Death Metal Underground

Underground Never Dies! album stream

November 12, 2013 –

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This review includes a streaming audio of the tracks on Side B of the accompanying LP of underground metal rarities. Side A can be found in the first part of this review.

Our ongoing coverage of Underground Never Dies! by Andrés Padilla continues with this review of the accompanying LP. As you may recall, this LP of early death metal classics comes with 500 copies of the book and boxsets, but will also be able to be ordered separately on CD/LP.

Underground Never Dies! is a look at the nascent death metal movement through the eyes of zine editors, musicians and writers from the mid 1980s-mid 1990s era when the genre was birthed. For more information about its genesis and content, you might want to check out our interview with Andrés Padilla and read the other half of this review, which includes a 3-page sampler of the book itself.

What makes Underground Never Dies! exceptional is that it does not attempt to be anything but a subjective and in-depth exploration of what the author and those he knew found to be meaningful in the death metal underground. It explores what the term “underground” itself means, and what motivated these musicians and other creative people to set up an underground and nurture the music in it.

The book itself is a crown jewel, with glossy pages reproducing the original flyers, zines, band photos, demo covers and other artifacts of the age, plus extensive commentary by people who were active in that time, with big names appearing alongside obscure but insightful contributors. Visually, it is overwhelming to the point where it must be digested over many days with appreciation for all of the details, much like one used to peruse Mad Magazine for the Antonio Prohias cartoons in the margins.

The accompanying LP is also a masterwork of old school underground extreme metal joy. Side B begins with the most famous track by Necrovore, the band who in 1986-87 took the raw ideas of early death metal and gave them an aesthetic of apocalyptic rage that was later influential to Morbid Angel. Invocator and Armoros follow with tracks that show us the speed metal roots of many of the most popular riff themes in death metal. Sadism contributes an older school track that shows the mentality shifting from speed metal’s logicality to death metal’s feral rage and structural obsession. Finally, Poison and Mental Decay reveal some of the more hardcore punk-influenced work in the underground, showing us both the weirdness and commonality of purpose between the two genres in their original form.

In addition to the tracks streamed here and on Side A, the CD/MC version of the accompanying music contains a bonus side with more tracks from famous, infamous and obscure bands.

Streaming MP3s of Underground Never Dies! LP/CD – Side B

1. Necrovore – “Mutilated Death” (4:25)

2. Sadism – “Psychomental Storm” (2:57)

3. Invocator – “The Persistence from Memorial Chasm” (4:14)

4. Armoros – “Euphoria” (3:23)

5. Poison – “Black Death” (3:14)

6. Mental Decay – “The Final Scar” (3:27)

Underground Never Dies! by Andrés Padilla

November 4, 2013 –

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This review includes a 3-page sample of the book, and streaming audio of the tracks on Side A of the accompanying LP of underground metal rarities. Side B follows with the continuation of this review.

Underground Never Dies! fills a void in the literature about metal so far, which is the “why” behind the underground. We know the facts from other sources, but facts are deceiving because they take on a life of their own. Underground Never Dies! knits the facts together with a narrative of the reasons people expressed for joining the underground.

Angling toward its topic matter from a zine-based perspective, Underground Never Dies! describes the informal network of fans, bands, labels and writers who stayed connected through postal mail and xeroxed 50-page fanzines. This substituted for the huge media network and financial power of the major labels, who soon found themselves wishing they had an underground also.

The reason for this is that, as any advertiser can tell you, the most effective force in marketing is word of mouth. It takes ten TV ads about how awesome Altars of Madness is to be equal — possibly — to one friend telling you about “the most intense album ever.” Zines were a personal connection by people who threw out the false objectivity of mainstream media, and instead focused on presenting what they found meaningful.

Underground Never Dies! unites several threads while explaining this phenomenon. On one hand, this book is an incredible treasure trove of images and words from the past, reproduced exactly as they appeared in the original zines, flyers and letters. Looking more deeply, it’s an exploration of what it means to have the underground mentality through the words of those who participated and distinguished themselves, including luminaries like Fenriz of Darkthrone and musicians from At the Gates.

