SJWs attacking punk/thrash/reggae band Bad Brains for un-PC beliefs

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As recent events have emboldened SJWs to be more aggressive in their attacks on those who have not adopted SJW beliefs as the one true religion, increased chatter suggests more criticism is heading toward the Bad Brains, a founding punk band who used thrash speed in their songs alongside reggae interludes.

One SJW source (that disguises itself as satire) summarized the situation earlier this year:

Lauded Rastafarian hardcore band Bad Brains have recently passed a serious milestone in their career, again escaping serious scrutiny for their actions by their gaggle of pathetically-adoring and mostly white male fans.

This year marks the third decade that the beloved African-American religious zealots have completely escaped the prying eye of the punk community for penning incendiary anti-gay lyrics such as “Don’t blow no bubbles, don’t blow no spikes, don’t pack no fudge”.

Many in the punk community, but all of those “many” being SJWs, feel that Bad Brains have betrayed the implicit SJW assumption that any people who are not white should adopted SJW ideology. In fact, it was white punks who began the attack, as Daryl Jenifer reveals in an interview:

Check it out. All the things I’ve been telling you about the road and path of The Bad Brains, there was an era that lead into us discovering Rasta and Jah, and these things that were part of us being black and recognizing this part of our culture. Like with anything, say you’re a young Krishna, there’s a tendency to be over-zealous. We were over-zealous in our views about homosexuality, due to our ignorance, and the fact that we hadn’t matured to a certain level. Just like anyone getting into anything. Every member of The Bad Brains are loving and we have nothing against any of god’s creatures. In our growth and in trying to become wise and see life for what it is, without judgment, we went through a time where we did judge. Anyone can remember a time and say, “oh you remember when I was like that.” A doctor can say, “Remember when I first worked the ER and was all nervous and people were looking at me when I was crazy.” So when you’re coming in as a young Rasta and discovering it, just like in Christianity, homosexuality isn’t accepted. So being young Rasta and studying the religion that’s what you see. But if you still continue to study and mature you’ll find other texts that say, “love all god’s creatures.” So you can’t just make your own thing and say, “This guys black, or this guys homosexual, I don’t like him.” The Bad Brains had a period of time where we might have said some things. Meanwhile, we were in a band and were popular, so it got out there. But someone took that and ran with it. People that hated us for various reasons, people that were trying to be like us. I don’t want to call any names, but like the band MDC were the first to go out of their way to find something wrong with the Bad Brains. Everybody loved The Bad Brains, so they want to find something wrong with us. It happens with everyone like Tiger Woods, you get popular and people are going to try and hate on you.

The SJW crusade in metal and punk continues with its desire not to avoid threatening speech as it claims, but to create “safe spaces” where only SJW-compliant speech is allowed. The ongoing and accelerating criticism of the Bad Brains only fuels this fire and will intensify it until rebuked.

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Nunslaughter drummer Jim Konya to be removed from life support

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Nunslaughter drummer and vocalist Jim Konya, who once famous ran for a local political office with a quasi-Satanic platform, and fueled Nunslaughter through almost a dozen full-length releases and nearly infinite 7″ EPs, experienced a stroke three weeks ago and recently worsened. He will be taken off life support today, October 7, and is not expected to survive.

Konya, whose output with the band was matched by his fierce loyalty to the underground metal scene, will be remembered by many as a generous and committed persona who along with several others created one of the longest-running and most prolific bands in death metal history.

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California Death Fest supports SJWs, boots Disma from lineup

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Although neither the fest nor the band have confirmed this, users are reporting that the California Deathfest (presented by the Maryland Deathfest promoters) has caved to demands by social justice workers, or SJWs, to dis-invite New Jersey old school death metal band Disma.

Disma, who boast a vocalist of Jewish heritage and write songs about slow melancholic death, are being attacked for the perception that vocalist Craig Pillard’s side project Sturmführer had right-wing overtones. Despite the utter lack of any political content in Disma lyrics, some SJWs — feeling emboldened by recent mass events and cucking by mainstream media — have urged California Deathfest to deny Disma for some time.

As this story develops, more will be posted. This incident represents the type of lynch mob mentality that Metalgate rebelled against in the first place: an intolerance for any speech but the SJW-approved, Soviet-style repetition of certain key issues as a means of seizing power.

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Primordial vocalist Alan Averill weighs in on SJW academics

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Folk metal band Primordial vocalist Alan Averill inveighed against social justice worker (SJW) academics who recently witch-hunted “racism” and “sexism” in folk metal, claiming they are johnny-come-latelies using the authenticity of the metal name to draw attention to their careers. Writes Averill:

I don’t know whether to be bothered sharing this shit…..I think what these fuckwits fail to understand, or rather as usual intellectual ghost hunting is the place that ‘folk metal’ takes within the overall timeline and context of metal. The imagery and themes of folk metal are distilled from metals’ pre-occupation with fantasy not necessarily from a historical or factually based context, nor does it have to be. The language of for example Viking mythology has been perfect for metal since Zeppelin wrote ‘The immigrant song’.

