Nausea – Condemned to the System (2014)

CD Booklet

Yes, this is a metal blog, and yes, this is a punk album and also yes, people who try to be ironic are annoying. Nausea Condemned to the System is worth your time if you enjoy energetic and powerful music of any kind. Born out of a punk album, this half-hour terror extends to grindcore and the type of speed metal touches that influenced later 80s hardcore. Unlike most hybrids of this nature, Nausea fuses its influences into a singular voice.

Condemned to the System distinguishes it from thousands that wish to be like it by maintaining a high degree of internal contrast, dialogue between riffs, and compelling tempo changes in songs that develop from a central conflict and by doing so avoid the dual extremes of riff salad and endless loop that make many minimalistic albums as boring as listening to a diesel engine idle. Instead, these songs launch into verse chorus pairs shaped around a central conflict with discursive and transitional material allowing the central loop to take more form. Grindcore-style layering of riffs and instruments gives these songs additional power.

For punk purists, there may be too much emphasis on muted chords used to end phrases, and for metal purists, there may be too many straight-up punk riffs of the 1970s style, but when looked at from a distance, the singular voice of this band emerges. Tempos stay high and vocals incoherent, keeping the guitars and drums as the center of the band with guitars leading and drums producing a pulsing violence behind. Avoiding technical playing entirely, Nausea focus on paring down their songs until a unique form emerges, then playing it with full intensity. The result is an album of short glimpses of life portrayed with the manic intensity of a paranoiac on a four-gallon coffee break, capturing the alienation of punk without self-pity and the willpower of metal without posturing.

Profile: metal trader Sean Clark

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Sean Clark has been a part of the metal underground trading and selling circle for a long time, hunting down CDs and rare vinyls across the globe. As he gears up to sell some of his excess to finance further purchases of rare Profanatica material, he was able to answer a few questions for a profile:

When did you start selling/trading CDs and why did you get into CD trading? Were you a tape trader as well?

I think that I started seriously trading music back in the mid-’90s when I lived in Australia. Mostly copying tapes and trading with local friends. I started trading CDs on a wider scale around 2000 once I moved to the USA and a friend of mine introduced me to newsgroups, etc…

What appeals to you about underground metal? Does the same thing still appeal to you? Do you listen to other music as well?

EVERYTHING. Unfortunately, I can’t say the same thing about today’s metal scene… so I just mostly keep myself busy with the stuff that I enjoyed in the past (but still do check out new bands nowadays just to make sure that I’m not missing out on something). Today’s scene is too hard to keep up to date with though… too many new releases every month.

Yes, I do listen to other music as well, but underground metal is usually about 80-90% of my music library.

What was your first encounter with the DLA/DMU and how did it ruin your life?

I honestly cannot remember how I found out about DLA/DMU…. but it was after speaking to you… must have been back in ’97? Probably on the newsgroups. I think that you bought some cds from me once though… but I knew you before I started selling/trading. We’ve had contact through various platforms for a long time now.

What current bands make you excited?

I am not so excited about many current bands because they mostly just remind me of better bands in the past. I think that most of the bands that I get excited about now aren’t even metal (Lana Del Ray, for example).

If people like the CDs you have, where do they find a list and buy them?

Everything that I have for sale is on my Facebook page : www.facebook.com/CryptsOfTrades

Click on PHOTOS and then ALBUMS… there are several photo albums there with pictures of everything that I am selling.

Good luck, Sean and let me know if you find any killer Profanatica stuff.

Blaspherian reaches milestone in recording new album

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Texas cult primitive occult death metal band Blaspherian has recorded five tracks for its upcoming Reborn through the Black Flames of LuciferLP/CD and another single track for a 7″ with another band, the band said Monday. This release will follow the triumphant Upon the Throne…of Eternal Blasphemous Death 7″, the 2014 release of the bands demos and 2011’s Infernal Warriors of Death.

Known for its raw and subterranean sound, Blaspherian won over converts with its 2007 full-length Allegiance to the Will of Damnation but has continued to hone and intensify its songwriting since that time despite having to overcome numerous lineup changes and other impediments. The story continues, as the band added to its statement: “Two more [tracks] and we are ready to record.”

Blasphemy reissues Fallen Angel of Doom on Nuclear War Now! Productions

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Grindcore/proto-black metal band Blasphemy has announced the re-issue of its classic album Fallen Angel of Doom on Nuclear War Now! Productions for CD and vinyl, with Blasphemy official merchandizing arm Ross Bay Cult issuing a cassette version.

