Pharmacist – Carnal Pollution (2021)

What if Carcass had gone in a direction like Napalm Death with its post-Reek of Putrefaction material, instead of getting increasingly lighter? While billed as a goregrind band, Pharmacist comes more from the school of a technical version of later Carcass that integrates the heavy percussive aspects of mid-1990s death metal.

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Interview with Jan Kruitwagen of Kaeck (2021)

Already gaining a lead on all other contenders for the most compelling underground metal album of the year, Kaeck has on Het Zwarte Dictaat made the masterpiece of violent rhythm riffs and melodies that much of the underground wishes it could, combining black metal and war metal with doom metal and death metal to create a constantly changing mood within a fluid style. Fortunately, guitarist/composer Jan Kruitwagen had a few moments to give us his take on the band and state of the metal genre.

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Smoking Outside the Box

They always tell you to “think outside the box,” as if having everyone focused on non-conformity will result in anything but a new variety of conformity. So much of life comes back to the mirror image, where we are staring at a representation of ourselves, and trying to change how it looks, despite everything happening in reverse since left is right and right left.

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Horror Pain Gore Death – Death Metal Power From Beyond (2021)

In addition to tape trading, compilation albums back in the day allowed a label to sell you one track from each of its most promising bands for a few dollars total, making them both a good way to find new bands and a cross between the mix tape and a radio show when you wanted varied listening.

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Condemner Posts Rehearsal Track of “Male Patratis Sunt Atra Theatra Parata”

Texas post-death metal band Condemner — which seems to combine Celtic Frost, Incantation, and Blasphemy in its sound — posted its latest rehearsal track yesterday, showcasing its desire to stack primitive chromatic riffs against rumbling discursion in order to make wandering, melancholic tracks with an undertone of violent Nietzschean-Galtonian “might is right” conflict.

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