Marduk, Incantation, and Abysmal Dawn are touring the United States together this August and September. Tour dates and venues are pending. Will antifascists and communists attack Marduk for their apolitical use of Second World War imagery? Will Incantation be targeted too as Craig Pillard was the vocalist on their best work? We will have to wait and see.
Sorcier des Glaces‘ Ritual of the End, some of The Best Underground Metal of 2014, is coming out soon on compact cassette courtesy of Dread Records. French Canadian black metal maniacs who drive beat up old serial killer vans from the 80s like Buffalo Bill’s should pick it up. Everyone else should listen to Snowland MMXII and hate the human race.
Bathory‘s Under the Sign of the Black Mark turned turned thirty years old last month. The album marked the start of Quorthon adding in the epic atmosphere of Manowar and Iron Maiden which would come to fruition on Blood Fire Death. Under the Sign of the Black Mark also happened to be one of the first black metal CDs I ever purchased, which I preceded to play non-stop for about a week until getting bored of it and going back to listening to Altars of Madness.
Sammath, Standvast, and Isvind are playing a show in Löberschütz, Thuringia, Germany on February 23rd, 2018, the night before their Diabolical Echoes PT2 gig. German fans in the area should check it out as Sammath are the most ferocious current death and black metal band. Yes both death and black metal. Sammath are that good if our staff have not emphasized that enough. Standvast aren’t bad either but they’re no Sammath; Standvast are not going to go Duke Nukem on posers and hipsters like Sammath will.
Death Fortress previewed a new track, “The Warrior’s Mantle”, from their upcoming album Triumph of the Undying. Unlike the band’s earlier material such as Deathless March of the Unyielding, the primary influence of “The Warrior’s Mantle” seems to be Immortal instead of Hate Forest. This is a sign of potentially great improvements. Have Death Fortress ascended the “Mountains of Might” to join the lords of the raven realm in Valhalla? Probably not but we will have to see when Triumph of the Undying is actually released.
Finnish ambient death metal band Desecresy let loose its single “Amidst” yesterday. This track comes to us from the fifth Desecresy album, The Mortal Horizon, which will be released in August through Xtreem Music, who released the four previous full-lengths from the band.
Some releases go neglected upon release as their poor production makes it too hard to discern what is actually being played for those without neutral high-fidelity setups. Upon upgrading my own, I realized that Irillion’s debut Egledhron EP is one of them. The production is so muddy and filthy that even warm “audiophile” style setups have a hard time discerning what the downtuned and distorted electric guitars are playing. While two earlier Sadistic Metal Reviews from our staff noted the recording as a promising but inferior, listening on a more revealing setup reveals Irillion’s self-recorded musical intentions and goals: Irillion wish to play flowing Eastern European black metal like Graveland with a filthy Joined in Darkness era Demoncy style production and atmosphere and an almost Transilvanian Hunger manner of variation.
Sammath and Standvast have been booked to play the Diabolical Echoes PT 2 mini-festival with Norwegian black metal band Isvind in Groesbeek in the Netherlands on February 24th, 2018. Sammath is one of Death Metal Underground’s most highly praised modern bands while Standvast is an Ildjarn-like project from Nortfalke from Tarnkappe, Kjeld, and Kaeck. Sammath has long been a mainstay of our staff’s list of the The Best Underground Metal of the year so live shows from them should be a furious storm of riffs and whiplash.
Ever since the rise of leftist politicization of metal, there has been rising hysteria over a secret Nazi fifth column lurking within the metal community, ready to spring out of the shadows and attempt a world takeover. This is due to the effects of the corrupt mainstream media portraying everyone opposed to their Marxist agenda such as President Donald Trump, reincarnation of Hitler with the majority of America seeing through their psychotic imagined orange Fuhrer. But for the millions of citizens that will buy into whatever the mainstream sells them, including the scenesters of indie rock, this narrative maddens them to the point of belief that the entire Republican/Libertarian/Conservative movement is the spiritual sequel to the Axis Powers. This is immaculately articulated in a review buried deep within scenester shill blog No Clean Singing’s attempt to set the world record for “most metal bands reviewed ever.”
Ancient‘s last hurrah, the Trolltaar EP, has been reissued by Sleaszy Rider Records with three bonus live tracks from 1993 according to the band’s Facebook page. Trolltaar saw Ancient develop cyclical simple Enslaved style riffs into extended black metal epics inspired by the virtuosity of longer 1970s popular progressive rock songs from Yes, Pink Floyd, Camel, and Led Zeppelin. Ancient were one of the few death or black metal bands inspired by popular rock music where the mass-market inspirations did not render them impotent as a metal band at least at first. Ancient, lacking a truly distinct riffing style of their own, eventually ran out of ideas and decided to play Hot Topic rock after Svartalvheim and Trolltaar but that is a topic for another time.