Today sees the release of “The Fool”, which is definitely the first single from Fleshgod Apocalypse’s upcoming King, and apparently the first time they’ve ever released a promotional single. It certainly seems to cast the band’s music in a poppier light than you’d expect from the rest of the marketing material; consonant orchestral sections and generic melodeath progressions alternate in rapid succession with occasional clean choruses making for an especially basic experience. It seems as if Fleshgod Apocalypse’s modus operandi is to shock and awe potential customers with the novelty of their sound and the clear technical and organizational aptitude that it takes to perform it. If you end up converted and purchase the entire album (which you should be able to starting on February 5th, 2016), don’t be surprised if you tire of it after only a few tracks.6 Comments
The post-Christmas malaise has set in worldwide, but there’s still time for the occasional pre-2016 release and/or news story.
After what was apparently a pretty good performance at Black Flames of Blasphemy, the Mexican black metal band Xibalba is releasing a short three song EP. Entitled Ah Tza!, its first track is already available through Bandcamp due to the services of the band’s current record label (Nuclear War Now! Productions). The other two will be available on December 31st. As of yet, there’s not really enough information to figure out what this shortalbum will sound like, but the first song at least conforms to the musical language of black metal; not that such is exactly difficult.No Comments
Many lost “gems” have been reissued to capture undiscerning millennial money. Most never found a market as they weren’t up to par. The Death Metal Underground hopes that readers were not gifted any of these on the Unconquered Sun’s birthday.
Hydra Vein – Rather Death than False of Faith (1988)
Raining blood, from a lacerated sky! What? This isn’t Slayer. What the hell is this? Did Tom Araya have too much to drink? Wait this idiot’s British and doing drunken Motorhead karaoke and Kerry King air guitar solos at the pub. The cover looks like a ten year old’s Clash of the Titans fan art. This album is a fifteen year old’s Slayer fan art. Maybe if I drink half a bottle of whiskey my brain will think Hydra Vein is actually Slayer. I could just turn it off and play Slayer.
Morpheus – Son of Hypnos (1993)
Morpheus (no relation to Morpheus Descends) was an early nineties musical project put together by four residents of a Stockholm group home. The vocalist sounded like Sylvester Stallone imitating Glenn Benton, the guitarists idolized the Hoffmans, and everyone attempted to cover Kreator. During the recording sessions, the band members expressed situational homosexual behavior by prostate massaging one another with their genitalia. The orgasmic screams of these disturbed sodomites echoed jungle fowl being rended by monkeys. Son of Hypnos makes for an amusing pornographic soundtrack.
Bloodstone – Hour of the Gate (1996)
Hour of the Gate was produced by Tomas Skogsberg and Fred Estby at Sunlight Studios. I hit play and instead of crusty Swedeath my ears hear Incantation’s “Profanation” breaking down into Necrophobic riffing. Then Gothenburg leads and more Profanation. That lick’s from Megadeth. How many salads were tossed here? The shit-buttered anus of death metal was licked right well and clean. I need to get a drink. I blacked out listening to this turkey. This CD was not repressed as history wanted to black it out too.
Sacrificial – Forever Entangled (1993)
The sound of groove riffs ‘cross the glade,
Heshers cover your ears in horror.
This death trash is rather staid
Chugging along into the gutter.
Pantera meets Destruction
What a horrible production
Vocals are just way too loud.
Matti Karki would not be very proud.
Many metal songs are raped.
Their holes torn apart and gaped.
Watched Blackadder the Third.
Another reissued turd.
