Entrails Premiere “Soul Collector”

Swedish death ‘n’ roll band Entrails previewed a new track, “The Soul Collector”, from their upcoming sure to be awful album World Inferno from Metal Blade Records. Prior Entrails albums were shot full of holes in in the firing ranges / execution grounds that are the Sadistic Metal Reviews. World Inferno will surely be too based on this track.

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The Metal Teddy Bear Experience Interviews Opeth


Interview contributed to Death Metal Underground by Chris Annunziata.

Chris Annunziata, host of The Metal Teddy Bear Experience show on 90.3 WMSC-FM, interviewed Mikael Akerfeldt of death ‘n’ toll turned seventies style rock band Opeth at the Starland Ballroom on March 7th. Chris steadfastly transcribed the extensive interview and most graciously submitted it us. Mikael discusses his touring experiences with Megadeth and Gojira along with his childhood security blanket and love of raw meat. The recorded version is at the end.

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Lame Gates of Ishtar Albums Reissued

Century Media has reissued third rate Gothenburg melodeaf band Gates of Ishtar’s first two studio albums, The Dawn of Flames and At Dusk and Forever, remastered by Dugout Studios (vinyl mastering by Patrick W. Engel) and with new artwork from Juanjo Castellano as the original artwork was “really ugly” according to the band. The band should have been more concerned with writing worthwhile material than artwork for lame, cash-in releases on the popularity of In Flames and other competitors with VH1’s adult contemporary lite rock. Gates of Ishtar were not “melodic death metal masters” but warmed-over bouncy speed and power metal for a late 90s mallrat and Wacken audiences just like the most of their contemporary bands from Gothenburg, Sweden when they weren’t making outright pop music.

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Tomas Skogsberg Goes Red

Tomas Skogsberg, the producer of most of the early nineties Swedish death metal classics from Entombed and Dismember at Sunlight Studio, was interviewed by the Swedish Communist Party’s Proletaren news site a couple of years ago. Skogsberg of course speaks  about his collectivist ideals and why he eventually became a card-carrying Communist. He mentions that the Boss HM-2 pedal is only good for chainsaw guitar death metal and is otherwise bullshit. In addition he talks of his love of The Beatles and unpristine, properly dirty productions, and how Sunlight only bought digital audio workstation software in 1995 that he still uses. This could explain why various Swedish bands have noted over the years that Skogsberg let Sunlight Studio fall into disrepair in the mid 90s. Overall, Skogsberg says he is proud of the “rattly and raspy” records he engineered over the course of his career with his favorite production have been Entombed‘s Wolverine Blues, death ‘n’ roll sellout from 1993.

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Morbid Interviewed by Bardo Methodology

Former Morbid bassist Dr. Schitz was interviewed by metal webzine Bardo Methodology. Dr. Schitz, a working psychologist in Sweden, tells what drove his bandmate Dead from Mayhem, Dead’s Cotard’s Delusion, and why H.P. Lovecraft’s Cthulhu mythos along with the related Simon Necronomicon from the 1970s (used for lyrical inspiration by Morbid Angel) was so influential to non-English speaking metal lyrics and themes. Check it out.

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Watain – Reaping Death (2016)

Article by David Rosales.

I. Where is the music?

It is very rare to find a general fan of black metal today who has not at least heard of the name of Watain. The kind of fame it has attained, however, is the kind that is mostly based on peripheral affairs rather than the art which Watain is supposed to dedicate itself to. Watain is the kind of ‘entity’ (as most of these bands are now given to call themselves) that is surrounded by a nebulous aura which may at first, if one is inclined to be generous in providing the benefit of the doubt, seem like an hint of something truly profound going on. Now, whether that is the case in regards to the real, transcendent or philosophical knowledge or experience of the people behind Watain is not for the writer to say. On the other hand, the music itself does not seem to display any of the more-than-human qualities it should if one is to believe all the hype. In fact, it reveals itself as a very mundane affair when one is given to delve into a holistic examination of the music in itself, and even more so when seen in relation to the extra-musical portions of the ‘entity’.

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At the Gates Members Form The Lurking Fear

Various members of the At the Gates have formed a side project known as The Lurking Fear. Former guitarist and primary songwriter of Gardens of Grief and The Red in the Sky is Ours Alf Svensson is disappointingly not among them. With At the Gates regressing to commercial speed metal after half of With Fear I Kiss the Burning Darkness, The Lurking Fear promise to play weird, evil, and twisted death metal again. We’ll see about that.

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Tomas Nyqvist Interviewed by Bardo Methodology

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Tomas Nyqvist, the founder of legendary Swedish label No Fashion Records and the Putrefaction Magazine zine, was interviewed by Bardo Methodology. Tomas talks about his zine and label, the careers of Morbid, Mayhem, Merciless, Dissection, and Katatonia, and how the infamous Stockholm record store House of Kicks screwed them all over. A book compilation of Putrefaction Magazine is scheduled for 2017 too.

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Seance’s Levitised Spirit Reissued on CD

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Seance‘s first demo, Levitised Spirit, has been reissued on CD by Mexican label Chaos Records. Fans of Fornever Laid to Rest and Saltrubbed Eyes might want to check this out as the remastering job by Dan Lowndes doesn’t sound horrible.

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Sarcasm – Within the Sphere of Ethereal Minds Coming in March

sarcasm-within-the-spheres-of-ethereal-minds-cover

Swedish death/black metal band Sarcasm‘s first LP, Within the Sphere of Ethereal Minds, is coming out in March as announced on their Facebook page. The band’s Burial Dimensions demo compilation was extremely promising but featured too many in-congruent keyboard interludes and too much fat that needed trimming.

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