The band announces the “tentative” release date as June for teh CD and July for the LP. In addition, the band says the release with be perpetual: “Both the LP and CD will be kept in print for the foreseeable future to combat the endless stream of bootlegs from subhuman scums.”

Having owned and enjoyed the Wild Rags issue of this album for many years, and believing it to be the best output of this influential band, it is great to see this one ride again.

Hot Fuzz (2007)

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In the grand tradition of send-ups like Naked Gun, Tropic Thunder and Tucker and Dale Versus Evil, this goofy UK film tears apart movie stereotypes and cliches while providing relatively harmless laughs. It bears no relation to reality and exists solely as distraction but serves an important role in revealing movie tropes for the empty and implausible scenarios they are.

As in most good films, it begins with hyperbole and descends into satire. A super-cop from the city moves to a small town where he finds that mysterious deaths are going unreported. He investigates and finds a dark secret to this idyllic and seemingly useless place. Because of his inner conviction that law and order is important, he takes on the bad guys with impossible odds against him. Since this is a family film, there are no major surprises in the plot, and the filmmakers focused on texture instead. Like most films of this genre, internal plot features are repeated in different contexts to achieve both continuity and contrast. Characters, while one-dimensional, also exist as people with relatively complex motivations formed from a balance of self-interest and goodwill. What initially seem like simply stereotypes expand to show the reasons behind the behavior, reducing the implied mindlessness of lifestyle choices. This allows the filmmakers to mutilate, spindle and destroy those roles and bring out the absurdity of our time.

Comedy cannot be bloodless. In this film, the prime targets are the vast hypocrisy of a society that, like the idyllic town in this film, has given up on finding reason for its actions. It operates on rote, driven by money and obedient to mindless rules, and these two behaviors get the most ire. Throughout the movie, classic movie moments are revisited and destroyed with mockery. Characters twist and erode their own character types of the type one might expect in a Hollywood blockbuster. Through it all, the film manages to make its characters likeable by showing them as relatively simple people working on simple rules that they have found generally guide them to the right places in a world that is chaotic and beyond control. While no surprises or great profundity come from Hot Fuzz, what makes it powerful is that in the process of satirizing a situation, and then movies themselves, it also mocks the absurdity of our current era and the uselessness of people within it. Like all good comedy, this approach results in well-needed laughs and increasing cynicism toward “the way things are always done around here.”

Helsingin Sanomat cites comments on Adam Gadahn

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Finland, the world’s best country, possesses a large newspaper named Helsingin Sanomat which covered the recent death of Adam Gadahn and quoted yours truly:

“He [Gadahn] took it very seriously. He got into the music and studied it as well as he could,” says a death metal DJ using the pseudonym Spinoza Ray Prozak to The New Yorker.

Prozak describes the death metal subculture as an extremist movement.

“We are people dissatisfied in modern society. We believe we are on a journey towards death, doom, destruction, horror,” he says.

“Many death metal songs describe a sickness, particularly a sickness that emerges from our midst, paralyzing us and there is no way to fight against it.”

Prozak is a radio DJ and freelance writer specializing in death metal and black metal, who seems to have a very extreme view of death metal music in his writings. On his website he, for example, states that death metal is “more important than life.”

Extreme music attracts extreme people. Those take several forms, with the honest ones being attracted to it because they believe none of the solutions that society will consider are viable responses to the problems at hand. What appears to be rejection of society is in fact rejection of social control over what can be done to solve the problem.

While I want to neither defend nor criticize al-Qaeda, as that is off-topic for this blog and probably beyond my knowledge, I want to point out again: Adam Gadahn was not a bad person. His early life was chaotic and horrible and being highly sensitive, he realized how doomed this modern Western civilization (MWC) is. He chose death metal, and then branched out into Islam, and whether or not his actions were correct, his criticism should be considered, and he should be remembered as more than a tick-box in the column of “enemies droned.”

Just like Josef Stalin did some things right, al-Qaeda undoubtedly has legitimate criticism in with their other attributes, which not being a religious scholar I do not fully understand. They hate fast food, urban blight, mass culture pop music, cheesy movies, lying politicians and a society withour culture or honor too. That makes them very compatible with death metal but more in line with black metal.

Thanks to Antti Boman and Devamitra for the notice and translation.

“Don’t let death metal become death by metal”

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Oregon transportation authority Tri-Met is running a series of ads on billboards and posters warning people against the problems of distracted pedestrians, especially those lost deeply in their MP3 players. The campaign includes the above amusing reference to death metal, “Don’t let death metal become death by metal,” although both sound pretty cool to us.