According to the folks at Earsplit PR, the “Prime Evil” lineup of Venom is joining Necrophagia on a tour of the United States this January. This tour was initially planned for fall of 2015, but was apparently postponed. Venom Inc. (as the lineup is called) is to be distinguished from the current official line up of the band, which revolves primarily around Conrad “Cronos” Lant and spends its days touring and releasing the occasional forgettable album. Band bashing aside, if you’ve ever felt the need to see one of Venom’s more polished and mainstream lineups touring with god knows what Necrophagia is up to (outside of promoting 2014’s WhiteWorm Cathedral), then you’re a far more specifics driven person than I am.8 Comments
We got a hint of Voivod’s upcoming plans a while back. Post Society may or may not be building up to Voivod’s next full length, but it still might be of value to fans of the band; it will release on February 26th. Besides compiling the tracks Voivod released as part of their recent splits with At the Gates and Napalm Deaths, this EP will also feature two original tracks and a cover of “Silver Machine” by Hawkwind. At least going by “We Are Connected”, it seems that Voivod is continuing the path set forth by their previous full-length – an accessible mixture of of their signature late ’80s sound with more modern alternative and progressive rock influences.3 Comments
Safespace Jihad Worriers (SJWs) generally insist that they are metalheads who are not in favor of censorship. Those statements however include two lies, which are only tolerated because they are indirect: first, SJWs are in favor of censorship because they intend to exclude everyone who does not agree with them. Second, they are not metalheads, although they are pretending to be metalheads, as the following somewhat neurotic article shows:
The heavy metal fan-base also has a problematic history with race. While many bands (including those within the Big Four) contain people of color, more often than not, the heavy metal audience in the West is mostly white. Bands that are solely comprised of people of color, like the Bay Area’s Stone Vengeance, have reported that labels would be interested in signing them based on their sound. However, when the labels saw a photo of Stone Vengeance, they would backpedal, saying the band did not have the “right look.” Some great discourse is arising around this subject, with scholars and journalists such as Laina Dawes raising their voices to unpack issues of race, as well as gender, within the heavy metal music scene.
As a burgeoning heavy metal academic, I have attended several academic conferences on heavy metal. Heavy metal academic conferences that I have attended have consistently had a high percentage of women presenting. This stands in stark contrast to conferences I have attended that are dedicated to other fields of study, in which women are less represented. Some conferences, like the latest one I attended, the inaugural Legion of Steal Metalfest and Conference in Berkeley, California, was organized solely by women.
So, to my heavy metal colleagues and friends, thank you for fostering discussions on gender, race, and sexual orientation in heavy metal music that make me a better feminist.
The usual SJW agenda is here: the one-sided, unsubstantiated accusation; the implication that no good person could disagree with the agenda; and finally, the calling together of the group for action as one. And in that, there is an admission: this writer is feminist first, and only secondarily a metalhead. She wants to conquer metal and make it into a subset of feminism because feminism is where her loyalties lie.
SJW incursion into metal became noticed when people pointed out that these “new metalheads” were not very much into the classics of the genre. Instead, they listened to only SJW-music: late hardcore, indie rock and other SJW-leaning genres. Of course they found metal not to their taste, and it had nothing to do with politics — these people do not actually like metal, but they like the idea of being metal so they can act cool in front of their friends, and thus they claim to be metalheads… if the metal is SJW-correct, and sounds a lot like indie rock.
Dual loyalties never really work for anyone. You can be a metalhead and listen to lots of other types of music, and think lots of other types of thought, but when your agenda becomes a mission to replace how metal thinks with how those other groups think, you are no longer a metalhead. You are someone who wishes to destroy metal and replace it with something more like the rest of the drivel out there. And that is indeed a problem.23 Comments
#Metalgate explodes in full bloom as the gloves are off: SJWs, who call themselves “Social Justice Warriors” but are more accurately referred to as “Safespace Jihad Worriers,” are using mass messages on Facebook — and secret, anonymous profiles — to coordinate to mass-complain about anti-censorship Facebook accounts.
During the last 48 hours, accounts belonging to Brett Stevens and Richard Corbin, founder of the Anti-Censorship group Make Baltimore – NO PLAY ZONE!, have been deleted by Facebook after receiving hundreds of complaints coordinated by Safespace Jihad Worriers (SJWs). The Baltimore group has been under a lesser form of attack as SJWs have swarmed it to post negative messages, memes and pornography in the hope of getting the group banned. Facebook, which itself vigorously supports certain kinds of censorship and nagging nanny content restrictions, has complied despite these accounts not having anti-immigrant speech at all.
In particular, Stevens’ account was attacked for his posting of a feminist article about positive body image. Although no other users complained, and although Facebook can see the secret group from which all complainers were coming, Facebook rubber-stamped the deletion because of its policy of censoring content that might offend someone somewhere, mainly because it wishes to create a “safe space” free from controversial news items and images. This is in addition to censorship where Facebook works with repressive regimes to remove content contrary to the official propaganda. Internet users have compiled a long list of privacy and censorship violations by Facebook.
