Memoriam, the band with former Bolt Thrower veterans Karl Willets and Andy Whale, has uploaded a new track from their upcoming 7″, The Hellfire Demo.
Japanese label Obliteration Records is releasing a War Master anthology CD consisting of both the debut Pyramids of the Necropolis LP and the Blood Dawn EP, along with a slew of bonus tracks from demo tapes and splits. The Houston, Texas throwers of bolts are one of the better modern death metal bands and a perennial on Death Metal Underground’s best of lists. This release will be an easy way for Hessians in Asia to obtain the band’s material on a physical format.
For all Death heaz in Japan,
Finally, Bolt Death Metal WAR MASTER attack in Japan!
They will change battlefield here and take no prisoners!
Are you ready to die??
Obliteration records proudly release their Blood Dawn EP + 1st album and bonus trax on CD format.
Limited of 500 copies in Asian coutry only.
First sale on their Japan tour in May.
May the Metal be with you
Memoriam is very, very, very early in its history, to the point that their Facebook page only showcases a few rehearsal photos but it’s beginning to build up some buzz, at least for its membership. Besides the aforementioned Karl Willets (of Bolt Thrower) and Andy Whale (also formerly of Bolt Thrower), the current lineup also features members of Benediction and Cerebral Fix. Bolt Thrower’s studio output withered after the 2000s due to bandmembers not being pleased with whatever they wrote after Those Once Loyal, so it’s worth noting that this could turn into a venue for part of the band to write and release more material. No guarantees of quality, though.
Popular music is a hard gig. To maximize your chances, you quit doing everything else and it becomes your only option in life. Then if that turns out poorly, you have the choice of being a 40-year-old shelf stocker at the local grocery, or swallowing your pride and becoming a cheesy third-ring entertainment figure. For this reason, musicians — especially those who first bands did not make the final cut of election to “favorite” of the public — tend to pander, flatter and provoke the public whenever they can. The resulting drama is the only thing standing between them and putting those cans on the shelves.
And yet, drama finds us all. It started on Twitter. Drama often starts on Twitter:
To clarify what is happening here: some armchair white knight decides that because some guy out there does not like homosexuals, there must be a social activity consisting of people gathering to hate on this guy. As usual, I point out the reality-based analysis which is that his opinion does not concern us; let him do his thing, and you do yours, and stop being a busybody nanny state jackbooted interloper simply because your life is boring and your society is failing and you want a scapegoat for all your problems. Grow up, in other words.
That set off a chain of nasty replies. According to David Ingram (Benediction, Bolt Thrower): if you defend free speech, you are on the side of “hate” and you are a very, very bad person. To him, defending the right of people to coexist is the same as endorsing the most extreme of their opinions, even though I never said anything in support of what the guy said, only his right to say it and the maturity of letting him enjoy that freedom over there without our action against him. Free speech works when the other guy says what he wants, and you say what you want, and you do not directly intervene in one another. Boycotts and mob attacks change that, even if non-violent, and we all suffer as a result.
Not wanting to let a good dialogue drop, I took it up with Ingram when one of his promotional spams hit our inbox:
Again we see the formula: defend free speech and you are a Nazi.
Join the angry mob and you are “good.”
Interesting to see Mr. Ingram cave to this. I suspect he is just doing it to try to keep his (flagging) career alive, and I have sympathy for that. But one can never truly have sympathy for those who use bad logic and are motivated more by hatred (of anyone who disagrees with them) than a desire to do right.
This time around, it’s been pressed from the master tapes in Full Dynamic Range audio, which according to Earache means the album is
at its optimum sound quality, with full dynamic range and in its highest resolution. No loss of quality, no compromise. To put it simply, this is, without doubt, the best sound this album has ever had!
Realm of Chaos was originally released in 1989 and according to our review it shows how the band’s grindcore leaned towards the grandeur of death metal, making this album an amalgamation of the epic and the youthfully energetic.
The release includes a DVD of the Bolt Thrower performance at the “Grindcrusher” tour in Nottingham, where they played seven of the albums songs on 14 November, 1989.
English battle poets Bolt Thrower will, according to their homepage, be playing at the Maryland Deathfest on May 23rd, Chaos in Tejas Festival in Austin a week later and Tuska Open Air Festival (Finland) on June 28th. At Deathfest they’ll be joined by Antaeus and Carcass among others.
Bolt Thrower made deathy grindcore during the late 80s and early 90s probably culminating in the epic …For Victory (1994).