What makes this book exceptional is that it takes the same approach a zine would, which makes sense seeing how the author Andrés Padilla is editor of Chilean zine Grinder Magazine. Using his practiced approach, he goes for a metal version of Hunter S. Thompson’s “gonzo journalism” and discards the pretense of objectivity, instead looking at the scene as a personal experience with shared objective components between a select group who actually did notable things back in the day.

Parts of this book will take your breath away as you realize you are looking at historical objects reproduced as if in a museum, and that these objects represent the time and place where movements that are with us to this day were launched. From demo covers of bands that were later genre-defining to classic interviews where bands explained their motivation, even extending to lost promotional photos of bands 30 years ago, Underground Never Dies! is like an inverted periscope into the deep and murky world of underground extreme metal.

What makes this book more than a souvenir is its intense exploration of the why, however. Personal statements from notable scene personalities, including Alan Moses of Glorious Times fame, as well as clear articulations from zines in the day about what motivated the participants, line these pages and show us how the underground wasn’t just a musical movement, but a social movement, if not a separate society entirely.

The first 500 copies of the book come with a LP recording of unreleased classic metal tracks from back in the day. You can peruse the tracklist here, or listen to the live soundstream that follows this article. The CD/LP will be sold separately in addition to the book, but it’s hard to imagine wanting one without the other since both are essentially archives of rare information.

Interested fans may wish to seek our initial report on Underground Never Dies!, or our announcement of the book’s impending release. Of interest also is our interview with Underground Never Dies! and Grinder Magazine author Andrés Padilla (which you can also read in Spanish). For background, you might also enjoy reading The Heavy Metal FAQ and our public domain metal zines archive.

3-page PDF sampler of Underground Never Dies!

Streaming MP3s of Underground Never Dies! LP/CD – Side A

1. Incubus – “Engulfed in Unspeakable Horrors” (5:19)

2. Slaughter Lord – “Taste Of Blood” (3:13)

3. Mutilated – “Hysterical Corpse Dislocation” (3:05)

4. Dr. Shrinker – “Cerebral Seizure” (3:06)

5. Aftermath – “When You Will Die” (3:52)

6. Exmortis – “Beyond The Realm Of Madness” (3:24)

Side B will follow with the second part of this review.

Underground Never Dies! LP details released

October 14, 2013 –

andres_padilla-underground_never_dies-boxsetThe forthcoming release of Underground Never Dies! on Doomentia Records will be accompanied in its first pressing by a unique LP which features classic tracks from back in the early days of the death metal underground.

Thanks to author Andrés Padilla, editor of Grinder Magazine (CL), the world can now see what’s on the LP. But first, information about the LP itself. There will be several batches, as follows:

  • Box set
    • Limited to 150 copies
    • Massive box with custom padding for:
    • Underground Never Dies! book
    • LP on colored vinyl
    • MC
    • CD
    • A1 poster
  • 500 x vinyl
    • 150 on black/white HALF/HALF effect
    • 350 on black
  • 500 x CD
  • 200 x MC
  • 500 x Underground Never Dies! book

This means that 500 LPs will go out with the book, and another 500 LPs, 500 CDs and 200 MCs will be available for underground maniacs. There’s going to be a run on these at your local distros, especially the padded box set which is “massive” in form and content if early reports are right.

Next, what’s on it? Here’s a complete tracklist:

     
SIDE A
INCUBUS Engulfed in Unspeakable Horrors 5:19
SLAUGHTER LORD Taste Of Blood 3:13
MUTILATED Hysterical Corpse Dislocation 3:05
DR. SHRINKER Cerebral Seizure 3:06
AFTERMATH When You Will Die 3:52
EXMORTIS Beyond The Realm Of Madness 3:24
Total Running Time Aprox. 21:30
 
SIDE B
NECROVORE Mutilated Death 4:25
INVOCATOR The Persistence from Memorial Chasm 4:14
SADISM Psychomental Storm 2:57
ARMOROS Euphoria 3:23
POISON Black Death 3:14
MENTAL DECAY The Final Scar 3:27
Total Running Time Aprox. 21:98
 
