Testament, famously known for being a bay area band not in the big four rather than through their own exploits. Though their first two records are entirely respectable affairs due to the melodic sensibilities of lead guitarist Alex Skolnick. Problems not related to their music and a lack of business savvy always kept them below their peers in terms of success and it is only in recent years have the band started to find a reasonable amount of success after a long career of constant disappointments and bizarre records.
Svoid are a Hungarian duo hailing from Budapest whose ten year existence has seen the band shift slowly from Black metal towards integrating more and more Rock influences until fully crossing over. While such an evolution is commonplace and the source for various dismal trends, Svoid on the other hand make their intentions clear that they are heavily informed from both genres since their inception and thus provide a combination that is honest and that unlike their peers seeks to integrate the Black metal elements into the heart of the composition rather using them for purely aesthetic reasons.
Cirth Ungol have awoken from a twenty nine year slumber to preview the song “Legions Arise” from their new album Forever Black set to be released on Metal Blade on the 24th of April. The band ended on a sour note with Paradise Lost and the revival is sounding even worse. The vocals have been toned and layered to sound more conventional. Guitars stick to a few simple riffs and some arpeggios. The song is lackluster and has none of the passion or energy that the band once had. Metal Blade have been very good at killing old bands recently. It’s incredible how well Angel Witch survived this. If this is what the band have to offer, the album is set to be a very dull affair.
French Death/Black group Necrowretch return for their fourth full length that attempts to break out of the limited confines that have defined them for the entirety of their twelve year existence. Though there is valour in trying fix one’s errors no matter how late. Necrowretch strive to do this in the worst way possible.
To Make Rotten was initially released in 1991 by the band Sepsis and only seventy handmade copies existed at the time. La Caverna records have re-released this record twenty eight years of its initial release. While many expect another band that is rediscovered uniquely for existing at the right time and having a certain “spirit”. Sepsis put these claims to rest with a good demo that shows untapped potential.
Peripheral Cortex – God Kaiser Hell
Various Necrophagist riffs arranged in a mathcore style with no rhyme or reason as everything is thrown into the kitchen sink. Vocals are annoying shouts that devolve into nonsensical off-key singing. The best parts are the genuine carnival breakdowns featuring random saxophones as they are less annoying than the Epitaph ripoffs. The gimmick here is “creative freedom” but by doing it in such a random manner, all creativity is lost and what we are left with is a collage of unrelated music packaged into an album.
After three decades of existence, Proscriptor McGovern has decided to finally end famed American black metal band Absu. While the “Absu” trilogy will never be finished due to Proscriptor’s difficulty in maintaining a stable lineup and the histrionic ego-drama of a certain guitarist, the band leave behind a decent catalogue with unfortunate dips in quality over recent years. Though this begs the question, was there anything else that Absu could express?
It is commonly assumed that the most unique album in death metal is Nespithe and while there is a very strong case for such a claim, Supuration’s The Cube has a stronger claim to such a title. Demilich have a large number of failed imitators while Supuration have none at all. The first listen to Demilich immediately shows the band’s intentions and dizzying whirlwinds of ideas in elaborate riff mazes. Supuration sounds like a rock hybrid that borders on modern metal but with much depth and just as unique but requiring many more listens to dig past the highly accessible aesthetics. Here are a few tools that Supuration used to create the most unique album in Death metal.
MMA is now a mainstream sport consisting of highly paid athletes, large organizations, specialized doctors and strict rules governing all aspects of the sport. During the sport’s formative years, this was not the case as fighters didn’t fully comprehend the rules, the pay was minimal and the risks weren’t fully understood, creating situations that were wild and uncontrolled. This lead to some fights that had a feral quality that has mostly been lost in the sport barring a few exceptions. Here are some fights that showcase the brutality of the sport.