Folk metal essentially took the place culturally in metal from where power metal left on in the late 90s and early 00s. Often it has more to do with role playing, gaming and fantasy….just with furry boots.

Claiming that is is somehow racist because it borrows from pre christian European history is just pointless and reductionist, bands do not have to apologise or justify singing about their culture and as I said most of it is through the prism of fantasy and myth because the imagery is simply perfect for heavy metal.

Sexist? again rubbish, I can think of quite a few ‘folk’ metal bands who have written tomes and hymns to the goddesses of the ancient world, both Cruachan and Waylander from Ireland spring to mind. You can find the same reverence for the feminine in nature in not only my own band Primordial (who are not folk metal but have connections to that scene) but also in bands like Enslaved, Wardruna, Our survival depends on us, Dordureh, Fen, Eluveitie, Negura Bunget among so many others (yet this is conveniently ignored) . Not to mention the band quoted as starting the whole genre Skyclad, even a cursory glance at their lyrics and imagery will suggest the opposite of this study. Again just a cherry picked argument from someone hunting ghosts.
Not to mention the fact that if you have ever attended a pagan metal show in Europe or the USA (and I’ve been at loads) you will find a very very healthy % of the crowd are women and often on the stage, the general feel of pageantry and joviality in this scene is least of all full of the macho behaviour these authors are looking for. It’s a young excitable scene which likes to play dress up, dance around and drink a beer or two…

You want ghosts? go ghost hunting somewhere else

I once lectured about Black Metal here in Ireland…to a room full of people full of agendas and opinions and angles for their own conspiracies and prejudices. My opening line
‘You can’t intellectualise a punch in the face’
…..you weren’t there and I am going to tell you how it was so shut up and listen.

You can read the full rant on a favorite social networking site for bored cube slaves to vent about the meaningless of life where some of the feedback has been quite interesting. The backlash against SJWs, revealed by Metalgate when one of the researchers mentioned above, Karl Spracklen, unfriended me over Facebook for allegedly un-PC postings elsewhere on the internet, has now reached a broader audience which is tired of outsiders interfering in metal to pick up on its perceived cachet of cool.

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Black Funeral composer opens Greater Church of Lucifer in tourist trap

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Black Funeral guitarist, vocalist and composer Michael Ford has created a Greater Church of Lucifer set to open later this month in Old Town Spring, Texas. As local news reports, the church is scheduled to open on October 30 and will dedicate itself to non-theistic Satanism:

“A Luciferian would find it insulting to bow before any perceived deity,” co-founder and Luciferianism expert Michael Ford said. “We don’t believe as a basis in the existence of a deity that wants us to worship it.”

Luciferianism has been around in some form for centuries, but this is the first time members have erected a building to conduct services.

In contrast, the “Old Town” district of Spring, Texas, a suburb of Houston, is known for kitschy antique stores, artisanal greaseburger restaurants, and a complete lack of parking. Favored by both tourists and zombie-eyed big city dwellers desperate for something to claim as a meaningful activity in their cubicle-job and cubicle-condominium lives, Old Town Spring draws millions of people a year to purchase antiques recycled from garage sales and dumpsters and probably hands out nearly as many parking tickets.

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Goatlord guitarist accused in double murder

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Guitarist Joe Frankulin from doom-black metal band Goatlord has been accused of murdering Jennifer Donoso and her 7-year-old son, Lex, in Las Vegas on September 29. According to local news reports, the murders capped off increasing erratic behavior by Frankulin.

One of those neighbors says that Frankulin seemed to come unraveled over the past six months, becoming increasingly interested in hanging out with the neighborhood kids.

“The last six months he kind of gave me a really eerie feeling,” Ermilio said. “Like the way he acted. His demeanor. He would always be around children.”

Ermilio added that Frankulin was a member of a local Doom Metal band called Goatlord. According to the band’s Facebook page, they were active from 1986-97.

While Goatlord experimented in the primitive and unstable sound of bands who wanted to be like Venom but with visible derangement, its previous footnote to history stood at only the production of a few albums enjoyed by some diehard fans (and claimed to be enjoyed by even more posing tryhards) for their erratic atmosphere. With Frankulin’s arrest, the future of the band and its legacy remain in doubt.

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Desecresy posts cover, tracklist for Stoic Death

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Old school but innovatively nocturnal doom-death band Desecresy has released the cover adn tracklist for its forthcoming album Stoic Death to be released on Xtreem Records on November 1, 2015. The tracks are as follows:

  1. Remedies of Wolf’s Bane
  2. The Work of Anakites
  3. Passage to Terminus
  4. Abolition of Mind
  5. Sanguine Visions
  6. Funeral Odyssey
  7. Cantillate in Ages Agone
  8. Unantropomorph

The band also released a preview track, “Abolition of Mind,” which can be experienced in the video below. More information about Stoic Death can be viewed on the label page.

