Some thought that American society died with Jerry Springers. Others like William Gibson, who should know better, think it died with the Bush presidency. Those of us with any attention span know that the decay even predated April 9, 1866, when the Civil Rights Act was signed. The decay is innate.
22 CommentsTags: Archemoron, ecryptus, helcaraxe, sadistic metal reviews
This seems as good a time as any to note that the music industry, which peaked in 1996, has since died from a lack of ideas.
9 Comments
Darkthrone riff overflow project Isengard, which released two albums back in the day, announced that its third compilation of material, Vårjevndøgn, will be released in October on longtime label Peaceville Records, giving us more of the Celtic Frost and Bathory fusion inspired black metal for which Darkthrone is known.
No CommentsTags: Black Metal, darkthrone, fenriz, isengard
We cover many of the tangents and background nodal points around death metal here, and Demon Head fits right into those categories. Basically 1970s rock filtered through Danzig with a lot of Iron Maiden but played with a modern stoner doom approach and hard rock pace, Demon Head brings back the weird, enjoyable, and unsettling in rock.
12 CommentsTags: AOR, demon head, hard rock, stoner doom
Language can be useful for its specificity or its generality, with the latter being exemplified by the phrase “chord progression.” It means a sequence of root notes and harmony notes and in rock music signifies the harmonic backdrop to a song, where in jazz it means more the geometry of a melody in relation to the notes of the scale, signifying what harmony will be used to write melodies within it.
3 Comments
Despite appearing to be from the Carcass school of grind, this band contains more death metal and modern metal than 1980s grind, although it mixes in a fair amount of bounding, aggressive grindcore from the Repulsion, Terrorizer, and Napalm Death early 1990s model. Nonetheless this band possesses its own style.
3 CommentsTags: Grindcore, putrid offal
Slayer showed us the prototypical underground metal band, fusing together melodic heavy metal (Iron Maiden, Mercyful Fate, Judas Priest) and high-speed hardcore to make a new voice for metal. It kept the metal spirit entirely, and turned up the volume on that, but also gave the music the voice of desperation amid dystopian decay where everything is broken and wrong that made hardcore so apocalyptic.
14 CommentsTags: ambient metal, nocturnal metal, slayer, south of heaven, subconscious
[Continued from Part 1]
10 CommentsTags: 2018, aeschylus, ballads, barbaric romanticism, blues, by the gods, classical music, cock rock, composition, Concept Album, cover songs, david defeis, dionysus, edward pursino, epic, exorcist, frank gilchriest, hard rock, hatred, Heavy Metal, insanity, jack starr, josh block, lilith, long island, love, madness, Mythology, new york, Occultism, Opera, original sin, over the top, Paganism, passion, piano, piledriver, power metal, rock opera, Romanticism, sexuality, Speed Metal, the hammer of zeus, the wrecking ball of thor, tragedy, Transcendence, USA, USPM, Vengeance, victory, virgin steele, wine
The end of the year for some people is a time where they participate in debauchery and related idiocy as they are convinced that the arbitrary beginning of a calendar year absolves them of past mistakes and gives them the possibility to renew themselves without the burden of accepting reality. Those who don’t hide behind such comforting fallacies accept that this is a day like no other and that no actual changes will occur except for remembering to write 19 instead of 18 when it comes to paperwork. Metal has continued its sad and hilarious explosion to the top of the mainstream while pushing out less and less meaningful art. Rather than go ever end of the year lists as they are just useless and contain mostly salvaged junk with the occasional pearl. Here at DMU we shall analyse new compositional tools we would like to see implemented and which ones should be discarded.
Tags: Antichrist, behemoth, Black Metal, Boethiah, Dawnbreaker, death metal, disma, dissection, ectovoid, entombed, gorgoroth, Intestine Baalism, Join US, judas priest, massacra, MetalSucks, Necromaniac, necromantia, Nihilist, rotting christ, sacramentum, sammath, suffocation, Thin Lizzy, varathron
The NWOBHM movement defined the basis for what both underground and commercial metal would become, everything was present from the gallops, the harmonized melodies, unconventional song structures and the reverence for the riff above all else. The movement struggled with commercializing itself and so even the more vicious bands were obligated in selling out and writing a ballad or a mid-paced rock song in hopes of being picked up by a major label as there was at that time money to be made. The micro-genre eventually burned out due to two main reasons. First was that the door to mainstream success had been closed permanently for the British bands as the media loved Def Leppard and the like. The second reason was that there were far too many bands releasing the same rehashed material while bands elsewhere were exploring unventured paths and the standards were on average raised as the pub rock riffs of most of the NWOBHM were simply not up to par. Enter Deep Switch, a band that appeared in the scene after the death of the genre and were set to make some of the most bizarre NWOBHM imaginable but falling to the same pitfalls as their predecessors.
3 CommentsTags: Deep Switch, end of an era, Nine Inches of God, NWOBHM
