Ripper Planning Euro Trip

Two of the best and only worthy modern speed metal bands are embarking upon a European tour together this fall. Ripper and Entrench, who made our lists of The Best Underground Metal of 2014 and 2016, are planning a European tour and need to get some gigs to knock headbangers on their backs. From Ripper’s Funbook page:

RIPPER announces first European Tour together with Swedish Thrashers of ENTRENCH!

Interested promoters please get in touch with Roadmaster Booking.

Available dates between September 15 and 30.
Booking via contact@roadmasterbooking.com

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Nuclear Blast Signs Possessed

Article by Cullen Toner.

In an attempt to swiftly cash in on both the trend of retro 80’s rehash and the trend to sell the world’s most fragile human beings as the new face of metal, Nuclear Blast has signed the crippled remains of the once titanic death metal band Possessed. Despite the band being active since 2007, the timing was appropriate now due to the liberal media’s executed agenda of celebrating and overcompensating for society’s weakest members. The hipster metal community’s plastic face of acceptance will be tested mightily as the urge to cringe upon viewing the sorry state of the band’s handicapped turf leader will be difficult to resist.

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Kim Kelly Interviews Kerry King; Reveals Crab Claw

Alleged groupie, liar, white genocide advocate, and humanoid orc communist Kim Kelly interviewed surviving Slayer guitarist / sideshow attraction Kerry King for Vice Noisey on Youtube. Kerry King, wearing war metal shades, talks about Slayer’s influences and development on their early, formative material.

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Still Reigning 30 Years Later

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Article by Lance Viggiano.

After Slayer‘s foray into narrative composition on Hell Awaits, Slayer could have taken any number of directions in the then fertile metal landscape: gone in for the throat of aggression, matured their pubescent approach to long-form content, or paired down on riff quality for focused but circular songs. Reign in Blood was something of a compromise bred to appease more Floridian tastes which crave motion before coherence or purpose. The album is brief but bookended by two of the better songs in their discography which daftly elevate the questionable content residing in between. The remaining material siphons off of the paired down and quintessential “Angel of Death” by meandering in whatever assortment of good but disconnected riffs the Hanneman/King dichotomy happened upon in between Heinekens; held together in tacit alliances by a sweltering pace which exhausts itself right as the title track closes the record. The foresight required to write an album such as this is commendable but Reign in Blood is not Slayer’s watershed moment if for nothing more than the sheer amount of disposable songs – not riffs – which constitute the majority of the runtime. This uncomfortable fact goes unrecognized due to the sheer brevity of this work. Yet as I wrote this brief paragraph I must have recited the full album in my head at least a few times and I have not listened to the album is many years. May the resolve of Reign in Blood’s memetic warfare continue to withstand assailants from the ever flowing genre compost bin and grant listeners to the strength to withstand the torrents of nature herself.

Sodom In Context

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Article by Anton Rudrick.

To be fair, one must approach judgement of a legendary and veteran band such as Sodom, with care, so that their present actions are seen in light of the road they have tread. In this spirit, it is appropriate that we go over the band’s career, taking a brief look at each step of their evolution so as to get a picture of how the band came to be as we see it and hear them today on Decision Day. If we are to start from the very beginning, we have to look back to their very first demo released in 1984, Victims of Death, which stands in an area between MetallicaKill ‘Em All and Bathory’s self-titled debut album. Sodom’s first step is closer to contemporary hardcore punk than speed metal, which affords them a certain street credibility.

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Anheuser-Busch InBev / Florida Ice and Farm Company S.A. – Labatt Blue & Occult Burial – Hideous Obscure (2016)

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Occasionally an artist’s work and the chemical inspiration thereof are inseparable and must be experienced together. Occult Burial’s recent ersatz, Hideous Obscure, was inspired by the sloppy, mid-Eighties Teutonic speed metal recordings of Sodom, Kreator, and Destruction which were all written and performed under the influence of a copious deluge of the cheapest Euro pilsner poured down their throats by the liter. This proto-underground beer metal was composed so as to be musically comprehensible to even the drunkest bar patrons still standing in the audience. Lacking even the melodic narratives of Motorhead standards, rocking rhythms, groovy powerchord progressions, and catchy choruses repeated ad nauseam over speed metal gallops and pick-up drum beats, hammering the basic riffs and leads into the heads of all the long-haired drunks tackling one another protected only by jean and leather jackets. To get into the garage practice space, inebriated mindset of these Canadian imitators of the imported speed metal of their fathers, I decided to pick up the Genesee-brewed as mandated by the Obama administration modern recreation of what those in my generation considered a northern, imported treat alongside the likes of St. Pauli Girl, Beck’s, and Guinness Extra: Labatt Blue.

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Bulldozer Vinyl Repress

bulldozer the final separation

Bulldozer’s first two albums of drunken Motorhead, proto-underground metal in the style of Venom and Sodom are being repressed on vinyl from the original tapes for the first time in thirty years by F.O.A.D Records. Neither of these albums ever had good CD releases (the CDs sound like compressed needle drops) so fans of beer-fueled, 1980s first-wave black metal might want to check these  out.


Defining Metal

Slayer hell awaits

Article by Lance Viggiano inspired by International Day of Slayer.

A candidate for the best work within a genre of music should capture every manifestation as best as it can and be able to answer the question: what is X? One might make the argument that the best album must capture the genre at its summit; still, that is a far more difficult essence to capture as in the case of metal, both black and death metal scaled adjacent but different peaks and therefore offer their own unique views of the same musical landscape.

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Upcoming tours – Venom Inc, Necrophagia

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According to the folks at Earsplit PR, the “Prime Evil” lineup of Venom is joining Necrophagia on a tour of the United States this January. This tour was initially planned for fall of 2015, but was apparently postponed. Venom Inc. (as the lineup is called) is to be distinguished from the current official line up of the band, which revolves primarily around Conrad “Cronos” Lant and spends its days touring and releasing the occasional forgettable album. Band bashing aside, if you’ve ever felt the need to see one of Venom’s more polished and mainstream lineups touring with god knows what Necrophagia is up to (outside of promoting 2014’s WhiteWorm Cathedral), then you’re a far more specifics driven person than I am.

Greyhaze Records releases Sarcofago demo compilation

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How many people listen to Hellhammer’s Death Fiend? What about Sodom’s 1982 Witching Metal? How popular are Death’s earliest demos? When it comes to early proto-underground bands, these earliest demos probably don’t get the listening attention they used to in the deep past, even from people who would rush to their defense on the internet. Part of this could be that they’re still harder to obtain, which theoretically makes this repressing of Sarcofago’s demos quite helpful. This joint effort between Cogumelo and Grayhaze Records claims to go beyond making the band’s early demos officially available by also doing the typical “release more rarities” trick, notably including demos from the Rotting EP and The Laws of Scourge. It probably won’t replace INRI or Sarcofago’s other studio albums in your rotation, but it’s another way to give Wagner Lamounier money in case you’re worried he isn’t making enough teaching economics.