This is not Tri-Met’s first mention of death metal in its public campaigns. It also shows up in writings about riders. If anything, this suggests the Tri-Met people are at least aware enough of death metal to deserve more of it in their lives.

Lady on my bus wearing cute pollyanna dress, white rights, black penny loafers and blasting what sounds like death metal.

If you feel a need to spread some of the death metal awareness, consider contacting Tri-Met by sending a copy of Deicide Legion to this address:

Tri-Met
Attn: DEATH METAL
701 SW 6th Ave
Portland, OR 97204
(503) 238-7433

Deceased releases Cadaver Traditions tracklist

Longstanding US speed metal/death metal band Deceased has completed work on its upcoming two-disc album of covers, Cadaver Traditions, which will be coming out on Hells Headbangers Records this summer.

Cadaver Traditions will include 53 tracks in total, with two of those being brand-new recently written Deceased songs which had previously been released on vinyl. Judging from the wide range of influences on this disc, it will not only be fun for Deceased fans but for metal historians looking for the roots of early death metal.

53 tracks in all 2 cd set… look for it this summer on hells headbagers ‘cadaver traditions’. cover song mania and the 2 newest deceased songs finally on cd. up til now it was only vinyl.

    DISC 1

  1. Black Metal (Venom Cover)
  2. Deathrider (Anthrax Cover)
  3. Corporate Death Burger (MDC Cover)
  4. Dis-Organ-Ized (Impetigo Cover)
  5. Right Brigade (Bad Brains Cover)
  6. VoiVod (VoiVod Cover)
  7. Doomed By The Living Dead (Mercyful Fate Cover)
  8. California Uber Alles (Dead Kennedys Cover)
  9. Wrathchild (Iron Maiden Cover)
  10. Here To Stay (Sheer Terror Cover)
  11. Headhunter (Krokus Cover)
  12. SATO (Ozzy Osbourne Cover)
  13. Do Or Die (Znöwhite Cover)
  14. Violent World (45 Grave Cover)
  15. World Peace (Cro-Mags Cover)
  16. Eliminator (Agnostic Front Cover)
  17. Die By The Sword (Slayer Cover)
  18. Witching Metal (Sodom Cover)
  19. Social Security (Excel Cover)
  20. Violence And Force (Exciter Cover)
  21. The KKK Took My Baby Away (Ramones Cover)
  22. No Compromise (Xentrix cover)
  23. Chemical Warfare (Slayer Cover)
  24. Bodies (Sex Pistols Cover)
  25. Not To Touch The Earth (The Doors Cover)
  26. Reaganomics (D.R.I. Cover)
  27. Torn apart by werewolves (Deceased )
  28. DISC 2

  29. Mad Man (D.R.I. Cover)
  30. Fire In The Sky (Saxon Cover)
  31. 2 Minutes To Midnight (Iron Maiden Cover)
  32. Die Hard (Venom Cover)
  33. V.A. Rocks Your Liver (Verbal Abuse Cover)
  34. Blower (Voivod Cover)
  35. Wiped Out (Raven Cover)
  36. Stay Clean (Motörhead Cover)
  37. Tormentor (Kreator Cover)
  38. Nuns Have No Fun (Mercyful Fate Cover)
  39. Agents Of Steel (Agent Steel Cover)
  40. State Oppression (Raw Power Cover)
  41. Bombs Of Death (Hirax Cover)
  42. New Age Of Total Warfare (Warfare Cover)
  43. Metal Church (Metal Church Cover)
  44. Subliminal (Suicidal Tendencies cover)
  45. Zombie Attack (Tankard Cover)
  46. You Stupid Jerk (Angry Samoans Cover)
  47. I’m Not Jesus (Ramones Cover)
  48. Nothing (Plasmatics Cover)
  49. Iron Heads (Running Wild Cover)
  50. Stand Up And Shout (Dio Cover)
  51. False Profit (English Dogs Cover)
  52. Ultra Violent (N.O.T.A. Cover)
  53. The Ballad of Harry Warden (My Bloody Valentine soundtrack cover)
  54. Luck of the corpse (Deceased)

Absurd Asgardsrei: possibly the worst re-issue in metal

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In 1998, a few black metal musicians — many of whom faced legal troubles in their home countries — came together to make a recording. The result, Asgardsrei, captured black metal in transition: its epic past, its roots in punk merged with Oi, and its tackling of unpopular subject matter, in this case out-of-the-closet NSBM.

