Only the flames can purify these rehashed and generic sinners.17 Comments
Artistically bankrupt metal bands typically rerecord their early material after milking the revenue streams dry through reissues, remasters, anniversary tours, and boxed sets. While the original recordings typically aren’t pristine productions, all charm is lost in the sample-replaced, quantized, digitally-reamped, and phase-butchered retreads shat out by an obsessive tinkerer’s digital audio workstation. All enthusiasm in the performances is butchered by years of alcohol abuse and aging journeyman musicians collecting just another paycheck, e.g. Sodom’s The Final Sign of Evil, Manowar’s Battle Hymns MMXI, and Bolt Thrower’s “World Eater ‘94”. Snowland MMXII is one of the few exceptions to this rule of rehash.5 Comments
Article by David Rosales.
More Ghost Scooby-Doo music mixed with random Deathspell Omega retardation than cohesive and nuanced terror, Sovereign Nailing Shut the Sacrosanct Orifice presents yet another example of the many failures of modern black metal: pretentious in lyrical orientation, vacuous in concrete musical content, mediocre in the putting together of structures that form an intelligible narrative. The lyrics themselves, in any case, will appear cursorily written, superficial, and sensationalist for anyone that has delved semi-seriously into the subjects.1 Comment
The concept is simple: take an ordinary steak or chicken quesadilla and make it twice as big for $1.20 less than you would have spent on buying two quesadillas. In my view, this is a long-overdue recognition by Taco Bell that the quesadilla alone is not a meal, and yet it is just a mite too pricey to be treated as an a la carte item like the smaller tacos and burritos.38 Comments
My hipster/yuppie neighbors talked me into getting into wine. They like it because, per point of ABV, it is cheaper than beer and less abrasive than distilled alcohol. So we sat down by the hot tub and drank a few glasses, with the focus on “tasting” the flavor as we got steadily drunker.
Article by Johan P.
The stylistically inclusive nature of progressive rock allows quite a lot of stretching of the genre’s musical boundaries. This part of Death Metal Underground’s 1970s Progressive Rock for Hessians series looks into the early, classic period of the English group Hawkwind – a group of sonic shaman-warriors who transgressed more than one genre border right from their inception. Well, almost. Their unconvincing 1970 self-titled debut album can rightfully be dismissed as a failed attempt at improvisational psychedelic folk rock, with songs that sound too much like flawed byproducts of the flower power era. Luckily, the following years saw the band re-forge their sound on In Search of Space (1971), articulate it on Doremi Fasol Latido (1972) and finally push their newfound style to its limits on Space Ritual (1973).7 Comments
Tags: 1970s, 1970s Progressive Rock for Hessians, Ambient, ambient music, electronic music, hard rock, Hawkwind, lemmy, lemmy kilmister, music analysis, musical analysis, prog rock, progressive, progressive rock, psychedelic, rock, space rock
Death Metal Underground staffer Corey M reached out to the prolific French-Canadian black metal band Sorcier des Glaces for a written interview about their career. Our staff compiled a list of questions which Sébastien from Sorcier des Glaces thankfully and thoroughly answered:13 Comments
Smoking a pipe rewards the user with more flavor and a slow, steady, and comforting dose of nicotine. This ancient habit requires more thought than most modern ones, but like all things enduring, both teaches patience and depth of appreciation. The ritual of smoking — packing, lighting, tamping, and nurturing the smoldering leaf — provides an activity that is pleasurable in its own right.8 Comments
Sanctuaire released Le Sang sur l’Acier today on CD and for digital download.6 Comments
Tags: atmospheric metal, Black Metal, Canadian Black Metal, EP, Le Sang sur l'Acier, Les Productions Hérétiques, Monarque Helserkr, news, Pagan Metal, quebec, Québécois, Sanctuaire, Tour de Garde, Viking Metal
Article by Corey M.
Irkallian Oracle make a conscious effort to sidestep many death metal conventions on Apollyon. They have been paying attention to the state of death metal over the last twenty years and noticed how many bands have traveled down the dead-end paths of “tech” and “slam” in pursuit of ever-more-extreme brutality. Irkallian Oracle eschew the brutality while trying to retain the creepy, morbid expression.11 Comments