The Best Underground Metal Of 2018

The task before a reviewer varies widely. If you want to be a big shot, you need to write about what the labels want, since they are the only source of top-down money coming into the genre. They will then reward your publication with advertising, it will then reward you with a promotion, and eighteen months later, you can ditch it and move up to the big leagues.

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Sammath – “Across The Rhine Is Only Death” (2018)

Notorious violent black metal band Sammath gained a fanbase among the black metal horde for refusing to tone down the intensity of black metal, and instead mixing it with elements of fast technical death metal to achieve an uncompromising sound. Following up on the epic Godless Arrogance, the band faces a massive challenge in exceeding what it has already achieved, but a new demo suggests that this Dutch-German black metal assault has done just that.

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Hidden Metal In Plain Sight

Underground occult metal blog Praefuscus Ferrum recently posted a piece entitled “Underground turned Funderground, and the Obscurantist Elite” proposing that what killed underground metal was widespress consumer access to new technologies such as the internet. These and the increased exposure to fans led artistically successful underground metal bands to pursue raw consumerism at the expense of writing transcendent music. D.A.R.G. points out that “the truest artists purposefully hide away from the profane eye” as the communication mediums the underground metal utilized (physical mail, tape trading, and BBSes) have been usurped by ones more accessible to laymen. He states the underground became the “funderground” in the blink of an eye as mainstream rock and pop fans who felt adventurous wanted rock and pop music with “black” and “death” “metal” production aesthetics, not actual death, black, or even heavy metal. Now the musicians actually writing novel underground metal compositions hide unbeknownst to the typical beer metaller in plain sight.

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Metal Festers Eternal

Right now, above the metal underground there is what was coined, I believe originally by Pogrom from Arghoslent, the “Funderground”. The funderground consists of independent labels, sometimes mainstream distributed, releasing thousands of albums each year full of rehashed material or rebranded three-chord hardcore with different superficial aesthetics to fuel a bar show audience’s drunken moshing or make hipsters feel smart for liking an indie rock release with a dirty production. One can see this divide in most of the popular “underground” web forums such as those of Nuclear War Now! and Full Moon Productions. The most popular “underground” “metal” releases of each year are all older metal rehashed into pop-rock structures or rebranded hardcore. This divide is similar to what is felt in mainstream Western culture with the leftist “elites”‘ constant Marxist virtue signaling and branding freethinkers with various epithets for refusing to chant the praises of socialism mandated by the vanguard party.

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La Naranja Metálica Online Radio Show

Spanish language black metal webzine El Negro Metal has started hosting a downloadable monthly online radio show/podcast called La Naranja Metálica, which I have been told is a play on A Clockwork Orange‘s Spanish title La Naranja Mecánica. Most of the tracks being spun are from releases that Death Metal Underground and The Dark Legions Archive have endorsed in the past with many appearing on our recent best of lists. Hopefully La Naranja Metálica will help bring the best of the underground to a Spanish-speaking audience.

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Traversing the Underground: Roots and Origins

tolkien-tree

Article by David Rosales.

A trend in the modern conception of anything has been that the newer something else, the better we expect or assume it to be. Experience in reality, however, has also given rise to another perception: that the new tends to be worse and not better. Attempts at rationalizing this drive the pseudo-intellectual, pro-sheeple crowd to say that times just change, but ratios of quality do not vary. This is not only unscientific but an obvious politically correct answer that has as its premise that everyone is equal, and hence, that the resulting products of these “equal” people must also be probabilistically equal. Impermeable external influence seems to them the only changing factor, with the internal being either infinitely constant or practically negligible. This is assumed and then possible causes are haphazardly and desperately pieced together, the answer is assumed and then anything is either positive evidence or brushed aside if too problematic to incorporate into the fairy tale. Ignorance compounded with pretense and emotional insecurity always results in capricious imposition of an arbitrary and dogmatic concepts and scale of values.

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Traversing the Underground: Exploring Ancient Mythos

annunaki

Article by David Rosales.

Ancient myths are the remnants of an age when oral traditions were the main way by which humans preserved and passed on knowledge. This may be the reason why multi-layered symbols and complex relations in stories awkwardly designed to fit differing messages into a form that we may now consider silly. Differing schools of scholarship have developed distinct theories when compiling, reconstructing, and interpreting these messages. Many keep their own “updated” versions which have morphed on their own into the age of the text when the written word defined the transferring and preservation of human knowledge.

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