Bonus Tracks for CD/MC:
PHANTASM (US) A Souls Nightmare 8:12
FATAL (US) Malevolence 2:44
FUNERAL NATION (US) Sign Of Baphomet 4:03
VIBRION (ARG) Massive Frustration 2:56
INSANITY (US) Fire Death Fate 2:51
DEATH YELL (CHI) Untited Track – Unreleased 3:17
CORPSE GRINDER (CHI) Concentrator Camps 3:53
NECRO BUTCHER (BRA) Christ Psychic Butchery 1:53
INNER SANCTUM (URG) Deathless Prophet 3:37
MACERATION (DK) The Forgotten 2:40
BLOODSOAKED (MX) Emptiness 3:01

Underground Never Dies! metal fanzine book nears release

October 9, 2013 –

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“Underground Never Dies!” chronicles the underground metal explosion of the mid-1980s through early 1990s when a decentralized volunteer force created a parallel music industry for music that had no commercial appeal, but a fervent sense of truth and opposition to some aspects of post-modern civilization.

With over 500 pages of interviews, photos, excerpts from period fanzines and artwork, “Underground Never Dies!” addresses the complex interweaving of bands, fans, zines, promoters, artists and labels that fostered the underground metal movement and allowed it to expand with maximum flexibility.

Written by Grinder Magazine Editor Andrés Padilla, the book includes fanzines from around the world as well as an extensive selection of underground flyers, so it will be not only a narrative of the history of underground metal, but also a massive and interesting menu of diverse viewpoints for devotees of underground metal genres such as death metal, black metal, grindcore and doom metal.

Doomentia Press will publish and distribute “Underground Never Dies!” which will include a compilation 12″ LP featuring historically important bands exhumed from the 80s, such as Slaughter Lord (Australia), Mutilated (France), Incubus (Florida, USA), Poison (Germany), Exmortis (USA), Fatal (USA), Armoros (Canada), Mental Decay (Denmark), Funeral Nation (USA) and Insanity (USA) among others. Presented in gatefold format, and limited to the first 500 copies of the book, the LP will be followed by CD and tape versions of the same material with added bonus tracks.

Cover art by Mark Riddick accompanies introductions by Ian Christe (Bazillion Points), Chris Reifert (Autopsy), Erik Danielsson (Watain) and Alan Moses (Glorious Times). This celebration of the underground will attempt to make sense of the fertile but chaotic years of its origins.

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See also:

Interview with Andrés Padilla (Underground Never Dies)

September 11, 2013 –
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andrés padilla-underground_never_diesRecently the word got out about a new book that’s going to explain the metal underground. This book, called Underground Never Dies, is edited by Andrés Padilla, the longstanding publisher and chief writer of Grinder Magazine.

Like several underground books before it, Underground Never Dies does not attempt to summarize the underground from a single point of view. Rather, it lets many different voices speak and, like harmonization in song, a truth emerges.

Cover art by Mark Riddick graces the entrance to this all-star production of underground metal analysis and opinion. In these pages, you will find people that you know of, or will want to know of, who helped build the underground into what it is.

We were lucky to get a chat in with Andrés as he prepares to launch this challenging work. Thanks to Andrés Padilla, Grinder Magazine and Doomentia Records for helping us secure this interview.

Click here for the full interview.

Interview with Andrés Padilla, author of Underground Never Dies

andrés padilla-underground_never_diesRecently the word got out about a new book that’s going to explain the metal underground. This book, called Underground Never Dies, is edited by Andrés Padilla, the longstanding publisher and chief writer of Grinder Magazine.

Like several underground books before it, Underground Never Dies does not attempt to summarize the underground from a single point of view. Rather, it lets many different voices speak and, like harmonization in song, a truth emerges.

Cover art by Mark Riddick graces the entrance to this all-star production of underground metal analysis and opinion. In these pages, you will find people that you know of, or will want to know of, who helped build the underground into what it is.

We were lucky to get a chat in with Andrés as he prepares to launch this challenging work. Thanks to Andrés Padilla, Grinder Magazine and Doomentia Records for helping us secure this interview.
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The most difficult question first (sorry!): what is the “underground”?