This form of music differed NSBMTM that was to follow which meant exclusively Drudkh-style droning sugar-substitute melodies and battle-related titles with neo-Romantic lyrics:


Alone I wander
Wastelands of the soul
Among the corpses and ash
A single flower rises
Kill the Jews with fire

Absurd back in the day combined a poetic style that might be called “immaturism,” a wide-ranging complaint with the modern world, and yes, some rather violent ideas. It defied categorization. Their debut album, Facta Loquuntur, sounded at times like ultra-simplistic punk with lyrics from a child’s point of view, pointing out not policy failures or physical breakdown in Western society, but its completely backward spirit and denial of all existential importance. Always on the edge of black metal, Absurd both increased the discernible Oi/RAC influence and put together more black metal style riffing, creating a hybrid that kept both voices without allowing the extremes of either to take over.

Fast-forward to 2012. Absurd — now with none of the 1999 members — re-issues Asgardsrei in a new form. As it is arguably the most musically interesting album from Absurd, combining the raw forest metal (this is the band that wrote “Green Heart” after all) with greater proficiency and alertness, it could be a big seller for this band. Unfortunately, they decided to under guise of a re-master actually alter this album. First they turned up the guitars and turned down keyboards, background sounds, etc. They replaced the subtle intro with patriotic bluster and industrial percussion. Then they either modified or added drums to give the album a constant kick-happy Oi beat. Finally, they modified vocals to sound more like the recent Oi/metal hybrid the band has been putting out. The result crushed all subtlety and made this album very much the exact thing this band in its original form would have recoiled at.

Thuringian plain, deep dark forest
Evil dwells on there in the woods
Snowcovered hills, cold winds blowing
Romantic place, is it understood ?!

Evil in the forest in Germany’s Green Heart !

Hateful savages, strong black minds
Out of the forest, kill the human kind
Burn the settlements and grow the woods
Until this romantic place is understood !

Remember the fallen (Adam Gadahn)

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Remember those who never had a chance. Like many of us, they grew up in a wasteland of broken families, pointless wage-slave jobs, hippie ideals and grim social collapse mundanities, a utopia of fond visions and a dystopia of nightmarish collisions with the reality those denied. They had nothing to look forward to but a mortgage in the burbs, a family ending in divorce, and a society which systematically disregards the beautiful and zeroes in on the failed, the corrupt and the deceptive. A world coated in advertising and saturated with deceit.

It is my unfortunate duty to relay to you that Adam Gadahn, a metalhead and devout fan of Incantation and Timeghoul, passed away in January by drone strike. As the lapdog media relates:

Officials also announced that a separate strike killed Adam Gadahn, an American who became a prominent propagandist for al Qaeda, was close to Osama bin Laden, and had a $1 million bounty on his head. The deaths bring to seven the number of Americans killed in drone strikes, six of them inadvertently.

The White House said it was unaware the four were present at the sites, which were hit on Jan. 14 and Jan. 19 near the border of Pakistan and Afghanistan. President Barack Obama apologized to the families of the hostages and said he took full responsibility as commander in chief.

This conflict is beyond politics. Yes, we have divided into factions but no, that is not our problem. Our problem rebirths itself time and again because it is within. We have become rotten, whores to our own independence and manipulators so canny we have even fooled ourselves. This civilization has sold itself snake oil for centuries and the result is the continual destruction of those with spirit, sensitivity and the guts to do something about it. Those who conform, lower standards and follow trends always win. This is the source of evil the real thing, as opposed to the supernatural scapegoat that the credulous choose to believe exists.

Evil is real. Its name is error, and all error consists of separating our expectations from reality. That eventually becomes a devotion to lying about the split between mental image and the world beyond, at which point we retreat into a fantasy existence of mental projection, desires and emotions. As a wise poet once said:

Take your instinct by the reins
You’d better best to rearrange
What we want and what we need
Has been confused, been confused

We are confused. Our wars no longer advance anything but the defense of the status quo, and all of us hate that. We all admit the problem is morons and that 90% of everything sucks, but no one is willing to get past the sacred cows lest some opportunist step up and whip up a lynch mob to tear down the heretic. “The nerve of that guy — he said our society is actually failing. What a rube!”

Above you can see a letter written by Gadahn back in the day. It contains some of his opinions on death metal and literature. He had great taste in metal, came from a broken home in a broken time, and did his best. Rest in peace, Adam.