic Metal Reviews 9/24/2016

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Some sorry schmuck has to shovel it into a hole and set it on fire.

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Conqueror – War Cult Supremacy (1999)

conqueror - war cult supremacy

Conqueror wanted to be a part of the “scene” but did not have musical ideas. The band discovered that the muddied sound of early Beherit and Blasphemy circa Fallen Angel of Doom could be used to obfuscate their dearth of ideas. Furthermore the hostility between the Norwegian scene and the rest of black metal could be amplified under false pretenses while not offering any truly satisfying alternative themselves. Basically, point to candy assed pop drivel like Dark Funeral but go to the other end of the spectrum entirely with a paper thin wall of television white noise with a drunken chipmunk howling nonsense. Conqueror’s “music” is structured which ironically stands contra to the concept of all out war. A little anarchy would at the very least allow the essence of battle to bubble up from the pot. Instead it’s a tame morass of very low effort grindcore riffs and mostly incomprehensible low E-string noodling. The best that can be said about Conqueror is that J. Reed has an identifiable sound.

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