Sadistic Metal Reviews: Zyklon B For Bandcamp

Hipster and poseur blood must be shed!

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Bölzer Are Neither Racists Nor Nazis

Okoi Jones, guitarist and vocalist of Swiss black ‘n’ roll alternative rock band Bolzer, declared on the band’s Facebook page that he and Bolzer are in no way racists, sexists, fascists, or Nazis in response to Paul Resnikoff’s apparently libelous virtue signaling:

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Music, Musick and “Ick”


by Andreas Languetus

Music serves many roles in our lives, but the one closest to our sense of well-being is a rediscovery of beauty and purpose in the world. While neither is universal, or experienced by all people, the former is closer to the objective, meaning that it concerns the world itself, and the latter is closer to subjective, in that we each find our own path and so our purpose — while a descendant of broader purpose like adaptation, excellence, or knowledge — reflects our discernment and choice of that path in the moment.

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Desecrating Satan’s Hipster Country Club Resort


Reviews contributed by Norma Angelina Dagostino.

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Wolves in the Throne Room Release Random Riff Salad

Hipster screamos Wolves in the Throne Room released a new track and music video from their upcoming album Thrive Woven, which releases September 15th, 2017 on Artemisia Records.

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Defining Indie “Metal”

As many movies from the 80s and 90s will tell you (e.g. SLC Punk and PCU), youth counter cultural movements of those decades were once various fragmented groups or “tribes” baring their own identity while all opposing the mainstream Whitney Houston and boy bands on the radio. You had your goths, new wavers, punk rockers, emos, ect. at war with the “jocks and cheerleaders” collective of popular kids and, in some cases, at war with each other. But in the years to follow, the deadly combination of multiculturalism and micro culture has effectively ended this conflict as there was no longer a singular popular culture and therefore no “them” in the classic “us vs. them” dynamic. Therefore, these varying counter cultural factions were unified into one ugly all encompassing monstrosity: the hipster.

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Corporate Metal Labels Caught in a Death Spiral

Earlier this week the publishing catalog of metal mega-label Century Media has been pawned off for an undisclosed sum to Reservoir Media, a publishing boutique holding the royalty rights to songs by a variety of pop artists ranging from Drake to Lady Gaga. In investment terms, a boutique is defined as a financial firm that deals with a specific market, so picture Reservoir as a wealthy Wolf of Wall Street-like conglomerate recklessly gambling with the royalties of musicians. This is common in the modern music market, where suits are making bets on the evolving payout methods streaming services, but the surrender of Century Media’s entire catalog of albums (Death, Paradise Lost, In Flames) to a finance firm playing with house money goes to show how desperate the corporate metal labels of yesteryear have become.

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The Sad Pandemic of West Coast “Black Metal”

Today’s American black metal has found itself right within the parameters of Poe’s Law which, when applied to this abomination of a music scene, would sound something like this:

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