Sadistic Metal Reviews: WW3 Inbound Edition

We write; you complain; everyone else ignores us. Later on, the world catches up, and everyone hides how they read it here first. We call the metal trends by looking at reality instead of social influences, and this makes people feel like the small puny slave power bottoms they really are.

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Haserot, Sacrocurse, Trenchant, and Sammath Live in Houston (February 24, 2024)

Some shows define an era, and the assault of Sammath on Texas revealed where underground metal is going now: doubling down on what made it great, injecting new creativity, and fleeing from the dual pitfalls of three-chord nonsense and elaborate “progressive” stylings.

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Sadistic Metal Reviews: Heat-Death of the Metal Universe

Imagine a genre: it succeeds, so then all these lost people come in and make their own versions of it, trying every possible variation. Soon the field is so full of weird instruments and odd timings that all of it sounds just about the same, and no one can pick a good band from a bad one. This is heat-death:

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World Terrorizers: A Tribute to “World Downfall” (2021)

Bands do cover songs to learn from them, to show their ability to nail it as well as the original, and to expand upon what have become classics of the metal culture. It is one thing to play a song, and another to deconstruct it, analyze it, and reassemble it to show an understanding of it.

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