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Slayer Repentless over-analyzed

Slayer - Repentless (2015)

Only one can lead: guitars, voice, bass or drums. Whatever takes the lead will compel others to follow because lead means sketching out the structure of the song. The classic metal albums all lead with guitars and vocals catch up while drums provide accents and bass does whatever it feels necessary.

Repentless reverses this formula. It is built around Tom Araya’s mostly fast-spoken or chanted vocals, and guitar keeps up and drums frame the whole thing. The bass doubles the low notes and does little else, but Slayer has always used that technique. The problem is that in a desire to make catchy choruses and compelling verses, Slayer has relegated its most powerful aspect — the lead rhythm guitar — to a supporting role.

Despite a number of good riffs that call to mind material from the Seasons in the Abyss era, on this album Slayer has had to contort itself to fit around the vocals like a rock song, which de-emphasizes guitar and consequently cramps it and, in its reduced role, forces it to show off and simultaneously keep itself restrained. This keeps the worst of metal guitar and throws out the best. In addition, this reduces songs to minimal song structure based more around a lyrical narrative (or topic of a video) than development of melodies or patterns in the riffs.

This is far from a bad album. The problem is that it is the wrong sort of album. Metal escaped from rock by minimizing the human, especially vocals and feelings, to create a gritty realistic confrontation with the nihilism of existence — the knowledge that events do not depend on feelings or mythological beings, but cause and effect. Slayer expanded its audience in the 1990s to the present by being more centered on vocal hooks and foot-tapping rhythms, and does well at this, but at the expense of what made this band great.

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La Gloria Cubana – Churchill Maduro

La Gloria Cubana Churchill Maduro

This medium strength cigar begins with a leathery flavor with undertones of vinegar. For the Churchill size, especially in a Maduro wrapper, I recommend making as broad of a cut as you can and then using a tamper to push in stray tobacco and expand the airflow by disrupting the tightly layered leaf. This opens up a massive wave of rich smoke from the oily and aged leaves, which burn through an initial bitter flavor toward a nutty, buttery and satisfying deep tobacco flavor.

La Gloria Cubana came of age during the 1990s cigar boom as people reached beyond the traditional market leaders for new, intense flavors. Originally blended by Ernesto Perez Carrillo in the tradition of his family back in Cuban, these well-rolled cigars with high-quality leaf have now become standards at most cigar shops to the point that novelty seekers (hipsters and others) will avoid them. These cigars begin life as blended tobaccos from the Dominican Republic and Nicaragua, layered and bound with a binder of the same and then wrapped in an outer shell of broadleaf Maduro color leaf from Connecticut.

The result preserves the contents for breathing necessary to age and percolate those sugars to the surface, but also avoids adulterating the flavor. At medium strength, the cigar burns from hints of leather into a nutty middle and then ends in a leathery, strong smoke that bears down on the smoker with copious nicotine. Like a Wagnerian opera, the Maduro Churchill cigars work up to a crescendo and then become avenging Valkyries intent on the kill. For the fifty-nine minutes of your life that this cigar will occupy, much of the world will recede and thoughts will become clearer. Ash falls in full clumps and your sense of time evaporates, leading to a disappointment when the nub finally cashes and the cigar remains a pleasant memory.

Quality rating: 4/5
Purchase rating: 5/5

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Pipe smokers are the rebels of the 2010s

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Take your TARDIS back to the hazy 1960s. A buttoned-up Dale Carnegie America has encountered the new rebels: like the beatniks, but simplified, the hippies shock society by systematically violating its standards. They smoke marijuana, have promiscuous sex, listen to loud protest music, and live in squalor, much like the Bohemians of the 1900s that the beatniks were imitating.

Now spin the dial forward to 2015. Television lauds the hippies, who are now old and grey and telling us how we should think. Rock music is used in every commercial, played in every grocery store, and government agrees with the protest lyrics — as do the large, buttoned-up corporations. Promiscuous sex is the norm and marijuana is legal in many states and tolerated with a wink and a nod in others. How do you rebel against the rebellion?

One way is to smoke a pipe, which violates the taboo of our current social pretense of “health” and moral “goodness”:

Interestingly enough, a side-effect has arisen as marijuana becomes more prominent at Stanford. As support for it rises, that for tobacco seems to be waning and a prejudice rapidly forming against it. Recently the Faculty Senate postponed voting on an all-campus smoking ban (tobacco only, recall), that would in essence push all forms of tobacco smoke to the other side of Campus Drive. The only spaces allowed for smoking would be designated outdoor areas and, interestingly enough, faculty/staff residential areas. Slight hypocrisy aside, the ban was designed to be a preventative measure against any sort of respiratory problems resulting from potential second-hand smoke.

The radicals are now in charge and have become old and boring. Anyone singing their song is just bleating. But they have their taboos, too. They fear tobacco and alcohol, masculinity and strong warlike music such as heavy metal. If you think humanity should have a future, you owe it to yourself and the rest of us to rebel against this new generation of buttoned-up nannies and their attempts to control us.

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