From a Thrasher’s point of view, it’s a very particular phenomenon developed in the early eighties when the roar and corrosion of Metal began to sprout all over the world. Ignoring rules, norms and standards, this trend and way of thinking opened up its way in a pure, honest and caring manner. Personally, the underground has been the path I have followed all my life, not only musically (I also listen to other music styles) but also in the type of life and philosophy to follow. Since the metal stench entered my blood it has never left. On the contrary, it has grown and strengthened my vision for this movement that in spite of any dogma, represents a way of life not only for me, but for many other devoted followers of this sound, which becomes my daily sustenance.

Underground is devotion and commitment; it is to follow your own path, not accepting the mainstream as your food, rejecting the rules of the religion – Christianity , impose your own voice, make your mark, teach others that way which means to believe in yourself. It’s a “fuck you” to the system.
Musically it is the opposite to the establishment. This is where the mind has a space to open freely and go with the corrosive and distressing death metal sound, which in my case is my favorite style.

It may have been born in the eighties, but not everyone who was there at the beginning has continued its traditions. I feel lucky to have never given up this way of life and even to this day, have supported its development and growth, either by editing a fanzine for 25 years as well editing and distributing discs and demo tapes. Although the rise of the Internet has dramatically changed the way it’s distributed and spread out, the underground has mutated over time, trying to keep his old philosophy and aesthetics. Long life to Death Metal!

How did the idea of this book come to you, and how did you embark on the course to write it and publish it?

Before finishing school I started to make my own fanzine. Up to this day I continue, sending letters, talking with underground bands, exchanging demos/CDs/LPs/videos etc. has been my way of life. I never wanted to look for a job in an office. Metal has been my best ally and daily food since I started listening to it in the mid eighties.

So if you ask me how I got this idea, well, it just came to me, I never looked for it! Everything came naturally. I like thriving, without losing its philosophy, and after 25 years doing fanzines, I wanted to do something more challenging, something that defined a little better what my life linked to music has been like, even if it’s been behind a desk. I’ve always believed that nothing is impossible, only death is unavoidable.

Then, as there is no worldwide publication that has managed to piece together an overall concept about this repulsive and dark phenomenon, I wanted to be the first madman to embrace every corner of the planet and display it in a book with a ton of posters, photos and comments that may finally tell, what, how and when all this happened. Underground Never Dies is just that, an incredible journey into the past where you can explicitly revive what was a unique time.

About the way it’s going to be published, maybe it was fate or luck that made me send a copy of my first book — Retrospectiva al Metal Chileno 1983-1993 — to Doomentia. Lukas (founder) loved my work and when I told him I was doing a new book about the worldwide Underground, and in English, he gladly accepted to publish it.

Do you think “underground” (perhaps like “outsider”) is a cultural identity more than a marketing category?

andrés_padilla-grinder_magazine-underground_never_diesAbsolutely, at least for me. I am very different from other normal people who wake up every day to go to an office or accept system standards. So this phenomenon for me has its own identity, and even though throughout its developmental years many people have left to take on another identity, I know that we are thousands who still believe that this sound must be kept in a low profile, away from the mainstream and with a unique identity.

And I’m not talking about the aesthetic aspect, because personally, even though I really like the aesthetic that surrounds it, if anyone sees me on the street probably they will not think I listen to Death Metal. For me the image is not everything. It is the thinking, actions and congruence with yourself. The rest does not matter. Now, I will not dress like a Glam Rock fan of the eighties. No way!

How important do you think “non-commercial” attitudes are to the underground?

They are important to sustain its aesthetics, spirit and coherence with the environment. However, commercial attitudes are also valid. It is impossible to make a ‘zine and give it away for free, to spend thousands of dollars on a disc and then give it away. Money is in the middle of it whether we like it or not. Always. Moreover, we grew up on the grounds that money is everything. Unfortunately we are doomed to follow that path until humanity reaches its end. I prefer to make music or a magazine and sell it than belonging to a stupid company and take orders from an asshole boss.

Do you think the underground was a product of its time, when there was no Amazon and import CDs weren’t in regular stores, or does it still have relevance today?

To me, Underground is a concept born out of many factors, like our interest in something intangible like belonging to a music scene. We, are the ones who keep this alive. The bands, zines publishers, fans attending a concert, etc. All this makes the Underground continue thriving over time and avoid death to changes in humanity, like technology. Underground will always exist, but it is not going to go towards you, it is you who has to go to it.

