Bardo Methodology #2

After the success of the first issue and Niklas Göransson’s unique ability to get interviewees to genuinely express themselves, Bardo Methdology returns with a second issue that gets rid of most of the problems of the first issue while offering a much more methodical approach to the interviews.

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Best Underground Metal of 2019

While 2019 has shown that home studios are only getting better with the release of better emulators and cheaper “ready to record” prepackaged setups, the increase of quantity has not shown a proportionate increase in quality across the music spectrum. Metal has been in a particular weak state despite the best releases of the year being better than those of previous years, the overall quality was so low that even the present editor had to explore non-metal underground music in hopes of finding something of great quality. While such “expeditions” have been for the most part fruitless, the best of the year can only leave the metal listener with a sense optimism of what the new decade has to offer. Without any further ado, here is the best underground metal of 2019.

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Funereal Presence – Achatius

Following the tale of one of the fourteen holy helpers Achatius, more commonly known under the name of Saint Agathius, the patron saint against headaches and more importantly a central figure in the various wars against the Ottomans. His story is that of a soldier who was tortured and decapitated for not relinquishing his faith and therefore becoming a martyr. Funeral Presence expand on this brief tale by playing a form of Black metal that exists within the confines of the first wave yet but with subtle influences in overall scope and direction from the second wave.

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SMR – La Vie Est Une Farce, Apprends À Rire

Pensées Nocturnes – Grand Guignol Orchestra:
The Grand Guignol was a form of French theater known for its exaggerated performances that fused horror and comedy in revealing the most violent tendencies that lie hidden within every individual. Outlandish yet poignant and a precursor for what the best horror cinema had to offer. Pensées Nocturnes confuse this with the circus and make carnival music with a wide variety of instruments that eventually has to rely on dissonant Black metal riffs. Ideas aren’t connected to each other and the songs follow a riff salad pattern that sees the traditional instruments fade away for some sub-standard attempts at Black metal. Only the vocals manage to convey both horror and comedy as demented howls meet pseudo operatic singing. The constant need to shock the listener loses its potency as its predictable nature is quickly revealed as its base, this is bad Black metal taking from influences it doesn’t have the slightest grasp on to create the lowest denominator metal at which fails completely.

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Introduction to the Art of the Sequence – “Satan Spawn the Caco-Daemon”

Legion has always been described as being pure rhythmic intensity exemplified within Death metal. While that assertion is true, it remains a deviation to what Deicide truly accomplished in their prime. The use of non-diatonic sequences that were’t bound by conventional notions of melody but rather a combination of chromaticism and atonality where each note was chosen individually for a specific function not held down by any scale or mode.

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Carcass Release New Song “Under the Scalpel Blade”

Carcass have released a new song from their upcoming 2020 unnamed album by the name of “Under the Scalpel Blade.” It should be no secret to anyone here that Carcass are a shell of their former selves and have been attempting to cash in on the sound of Heartwork mixed with their Swansong Rock ideas. This time round, the band take that base and add a very basic chugging riff that leads to the chorus and then a fast riff that shows a glimpse of creativity before the song follows its basic verse/chorus/solo pattern. Early signs to avoid the album.

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SMR – Descend Into Boredom

Fleshcrawl – In the Catacombs of Flesh
Fleshcrawl return after a twelve year layoff with this abortion of an album that should be avoided. The overall motion of the album is extremely bizarre as the band start with one decent song before slowly spiraling into simple chugging rhythms reminiscent of later Entombed and slowly falling into pure saccharine Melodeath. The vocals have devolved into the almost shouted Nu Death vocals popular in the early 2000s. The weak vocals lead these songs and help distinguish them by shouting each title multiple times. The lyrics perfectly illustrate to what mentally deficient depths this band has descended to with golden quotes likes “Suffer you fucking cunt, die you fucking cunt”. The drums have devolved into follow the riffs without any of the intelligent fills and patterns that were once emblematic of this band. In the Catacombs of another man’s flesh!

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