K.K. Null – Fertile (2008)

Musicians in the 1960s thought a lot about getting beyond scales, chords, and key, and making pure music, but the results usually ended in chaos because they were still thinking about music. K.K. Null creates dynamic sonic textures that convey a poetic sense of contrast and evolution, and uses that to create beauty from ugliness.

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Triptykon featuring The Metropole Orkest – Requiem (Live At Roadburn 2019) (2020)

This album will make waves because it is going to divide audiences based on who will give it a chance and who will categorically ignore it; this, like trolling, is the pure provocation that forms a necessary part of Art as opposed to Entertainment. The album possesses a fatal flaw, but makes up for it with some of the more interesting experiments within the notion of doom — dark, melancholic, sentimental, but not self-pitying — sounds, going beyond metal and rock in composition.

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