What defines or identifies an “underground” band? Is there a specific sound, or is it an attitude, or a social position like being on an underground label, small pressing runs, etc.?

Arguably, in Thrash, Death, Speed, Black, Doom, etc, all trends derived from this devotion. Yes, there are patterns, pre-established rules and forms which we interpret as good or bad. Underground is devotion. And when it’s honest and pure, it is recognized. Who does not recognize it, then, they are on a different path.

How long did it take you to write the book? What is your process for writing?

From the first interviews, trips and design, I think it has been three long years. The first stage was the longest, perhaps collecting the information (posters, photos, etc.) and checking my personal collection amassed over the years of editing fanzines. Much of the material had been stored and forgotten.

underground_never_dies-andres_padillaThen it was about organizing the book concept and selecting the best of the material, trying not to be like any other work which has published about it. After several years, I think I arrived at the final concept. The experience of having done something similar, only dedicated to the scene of my country, was fundamental. That book, Retrospectiva al Metal Chileno 1983-1993, edited along with a 12″ vinyl disc (made by Iron Bonehead Prod, Germany) was very well-received worldwide.

Who’s going to print the book, and where/when will we be able to buy it, and for how much?

Doomentia Czech label will be responsible for publishing and distributing the book through its network of contacts and labels within the Metal realm. We all know who they are! If you’re reading this, it’s because you know! I have to confess that thanks to the Internet, now with a few clicks anyone can have the book. Hopefully the printed copies reach the right people. I have no idea what the price will be, but if you calculate a hardcover book with over 400 pages infested with posters and photos of the eighties, plus a 12″ gatefold with bands like Slaughter Lord, Incubus, Necrovore, Mutilated, Dr Shrinker, Fatal and more, then the price is more or less imaginable. I hope that the material is ready and available for December 2013.

You mention on your flyer that the underground was a way to fight transformation into a mindless sheep. This sounds straight out of “Invasion of the Body Snatchers” or “They Live.” Is it really that bad?

The promotional poster you speak of, contains quotes taken from the people interviewed in the book. That phrase you mention is something you will have to interpret when you read the book and the complete response of the interview. That mystery I leave it for when you have the book in your hands. Each individual has his own version of what happened in these corrosive years, when Metal was a threat to the system. In my case, I lived through Metal in chaotic times for my country with a military dictatorship. I think that counts and left a huge mark in our youth.

Where does the underground live today?

Worldwide. It has never ceased to exist. We are the ones who should feel a natural devotion to go after it. Those who don’t feel that, simply do not belong in this cult. This will cease to exist only when there are no more humans on earth.

Can you give us a small biography of yourself and your past writing experiences?

Since 1988, I have been editing fanzines, corresponding with bands, tape traders, attending concerts and festivals worldwide. I saw the birth of Death Metal since it started wearing diapers. With 25 years of experience in this art, I think I have enough to identify which smells more rotten than the other. This is all I have done in my life.

I have never been part of a company, nor have I been employed by one, except for a radio station in Santiago for three years, but at that time it was only two days a week on the radio, so I wouldn’t call it being employed by them. The program was called “Ground Beef”, and was devoted to Metal . We played stuff like Morbid Angel, Cannibal Corpse, Nihilist among many other killer bands. It was a fun experience hanging out with some international acts when they played in Chile.

Will you be covering the internet, for example pre-1995 websites like the Dark Legions Archive?

The book mainly talks about the beginnings of Metal, but at the end it has a brief chapter on these issues, the emergence of the Internet and databases such as these and many others, like Metal Archives.

Thank you for this interview. Our readers will enjoy it!

Thank you very much to you for this tremendous space and support to spread this work that has required three years of my life. I hope that when it’s published, the public can appreciate it.

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Entrevista con Andrés Padilla, autor de Underground Never Dies

andrés padilla-underground_never_diesRecientemente se corrió la voz acerca de un nuevo libro que va a explicar el metal underground. Este libro, llamado Underground Never Dies, es editado por Andrés Padilla, el editor y escritor desde hace mucho tiempo jefe de la revista Grinder.

