Tomas Nyqvist, the founder of legendary Swedish label No Fashion Records and the Putrefaction Magazine zine, was interviewed by Bardo Methodology. Tomas talks about his zine and label, the careers of Morbid, Mayhem, Merciless, Dissection, and Katatonia, and how the infamous Stockholm record store House of Kicks screwed them all over. A book compilation of Putrefaction Magazine is scheduled for 2017 too.
Thy Invocation of Hell zine 21st anniversary reprint from Afterlife Productions is available in the United States from vinyl specialist distro Analog Worship. The zine is packed with interviews conducted in the early, formative days of legends like Beherit, Blasphemy, Varathron, Immortal, and Emperor. Afterlife Productions themselves are down to their last 30 copies for those close to Malaysia.
Graveland are embarking on their first ever tour. Latin American headbangers will get a chance to be honor the All-Father with Rob Darken and his fellow Poles next year.
Prior releases from Antaeus displayed an alien weltschmerz like an outsider looking into the world and finding nothing of value. It had an air of royalty as well as an air of embarrassment in its simplicity. Intuitive destruction of an end-in-itself, the music delivered a perspicacious view of the bleakness embodied in the microcosm and macrocosm, with the nature of man clinging onto its pitiful existence. Ultimately the value of such an inquiry is in the unraveling of itself to the threshold of exhaustion, then being untoward to the world-as-it-is as its conclusion. Such bold statements of violence to humanity and to the self led to its unique logogenesis which thrusted them above most of their peers as a more realized and apt style of music like Von. Antaeus had the face of an outsider in a sea of complacent faces.
As the continent was before Britannic penal colonization, Australian black and death metal scene was and is still mostly an undeveloped desert of unexceptional crossover thrash posturing as “war metal”, blackened cheeseball beer metal, AC/DC clones with unclean vocals, and experimental technical deaf metal/post-hardcore/jazz fusion hybrids. Martire rode forth from obscurity to restore fruit and flower to the wasteland, fertilizing the barren bush wielding fire and sword.
Varg Vikernes reflects on Fenriz‘s alcohol consumption, Burzum – Det som engang var‘s CD release, the intelligence of Darkthrone, and the toxicity of the scene centered around Helvete in a video uploaded to his ThuleanPerspective Youtube channel. Want to know about how Fenriz felt about Euronymous‘s death and threats toward Varg? Let’s find out!
The organizers of the Caledonian Darkness black metal festival in Glasgow, Scotland were forced to cut short the second iteration festival early after an individual angry with the organizer’s inability to pay them vandalized the backstage area. Pig’s blood meant meant for Pseudogod, Sortilegia, and Ifrinn sets was used to paint six foot tall swastikas all over the white dressing room walls. Copying Dismember and Mayhem‘s shtick when you’re mediocre and not securing your own blood is a no no. Antifascists venue owners ended up canning Dead Congregation‘s and Svartidaudi’s sets, doing what they had threatened to do before the second day of the festival had even started
Blasphemy suddenly released a live album today. The CD of Desecration of Sao Paulo now. Check the usual distros if you’re a war metal, bestial maniac. Hopefully this will sound better than Fallen Angel of Doom if you care to revisit Blasphemy’s material.
Tarnkappe‘s Winterwaker (“Guardian of Winter” in English) is another Dutch black metal album aiming to extend the victories of the old forward into a modern world deluged with genericized and masqueraded jingle rock. Most modern black metal recordings consist of typical verse chorus verse hardcore punk songs with occasional tremolo-picked, hopefully minor key riffs and raspy vocals to differentiated it from the punks with their spiky hair and Sharpie-drawn straight edge Xs in the same way that modern opposing political parties mostly present two sides of the same leftist coin merely aiming the public towards financially catering to differing oligarchic leagues. Tarnkappe, a duo composed of members of Kaeck and Kjeld, aim to bury the bodies of the mainstream-media promoted black ‘n’ roll and “war metal” themed crossover thrash groups in an unmarked, shallow mass grave in the forest-tundra.