Matt Harvey Gives MetalSucks the Reach Around

Matt Harvey of deathcore band Exhumed was called up to provide a contrary viewpoint on Decibel Magazine’s website to MetalSucks’ call for a proscription of Hells Headbangers Records, circlejerking around the Blast Beat advertising network.

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MetalSucks Threatens Hells Headbangers

Crybaby social justice warrior metalcore blog MetalSucks posted a statement from a group of metalcore musicians calling for American distro and label Hells Headbangers to stop releasing “Nazi propaganda”or else.

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#Metalgate: Spotify Proscribes Politically Incorrect Metal Bands

Social justice warrior Paul Resnikoff of Digital Music News whined that some metal bands on Spotify were on a Southern Poverty Law Center list of “hateful” bands on Itunes in hope of virtue “signal boosting” his pathetic music industry blog.

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Deconstructing USBM’s Deviation from the Golden Path

As America’s conservative renaissance thrives through its flourishing Alt Right movement, the time is ripe for a full fledged rebirth of its black metal identity.

With the genre having reached rock bottom in recent years due to pop punk and screamo influences, beta male journalism, communist ideologies, and a faux transcendentalist philosophy, we can begin to right the ship by exhuming and examining the cadaver of its formative age.

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Infamous / Winter Blackness – Symbols of Scarlet Revenge (2017)

Infamous have delivered us yet another split with a weaker but by no means incompetent band. Winter Darkness provide the almost filler this time on Symbols of Scarlet Revenge, playing somewhat generic, riff salad black metal that doesn’t really go anywhere special on this split has promise if they could unite the various parts together in order to express something greater than merely “We actually play black metal, we wrote riffs, they’re not random, and our music is not that so bad that it will make the Death Metal Underground editor press a power drill into his skull.”1 In their defense, Winter Blackness use RAC-like drumming, and songs that conserve sneering tension that sometimes resolves on “Demons of Winter Blackness” and leaves you wishing the band would explode on “Frozen Nocturnal Blood”. A slow burning match that burns out into darkness rather than lighting a fire is not the best way to conclude a record. At least Winter Darkness are way more aggressive than Gratzug’s half of the Infamous / Gratzug split.

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Sadistic Metal Reviews: Catch of the Day

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Absurd’s Der fünfzehnjährige Krieg Reissued

absurd rerecordings reissue

Absurd‘s Der fünfzehnjährige Krieg CD of old tracks rerecorded by the current line up is being reissued by Hammer of Damnation for everyone who wishes Absurd’s older material had a sterile metalcore production. Hopefully the reissue is better than the horrible Asgardsrei one.

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Sadistic Metal Reviews: Taste the Rainbow!

rainbow shit

Coming soon to a used CD bin near you!

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Wolves Among Sheep: History and Ideology of National Socialist Black Metal book published

wolves_among_sheep_-_book

Italian publisher Tsunami Edzioni has released Wolves Among Sheep: History and Ideology of National Socialist Black Metal, a book by Davide Maspero and Max Ribaric detailing the rise of this tributary of the black metal movement that officialized many of the right-wing and traditionalist leanings of black metal as a whole.

The publishers offer the following FAQ about the book and how to obtain it:

We’ve been silent for some time, but that’s because we have been busy sending orders and replying to e-mails. The response to the book has been great so far, and we thank everyone who purchased a copy.

We compiled a brief FAQ for all those who need some information regarding the book and how to obtain it. We hope you’ll find it helpful.

IS THE BOOK IN ENGLISH?
Yes, it is. The whole of it.

IS THE SPECIAL EDITION STILL AVAILABLE?
Yes, we still have some copies left.

HOW MUCH DOES THE BOOK COST?
It depends on where you’re located.

Standard Edition:
Europe and Mediterranean Basin – 38 Euro
Americas, Asia, Africa – 43 Euro
Oceania – 50 Euro

Special Edition:
Europe and Mediterranean Basin – 46 Euro
Americas, Asia, Africa – 52 Euro
Oceania – 60 Euro

HOW CAN I ORDER?
By making a Paypal payment to: info[at]tsunamiedizioni.it

HOW CAN I GET IN TOUCH WITH YOU?
Via Facebook messages on this page or via e-mail to: wolves_info[at]tsunamiedizioni.it

I NEED TO BUY MULTIPLE COPIES, CAN YOU GIVE ME A
SHIPPING QUOTE?
Yes. Just mention it in your message and we’ll get back to you.

I RUN A DISTRO AND NEED TO KNOW YOUR WHOLESALE RATES
Just mention it in your message and we’ll get back to you.

WHEN ORDERING, PLEASE STATE CLEARLY YOUR FULL ADDRESS (NO P.O. BOXES – WE SHIP VIA EXPRESS COURIER AND THEY NEED A STREET ADDRESS) AND A TELEPHONE NUMBER.

National Socialist Black Metal (NSBM) remains controversial because global civilization has shifted leftward since the late 1940s with the fall of fascist regimes in Italy and later France, National Socialism in Germany, and Nationalist movements in Japan. However, starting in the 1990s when the 1968 generation took power in politics and media, a counter-movement has arisen which is critical of democracy, equality and diversity.

Sometimes this movement is merely anti-liberal, as with Michel Houellebecq in France, or libertarian as with the Tea Party and Neoreaction, but often it takes a more potent form. The original black metal bands from Norway, Sweden and Finland embraced the idea of nationalism, or a society being defined by its indigenous people, and rejected the morality of pity, equality and pacifism. Others took this farther and explicitly endorsed the older belief systems, not just National Socialist but the traditionalism of Julius Evola, the nationalism of pre-war Europe, and the monarchism and naturalism of völkisch conservatism.

During the early 1990s, when this material first emerged, I was unwilling to play such bands on the radio when I learned of their beliefs. Later digging found the nationalism of Bathory, the pro-Hitlerian sentiments of Morbid Angel, and the generally conservative — realism plus a belief in transcendentalism — surging through heavy metal. Then came Lords of Chaos and the interviews of Varg Vikernes, tearing the lid off any obscurity that black metal had regarding its anti-humanist views. For that reason, I report on them as they are part of the black metal movement and heavy metal, and it is better to have such things in the light than darkness.

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