Al igual que varios libros que estén bajo tierra antes, Underground Never Dies no intenta resumir el metro desde un único punto de vista. Más bien, permite muchas voces hablan y, al igual que la armonización en el canto, emerge una verdad.

Arte de la cubierta de Mark Riddick adorna la entrada a esta producción de estrellas de los análisis de metales bajo tierra y opinión. En estas páginas, usted encontrará personas que usted conoce, o tendrá que conocer, que ayudó a construir el metro en lo que es.

Tuvimos la suerte de tener una charla con Andrés mientras se prepara para lanzar este trabajo desafiante. Gracias a Andrés Padilla, Revista Grinder y Doomentia Registros por ayudarnos a asegurar esta entrevista.
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The most difficult question first (sorry!): what is the “underground”?

Mirado desde el punto de vista de un Thrasher, es un fenónemo muy particular que se desarrolló a inicios de los ochenta cuando el rugido y corrosidad del Metal empezó a brotar por toda la orbe. Ignorando reglas, patrones y normas, esta tendencia y manera de pensar se abrió camino de una manera pura, honesta y solidaria.

En lo personal, el underground ha sido el camino que he seguido toda mi vida, no solo en lo musical –aunque también escucho otros estilos-, sino que también en la vida y tipo de filosofía a seguir. Desde que el pestilente metal entró en mi sangre no se ha ido más. Todo lo contrario, ha crecido y potenciado mi vision sobre este movimiento que a pesar de cualquier dogma, representa una manera de vivir no solo para mi, sino que para muchos otros devotos seguidores de este sonido, que se transforma en el alimento diario de mi existencia.

Underground es devoción y compromiso, es seguir tu propio camino, no aceptar al mainstream como tu alimento, rechazar las reglas de la religion – cristianismo-, imponer tu propia voz, dejar tu huella, enseñarle a otros ese camino que significa creer en uno mismo. Es decir fuck you all al sistema. Musicalmente es lo contrario y opuesto a lo establecido. Es donde la mente tiene un espacio para abrirse libremente y dejarse llevar por el corrosivo y angustiante sonido del Death Metal -que en mi caso es mi corriente favorita-. Puede haber nacido en los ochenta, pero no todos los que la vieron nacer han seguido su tradición. Me siento afortunado de nunca haber abandonado esta forma de vida y hasta el día de hoy, haber apoyado a su desarrollo y crecimiento, ya sea escribiendo en un fanzine por más de 25 años, como así editando y distribuyendo discos o demo tapes.

Aunque la aparición de Internet cambio drásticamente la manera de distribuirse, manifestarse y procrearse, el underground ha mutado con el tiempo, tratando de mantener su antigua filofosía y estética. Long life to Death Metal!

How did the idea of this book come to you, and how did you embark on the course to write it and publish it?

Antes de salir del colegio commence a armar mi propio fanzine. Hasta el día de hoy, mandar cartas, hablar con bandas subterráneas, intercambiar demos/ cds/lps/videos etc ha sido mi camino. Nunca quise buscar un trabajo en una oficina. El Metal ha sido mi major aliado y alimento diario desde que comencé a inyectarmelo a mediados de los ochenta. Entonces, si me preguntas cómo llegó esta idea. Bueno, simplemente llegó. No la busqué! Todo se dio de manera natural. Me gusta avanzar en la vida, sin perder la filosofía, y con 25 años detras de fanzines, quise hacer algo más desafiante, algo que definiera un poco más lo que ha sido mi vida ligada a la música –aunque sea desde el escritorio-. Siempre he creido que nada es imposible, lo único inevitable es la muerte. Entonces, como no existe una publicación en todo el mundo que haya logrado juntar un concepto global sobre este repugnante y oscuro fenómeno, quise tartar de ser el primer loco en abrazar cada Rincon del planeta y manifestarlo en un libro con una tonelada de afiches, fotos y comentarios que podrán finalmente decir, qué, cómo y cuando sucedió todo esto. Underground Never Dies es simplemente eso, un incredible viaje al pasado en donde podrás revivir expl+icitamente lo que fue una época irrepetible.

Ahora ómo va a ser publicado. Quizás fue el destino o la suerte que me hizo mandarle una copia de mi primer libro a Doomentia. Lukas –fundador- alunió con este trasbajo y cuando le dije que estabaarmando otro referente a Underground mundial, y en Inglés, él aceptó encantado en publicarlo.