Others have pointed out that Facebook’s nebulous content censorship policy permits abuse of the type that is happening here. Certainly, it seems odd that Facebook would allow secret groups to form lynch mobs against pages on its own site. Then again, Facebook censors mentions of its competitors as well as blocking trending news stories that contradict the political leanings of its administrators. The Electronic Frontier Foundation (EFF) has rated Facebook a censorship risk that has failed EFF’s censorship test, and many in the moderate wing of the tech industry have expressed doubts about Facebook’s intentions. Some have even started watchdog groups to track Facebook censorship and political bias.
In the meantime, rumors about as to who is the mystery “MAS” or “ALS” who coordinates the hidden group, which is reminiscent of both the JournoList scandal and the foundations of #metalgate. In the meantime, SJWs such as Mary Spiro, whose daughter reportedly dates Bestial Evil guitarist Shawn Rucker II and who book shows in Baltimore with rumored political intent, can be seen justifying the mass attacks via Facebook:
A quick EP of melodic metalcore/techdeaf – Arreat Summit’s Frostburn definitely hits all the expected points of 2008’s darling fusion – high levels of technical proficiency, candy coated melody, constant breakdowns, haphazard composition, and so forth. Usually this sort of thing doesn’t even rise to the point of being worthy of discussion (and I did find the actual music went almost unnoticed as I listened), but in this case, it resonated with me how eerily similar this is to playing the video games in the Diablo series that inspired it.
A quick primer – The first two games in the series are surprisingly atmospheric titles, at least by the standards of their age. In fact, I would go as far as to say that much of their potency is a result of Matt Uelmen’s excellent soundtrack work; Diablo II in particular frequently demonstrates his ability to mix coherent thematic development into unsettling ambient soundscapes. Back when I was most thoroughly engrossed in the game (read: 2008), though, my attention was instead turned towards repetitively grinding the game’s bosses in the slim hope of locating a powerful item that would allow me to do so slightly more efficiently. That was a much shallower and less fulfilling experience, albeit a powerfully addictive one more capable of destroying productivity than heroin. When you remove the setting from Diablo, it turns the game into a series of tangentially related and nonsensical murders. Similarly, when you remove the ‘setting’ from metal music, you’re left with what is little more than a technical exercise.
In summary, Arreat Summit’s successful portrayal of the grinding postgame of the series (to the point that they are named after a valuable piece of treasure that has no real lore attached to it) is a dubious honor at best.7 Comments
In the middle of #metalgate, we are familiar with regular outrages as SJWs attempt to silence anyone who does not agree with their narrow-minded, politically-motivated viewpoint which they use as a means to achieve personal power by delighting in the destruction of others. Before this creepy behavior moved into the spotlight, its roots could be seen in an early incident involving the black metal band Nyogthaeblisz:
In the build-up to the fest, the usual rush for the aspiring pretentious festival goer to research all of the bands playing so they wouldn’t get caught looking ignorant was on. Chaos In Tejas attracted a variety of types to the festival. One of the more unfortunate types are the “I still think punk is a platform to fight the good fight politically” PC punk type.
The 2012 edition featured anarchopunk legends The Mob & Antisect, so the festival promised to have more PC crust punks than usual in attendance. As kids started to research the lineup, they found “irregularities” in Nyogthaeblisz’s background. First, they were on the label Satanic Skinhead Propaganda. The label, run by the oft maligned Antichrist Kramer, had a reputation for releasing questionable / sketchy music. Second, Nyogthaeblisz’s lyrics made crushing commentary about the Jewish faith, though not specifically limited to it. The criticism / outcry from many parties quickly became deafening.
The height of this outcry was when The Mob / Antisect both threatened to walk out of the festival and drop if Nyogthaeblisz was not dropped. Eventually, the festival’s promoters made a tactical decision and relented. They dropped Nyogthaeblisz. For the PC types, this was seen as a victory. Defeating the evil that is intolerance and racism wherever they may find it.
Nowhere else has the problem been more clearly documented: invaders from the long-dead punk scene, where people buy bands for “the message” despite low musical quality for the past twenty-five years, muscled into a metal festival and used their media power to force removal of an act singing about a fairly middle-of-the-road black metal message, which is a critique of Abrahamic religions (Nyogthaeblisz targets Christianity, Judaism and Islam as being the same philosophy).
