Sadistic Metal Reviews: WW3 Inbound Edition

We write; you complain; everyone else ignores us. Later on, the world catches up, and everyone hides how they read it here first. We call the metal trends by looking at reality instead of social influences, and this makes people feel like the small puny slave power bottoms they really are.

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Sadistic Metal Reviews: Metal as a Service (Mucho, Mucho MaaS)

What happens when something succeeds? It fixates on that success because now it has something to lose. Forget all those stupid alt-right tropes about “hard times make hard men weak, weak times make weak men hard” because they are like most things Right-wing merely a prelude to the type of sodomy that Jesus does not mind. Metal reached its peak in the 1990s with underground death metal and black metal, but now the little people have come in to munch the carcass while loudly demanding attention.

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Sadistic Metal Reviews: Lose Your Mind And Your Ass Will Follow Edition

Yet another week passes as we watch the cope-hope reach maximum intensity through a form of frustrated and impotent rage. The narrative has failed; those who have staked their futures and wasted their pasts on the system find themselves both enraged and possessed of a furor to suppress those who step out of line. If this system fails, they will all feel as if they have made the wrong choices in life, so they are going to patch it up again to see if they can keep it kicking long enough to make it into the comforting sleep of Alzheimers or fentanyl.

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A Guide to Electronic Music: Volume 2.0

Five thousand years ago, the present author created a guide to the main acts associated with the classic 70s-style electronic sound. The response was generally quite positive in nature (which the present author humbly appreciates), and several individuals requested a sequel focusing on later acts and developments in Electronic music.

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Metal Works: AR-15 Build

A proper Hessian knows his metal music intimately. He understands the moving parts and how they fit together to form a functioning whole. Just as a Hessian understands his music, he will also understand his weapons. What better way to understand our weapons than to build one ourselves? AKs are rather easy to build, but require some more expensive specialized equipment. ARs are also quite easy to build, and because of their ingenious modular design, one can either build a complete AR or one can build half an AR for use with already extant other halves. Because building an AR lower is somewhat more complicated and requires some more expensive equipment, today we will focus on building your own AR upper. You will see from the crappy pictures, taken with my old flip phone, that one needs no specialized facilities to do any of this – I did it in my spare bedroom in about 45 minutes. Recommended listening while building: Immortal’s “Battles in the North.”
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Metal-Archives’ Marxist Mania

Article contributed to Death Metal Underground by Richard Sullivan.

Western civilization is currently gripped in a culture war unlike any that preceded this one. You may ask what makes it so different than the others, considering the West witnessed a similar one of its kind back in the late 1950s with the emergence of the New Left. Arguably, there’s never been a real difference in the left’s rhetoric. For as long as anyone cares to remember, white, heterosexual, “cisgender” men, who maintain the “capitalistic, racialized, cisnormative patriarchy” have always been at the center of their ideological attacks. The only thing that has changed has been their ability to have said rhetoric heard beyond the confines of university lecture halls. It was rare to encounter an enlightened™ human™ bombarding you with vitriol and threats of violence – because you failed to recognize the intersectionality between race™, gender™, and sexuality™ – outside a gender studies class. Of course, these things still occur, but with greater frequency, and to the point where a flash mob of overweight, hipster beta males twerking in tutus in a school’s atrium is viewed as them just “expressing themselves”, but, more boldly, as an act of defiance against conventional norms of masculinity.

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