Do you think “underground” (perhaps like “outsider”) is a cultural identity more than a marketing category?

andrés_padilla-grinder_magazine-underground_never_diesTotalmente, al menos para mi. Me siento muy diferente al resto de los normales que se levantan a diario para ir a una oficina o aeptarlas normas del sistema. Entonces este fenómeno para mi tiene una identidad propia, y a pesar de que a traves de sus años de creimiento, muha gente ha abandonado y elegido tomar otra idendidad, sí se que somos miles los que aún creemos que este sonido debe mantenerse siempre en bajo perfil, lejos del mainstream y con una identidad única.

Y no estoy hablando del aspect estético ya que en lo personal, a pesar de que me gusta mucho la estética que lo envuelve, si alguien me ve en la calle seguramente no va a pensar que escucho Death Metal. Para mi la imagen no lo es todo. Es la forma de pensar, los actos y la congruencia con uno mismo. El resto, da lo mismo. Ahora, tampoco me voy a vestir como un Glam Rock de los ochenta. No way !

How important do you think “non-commercial” attitudes are to the underground?

Son importantes para mantener su estética, espíritu y coherencia con el medio que nos rodea. Sin embargo, actitudes comerciales también son válidas. Es imposible hacer un fanzine y tener que regalarlo, invertir miles de dolares en un disco para luego regalarlo. El dinero está de por medio querámoslo o no. Siempre. Es más, crecimos con el fundamento de que el dinero lo es todo. Lamentablemente estamos condenados a seguir ese camino hasta que la humanidad llegue a su fin.

Prefiero hacer musica o una revista y venderla a pertenecer a una estúpida empresa y aceptar órdenes de un jefe imbecil.

Do you think the underground was a product of its time, when there was no Amazon and import CDs weren’t in regular stores, or does it still have relevance today?

Para mi Underground es un concepto que se dap or muchos factores. Nuestro interés en algo intangible como pertenecer a una escena musical. Somos nosotros, quienes mantenemos vivo esto. Las bandas, los editores de zines, los fans que asisten a un concierto. Etc Todo eso hace que el Underground siga escabuyéndose con el paso del tiempo y haya podido evitar la muerte ante cambios de la humanidad como la tecnologia. Siempre va a existir Underground, pero este no va a ir hacia a tip por si solo, eres tu quien tiene que ir hacia el.

What defines or identifies an “underground” band? Is there a specific sound, or is it an attitude, or a social position like being on an underground label, small pressing runs, etc.? Podría decirse que en el Thrash, Death, Speed, Black, Doom etc, todas tendencias derivadas de esta devoción, sí hay patrones, reglas o formas pre establecidas y que nosotros entendemos por buenas o malas. Underground es devoción. Y cuando es honesta y pura, se reconoce. Quien no la reconoce, pues, está en otro camino.

How long did it take you to write the book? What is your process for writing?

Desde las primeras entrevistas, viajes y diseño, creo que han sido 3 largos años. La primera etapa fue la más larga, quizas la de recopilar información (afiches, fotos, etc) revisar mi colección personal de material que he juntado en largos 25 años editando fanzines. Mucho material estaba guardado y olvidado.

underground_never_dies-andres_padillaLuego ordenar el concepto del libro y tartar de seleccionar lo major del material, intentando no ser parecido a ninguna otra obra que se haya puvlicado al respecto. Luego de varios años, creo que llegé al concepto final. La experiencia de haber hecho algo similar, slo dedicado a la escena de mi país, fue clave. Ese libro Retrospectiva al metal Chileno 1983-1993, editado con vinilo 12” (hecho por Iron Bonehead Prod, de Alemania) fue muy bienacogido en todo el mundo.

Who’s going to print the book, and where/when will we be able to buy it, and for how much?