While many of us are sensitive about people who dislike Jews, remembering the horrors of Kristallnacht and The Holocaust, this does not insulate any religion from criticism no matter how minority its status. The whole point of religious toleration is to allow ideas to be compared, and this includes defense of those who are critical of religion or specific religions. “No gods, no masters” is OK in the PC world, but saying “not this god” is not.
Their use of the term irregularities brings to mind a group who, in the name of a Good ideology, killed over 100 million people, many of them in death camps. Their favorite tactic was to kill off the intellectuals and leaders in any field and then replace them with politically-obedient substitutes. This group was the Communists, whose idea of universal equality and ownership by the people of the means of wealth sounds good on paper, at least. You can just see a Commissar, in uniform with pistol at his side, saying “Comrade Nyogthaeblisz, vee haf found some… irregularities… in your papers. Please come with us now,” before the train to Siberia or the guillotine departs.
This mentality was described extremely well centuries ago by Fred “God is Dead” Nietzsche:
There it comes willingly: welcome, tarantula! Your triangle and symbol sits black on your back; and I also know what sits in your soul. Revenge sits in your soul: wherever you bite, black scabs grow; your poison makes the soul whirl with revenge.
Thus I speak to you in a parable—you who make souls whirl, you preachers of equality. To me you are tarantulas, and secretly vengeful. But I shall bring your secrets to light; therefore I laugh in your faces with my laughter of the heights. Therefore I tear at your webs, that your rage may lure you out of your lie-holes and your revenge may leap out from behind your word justice. For that man be delivered from revenge, that is for me the bridge to the highest hope, and a rainbow after long storms.
The tarantulas, of course, would have it otherwise. “What justice means to us is precisely that the world be filled with the storms of our revenge”—thus they speak to each other. “We shall wreak vengeance and abuse on all whose equals we are not”—thus do the tarantula-hearts vow. “And ‘will to equality’ shall henceforth be the name for virtue; and against all that has power we want to raise our clamor!”
You preachers of equality, the tyrannomania of impotence clamors thus out of you for equality: your most secret ambitions to be tyrants thus shroud themselves in words of virtue. Aggrieved conceit, repressed envy—perhaps the conceit and envy of your fathers—erupt from you as a flame and as the frenzy of revenge.
What was silent in the father speaks in the son; and often I found the son the unveiled secret of the father.
They are like enthusiasts, yet it is not the heart that fires them—but revenge. And when they become elegant and cold, it is not the spirit but envy that makes them elegant and cold. Their jealousy leads them even on the paths of thinkers; and this is the sign of their jealousy: they always go too far, till their weariness must in the end lie down to sleep in the snow. Out of every one of their complaints sounds revenge; in their praise there is always a sting, and to be a judge seems bliss to them.
But thus I counsel you, my friends: Mistrust all in whom the impulse to punish is powerful. They are people of a low sort and stock; the hangman and the bloodhound look out of their faces. Mistrust all who talk much of their justice! Verily, their souls lack more than honey. And when they call themselves the good and the just, do not forget that they would be pharisees, if only they had—power.
The article adds a nice analysis of the situation from a neutral viewpoint:
What happened to Nyogthaeblisz was a textbook case of what people who are intolerant of intolerance do. You’ve heard stories about Antifa protests at shows over the years. Antifa members calling the police (the ultimate cardinal sin in the subculture) on shows they protest, intimidating attendees of shows they protest, and threatening promoters for their bookings of questionable acts. None of this is okay. This kind of Kristallnacht, lynch mob, seeing red mentality at the mere possibility of questionable content is not okay. Nyogthaeblisz was judged and attacked without even getting to issue a statement in their defense. The biggest tragedy of the anti-racist position is the claim of a higher understanding / intelligence that their racist opposition lacks. If this higher understanding / intelligence truly existed, the research on Nyogthaeblisz would not have stopped at Anti-Jewish, but arrived at Anti-Abrahamic. What happened to Nyogthaeblisz wasn’t the triumph of good over evil. It was one side becoming what they hated to root out an entity that they did not understand.
This is the face of the SJW: someone who has failed at life or at least is less important than they think they are, demanding to be made important through ideology and their ability to summon a hate-mob to destroy others who have achieved what the SJWs have not. Nyogthaeblisz’s real sin was not having the wrong views, but succeeding without having an SJW ideology and lifestyle. That is the face of the group that wants to take over metal, replace its leaders with SJWs, and forever turn it into a mediocrity like hardcore has been since SJWs took over there.21 Comments