La etiqueta checa Doomentia estará a cargo de publicar y distribuir el libro a través de su red de contactos y sellos amigos devotos al maldito metal. Todos ya sabemos cuales son! Si estás leyendo esto, es por que lo sabes! Hay que confezar que gracias a Internet, ahora con un par de clicks cualquier persona podrá tener el libro. Ojalá que las copias que sehagan, lleguen a las personas idóneas. El precio no tengo idea de cuánto va a ser, pero si calculan un Libro con hardcover más de 300 páginas infestadas de afiches y fotos de los años ochenta, más un 12” gatefold con bandas como Slaughter Lord, Incubus, Necrovore, Mutilated, Dr Shrinker, Fatal, etc el precio es más o menos imaginable. Espero que el material esté listo y disponible para Diciembre del 2013.

You mention on your flyer that the underground was a way to fight transformation into a mindless sheep. This sounds straight out of “Invasion of the Body Snatchers” or “They Live.” Is it really that bad?

El poster promocional del que hablas, contiene citas extraidas desde los mismos entrevistados. Esa frase que mencionas, la vas a tener que entender cuando leas el libro y la respuesta completa del entrevistado. Ese misterio lo dejo para cuando tengas el libro en tus manos. Cada individuo tiene su propia version de lo sucedido en esos corrosives años, cuando el Metal era una amenaza para el sistema. En mi caso vivi el Metal en tiempos caóticos para mi país con una dictadura military. Creo que eso cuenta y nos marcó mucho en nuestra juventúd.

Where does the underground live today?

En todo el mundo. Nunca ha dejado de existir. Somos nosotros, quienes debemos sentir la devoción natural de ir tras el. Quien no la siente, simplemente no pertenece a este culto. Este solo dejará de existir cuando ya no hayan más humanos en la tierra.

Can you give us a small biography of yourself and your past writing experiences?

Desde el año 1988 he estado editando fanzines, escribiéndome con bandas, tape traders, asistiendo a conciertos, festivals por todo el mundo. Vi nacer el Death Metal desde que comenzó a usar pañales. Con 25 años de experiencia en la material, creo que tengo la suficiente fascilidad de identificar cual huele más putrefacta que otra. Esto es lo único que hecho en mi vida. Nunca he participado de una empresa, ni he sido empleado dealguna compañía, con excepción de un programa de radio en una estación de Santiago port res años, pero en esa época iba solo dos dias a la semana a la radio, no podría citarlo como pertenecer a una empresa. El programa se llamaba Carne Molida, y era dedicado al Metal. Pasabamos desde Morbid Angel, Cabbibal Corpse, Nihilist hasta Pantera.

Will you be covering the internet, for example pre-1995 websites like the Dark Legions Archive?

E libro habla principalmente de los inicios del Metal, pero al final incluirá un capítulo breve sobre esos temas, la irrupción de internet y las bases de datos como esas y muchas otras como Metal Archives.

Thank you for this interview. Our readers will enjoy it!

Muchas gracias a ustedes por este tremendo espacio y apoyo a difundir esta obra que ha demandado 3 años de mi vida. Espero que cuando salga, el public pueda apreciarlo.

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Underground Never Dies! by Andrés Padilla to be released by Doomentia Records

August 15, 2013 –

underground_never_dies-andres_padillaUnderground Never Dies!, a book about the underground metal explosion of the 1990s, will address the complex interweaving of bands, fans, zines, promoters, DJs, artists and labels that fostered the underground metal movement and allowed it to expand with maximum flexibility.

The book will include tons of fanzines from all over the world, plus a huge selection of underground flyers, so the book will be not only a narrative of the history of underground metal, but also a massive and interesting menu of diverse viewpoints for all those Death Metal devotes.

Doomentia Press will release/publish/distribute Underground Never Dies!, which will be released with a compilation 12″LP including some of the finest acts exhumed from the 80s, such as Slaughter Lord (Aus), Mutilated (Fra), Incubus (Florida, US), Poison (Ger), Exmortis (US), Fatal (US), Armoros (Can), Mental Decay (Dk), Funeral Nation (US) and Insanity (US) among others. Gatefold format ! Limited to 500 copies. CD + Tape version will include bonus tracks.

The cover art will be done by Mark Riddick. Introductions come from by Ian Christe (Bazillion Points), Chris Reifert (Autopsy), Erik Danielsson (Watain) and Alan Moses (Glorious Times). This celebration of the underground will attempt to make sense of the fertile but chaotic years of its origins.